Authors aim to relate, sympathise, or evoke any emotion from their readers. William Shakespeare achieves this goal through his use of Aristotle’s tragic hero who evokes sympathy for the character and forces the reader to evaluate certain traits in themselves. Tragic heroes possess a tragic flaw or downfall that leads to their death. Shakespeare uses the characteristics of Aristotle’s tragic hero to create a character that readers connect to and, despite their flaw, sympathize with. The fate of tragic heroes end in their death due to their own mistake or character flaw.…
The term ‘classical tragedy’ may often be confused with the modern view of tragedy. Today, we may think of a tragedy as a disastrous event such as a car accident or a natural disaster, often leading to death. For the Greeks, tragedy was more of a state of mind or sense of personal loss that was taken seriously. In my research of the term classical tragedy, I found that the typical classical tragedy involves a tragic hero of noble birth who has a tragic flaw that leads to a fall from grace, a moment of remorse, and catharsis.…
Miranda is “Eve of an enchanted Paradise” (Works of W. Shakespeare vol 16), the meaning of innocence, beauty and simplicity. As soon as she meets Ferdinand, she is ready “to place her life, her love, her service beneath his feet” (Works of Shakespeare vol 16), which is opposed to what Fowles’ Miranda is doing. Though both are well educated, beautiful, they have different meanings of what life is about and what they should do in order to achieve fulfilment. Contrary to the cultural background, Fowles’s Miranda is a survivor, a woman who once being captured, learns to love life, while Shakespeare’s Miranda is fragile, always protected by the hardships of life by her loving father. Both Mirandas are imprisoned in a virtual cell, derived their…
William Shakespeare's play Romeo and Juliet is without doubt one of the most well-known love story. Throughout the five acts of the play, one tragedy follows another, with the famous suicide of Romeo and Juliet as a tragic conclusion. Throughout the play, it may seem that Romeo caused these events to unfold, however it is unjust to say that he bears all responsibility for the tragedy. The decisions, actions and circumstances that other characters made and faced have also contributed to the tragic outcome. Nevertheless, it is also in the hands of fate that destined the immature deaths of Romeo and Juliet…
Romeo and Juliet is a tragedy, but it does not have to be. Even though there are…
Many people are superstitious, which leads to the belief that “bad luck” is often the cause of tragic circumstances. “Bad luck” can be something as simple as your shoelace breaks to something cataclysmal like a windstorm blows a tree through your living room. McGinn describes tragedy as “a miss match between situation and character” (194) but in Shakespearean literature you need an element of “bad luck” to get a tragedy. McGinn explains that everyone has flaws but there generally is no flaw that will cause a tragedy by itself. McGinn clarifies that you need a flawed character and the right situation in order to have a tragedy. If we have a flawed situation with a good character…
By the end of the play, the characters fall in love with their respective partners, thus the play ends in harmony. This can mean that the Shakespearean comedy celebrates life as it demonstrates the hardships that the characters faced and how they overcame them. This shows the audience that they can also overcome the situations that they are facing as the audience could relate to the characters. This provided the audience with reassurance and a motive to remain positive, they know that their problems will be solved eventually. The comedy in this sense is celebrating life’s pain, harmony and ability to overcome.…
“O dear father! Don’t make too hasty a test of him, because He's gentle, and nothing to be afraid of.” She is telling Prospero not to be too hard on Ferdinand because he is nothing to be afraid of. This shows that Miranda is trying to control Prospero by making him sound daft for being hard on someone who is no harm…
A tragedy is a serious work of fiction that presents the downfall of its protagonist, who through some error in judgment, weakness in character, or twist of fate suffers crushing defeat or death. It also must involve incidents arousing pity and fear. The novel Of Mice and Men, by John Steinbeck, and the Greek drama Antigone, by Sophocles, both have the woeful elements of a tragedy. In Antigone, the main character Antigone is of the cursed family of Oedipus, who unwittingly slew his father and married his mother, who bore him two sons and two daughters. The Gods, enraged by this incestuous relationship, cursed Oedipus’ entire bloodline. In Of Mice and Men, two men struggle to make ends in the brutal times of the Great Depression, by traveling across America looking for jobs as ranch hands. Lennie, the larger of the two, has a mental disability, so George, Lennie’s best and only friend, takes care of him no matter how many times Lennie gets them into trouble.…
A great play has to include many important features in order for it to be classified as a tragedy. For any great tragedy, there must be a tragic hero in the story. Fear and pity are created by and through the conflict. Every tragedy must also end in hope. William Shakespeare’s Macbeth is a great tragedy deserving of much more praise.…
e. Which mythical figures appear in the wedding masque Prospero stages for Miranda and Ferdinand?…
In true tragic fashion, Romeo and Juliet’s bright love is crushed under the weight of the rivalry between their respective families. The children of the Capulets and Montagues are used as an example of overcoming petty differences, and their story reminds the audience that life, like love, is fleeting. Romeo and Juliet use love as a means to an end since their love is what ultimately ends the feud, and the Friar’s speech offers a voice of reason that, although Romeo and Juliet cannot follow, their readers can. Conversely, in A Midsummer Night’s Dream, love’s transiency is proof of its silliness. All three couples end the play happily at their wedding ceremony, showing that love can be trivial but harmless. The love shown in this play is much lighter; it argues that all humans are foolish and irrational in love, as Lysander says, “So quick bright things come to confusion” (MND 1.1.149). His word choice is noteworthy as it foreshadows the mix up of the love potion, and consequent confusion among the four lovers as they grapple with what is real and what is fantasy. The overlapping theme extended to both works is that despite whether love is trivial or serious, each person has a right to choose their significant other for themselves and be…
A Shakespearean tragic hero becomes tragic through a series of occurrences, which change him for the worse. This character must follow a certain pattern, beginning with complete control, the emergence of a fatal flaw, the loss of reason or some other precious item due to the flaw, enlightenment of the hero’s actions, and dramatic irony, which must be felt after the hero’s demise. In Shakespeare’s pitiful play, Othello, Othello is undoubtedly a tragic hero through his characteristics at the start of the play, his tragic flaw, and ultimately, his ascension to enlightenment before his death.…
Miranda also does not give Ferdinand a lot of choice. Whether he agrees or not, she is his:…
An individual’s personal experience can act as a catalyst to reveal momentous discoveries that can ultimately enable some to re-evaluate their values. This notion is prevalent in George Orwell’s 1936 confessional essay, “Shooting an Elephant” whereby an individual is exposed to the inhumane and callous nature of mankind during his time in Burma. The text condemns the despotic British Imperialism within the East through the lens of a single police officer’s recollection of his time in Burma. Similarly, William Shakespeare’s “The Tempest” conveys a dominant character, Prospero who holds authority over Ariel.…