The Sacrifice of Jephthah’s Daughter 1650 by Pietro Vecchia is a rather unusual painting. The premise is that he must sacrifice his own daughter because of a deal with God. In the painting she has her arms across her chest covering her naked self and is bent over almost in a ball. This cowering is a stark difference to, Giovanni Baglione’s St Sebastian healed by an Angel 1603. Sebastian is in repose with his hands behind his back revealing his body. He has already been shot by an arrow where as the daughter is awaiting her father to stab her with the spear in his hand. Both characters are half naked with a cloth covering their lower bodies. Jephthah’s daughter is more ashamed of her nakedness while Sebastian seems to accept it. In biblical times the fattest goat was to be sacrificed to gain God’s favor. The heavy set nature of Jephthah’s daughter appears to be an allusion to that sacrificial procedure. St Sebastian is fit and is being healed by a female angel. The daughter is fat about to be hurt by her father Jephthah. There is a major difference between the healing angel and the overly religious father. The angel’s presence makes the viewer calm and feels like St Sebastian is going to pull through. The presence of the father is one of fear and is rather disconcerting. Even though he is embracing his child the idea that she is about to be killed by him makes him an ominous figure. These pictures seem to scream the difference between a loving God and a vengeful God.…
Merisi, Michelangelo (Caravaggio). David with the Head of Goliath, 1607 or 1609-10. Borghese Gallery, Rome.…
This painting was made by Sandro Botticelli in Florence, Italy during the Renaissance. It is still in Florence and is on display at the Galleria Degli Uffizi.…
Although Northern Renaissance studied under Italian Renaissance, the theme of Northern Renaissance art works are not only about religious, but also included portraits. As for architectural development, the northern artists focused on the decoration of buildings, especially the details of the surface. They promoted naturalism, compared to the elegant Italian style, the northern artists paid attention on their artworks are whether in fresh and natural style. As for painting, the northern artists painted oil on panels and canvas, they are different with the Italian artists, the northern artists promoted realism, their paintings are more realistic. Jan van Eyck, Arnolfini Wedding Portrait, as one of the most famous Northern Renaissance artwork. In the painting, the realistic depiction of the interior decoration of the room, has become the biggest highlight of the painting, which represents that the northern artists striving for perfection when they are…
Even though both Italian renaissance and Northern renaissance had similar Ideas. There were enough differences between them to identify one from the other. Northern renaissance mostly focused on religious ideas. They were more concern with reform the church and adopt the path of early Christian church. Jan van Eyck’s Ghent Altarpiece (closed), Saint Bavo Cathedral, Ghent and Rogier vander Weyden’s Deposition also show this concept. Also northern renaissance art artist were more realistic than Italian renaissance artists. Their painting didn’t have Greek gods but real people. Many of their painted scenes were from daily life but not classical myths.…
The first panel is the donors that commissioned the painting by Campin, the second panel is the same Annunciation scene of Mary and Gabriel but depicted quite differently, and the third panel is Saint Joseph. This painting pays close attention to clarity and detail, with varying colors and realism. The painting is in oil, and has a style that reflects the Northern Renaissance period. For example, the angel and Mary do not have halos, and it lacks linear perspective. The lack of halos, as well as Mary’s face (which doesn’t seem too happy about the fact that she is about to conceive Christ’s child) could relate to the religious separation that Northern Europe was experiencing during the Renaissance. Northern Renaissance art is very well known for its symbolism, and in this painting nearly every object is symbolic of spiritual ideas (Harris). For example, lilies represent Mary’s virginity, Joseph’s tools represent the Passion of the Christ, and the extinguished candle represents God taking human…
artists, Two Angels by Duccio di Buoninsegna from the Middle Ages and the Mona Lisa by…
In contrast to the Renaissance, when painting and art became more individualised focusing on the beauty of nature and the human body rather than purely religious symbolism. Renaissance art used new, different types of .perspective to give the paintings a much more realistic look better using light and shadow…
· Caravaggio’s paintings depart from Renaissance traditions to reflect the Italian Baroque style, how? The artist depicted figures within settings that demonstrate the use of atmospheric perspective.…
There are many differences between Northern renaissance art and Italian renaissance art. They are quite different. While Italian renaissance art tended to show the body in an idealistic way, Northern renaissance art hid the body. The art was very realistic, but drapery hid the body in a medieval fashion. That makes one major difference between the two: Italian was classical and Northern was medieval. Northern art had an immense amount of symbols in it. A good example of Northern art is the Merode Altarpiece, painted by Robert Campin in 1425-1428. In this piece, there is an incredible amount of symbolism, it is painted in a medieval style (drapery hides the body, etc.), there’s a tremendous amount of detail put into it, and perhaps one of the most defining features of it is that it has got the patron in it. Since it was commissioned by someone besides the church, they wanted to be put in the piece of art that they paid to be painted. The patrons of the altarpiece appear on the far left side, as if they were part of the scene itself. Now we have Italian renaissance art. Some defining characteristics of it are that it is very classical (drapery tends to cling to the body, revealing the perfection of all the idealized bodies), they used plenty of linear perspective (whereas Northern art was more medieval, so they didn’t much care for that), they liked using illusions in their work, and they didn’t have patrons in their work because the church usually commissioned all the art. Botticelli’s Birth of Venus is a good example of Italian renaissance art. It not only has tons of drapery clinging to the female’s bodies, but it also has a nude person, common in classical art. This piece shows no particular patron, and so we can assume that it was commissioned by the church.…
Therefore the provenance of this image might be in Northern Europe. Image 5 Approximate date: around 1500 (Renaissance period) Artist: Andrea Mantegna Provenance: Italy According to the arrows on the body in this picture, we can infer that this painting is about the story of St Sebastian.…
Five Early Renaissance Portraits Author(s): Rab Hatfield Source: The Art Bulletin, Vol. 47, No. 3 (Sep., 1965), pp. 315-334 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3048279 . Accessed: 19/05/2013 05:42…
The above listed is what I chose for my comparative art analysis essay. I decided to pick this theme because the realm of sleep and/or dream has always been fascinating and the works that depict this theme are most often very interesting to view. I'm hoping to relay to the readers that dreams and their dreamscape differ from person to person. The only thing that is common is the originality and creativity of each dream. One person can interpret a dream painting one way while another can interpret it a totally different way.…
Venus and Cupid by Lorenzo Lotto is definitely one of the most unusual paintings when viewed through 21st century eyes. The painting depicts Venus lying on her left side, naked, and Cupid standing about a foot behind her. Inspired by ancient marriage poems, known as “epithalamia,” the painting was apparently painted to celebrate a wedding and Venus’s body type and facial features were taken from that of the bride to be’s. The painter included a few items in the picture that relate to Venus and to the sacrament of marriage. On Venus’s head is a crown (considered a “crown” in those times but we call it a tiara today [it’s much smaller]) with a veil cascading down the back. Rose petals line her sexual attributes and she holds up a wreath made of ivy and myrtle1, a symbol of fidelity and was worn by the bride. Behind Venus’s head, a conch shell dangles and finally, placed randomly around the two is a coiling serpent, a rod, roses, and an incense burner.…
The Birth of Venus, painted by Sandro Botticelli, was created from 1484 to 1486. Up until this point, only paintings from Biblical scenes such as Adam and Eve in the classical era portrayed…