It took Donatello ten years to complete the statue and it remains in Padua, Italy at the Piazzo del Santo. This work paved the way for other equestrian statues of this time period, previously equestrian statues were reserved for kings and other rulers. The Equestrian Statue of Gattamelata was an incredible example of the fusion of humanism and individualism with classicism. It sits on a pedestal nearly thirty-five meters high, completely life-like. It is considered one of Donatello's most important and groundbreaking works because of its subject matter and composition. The Gattamelata was created using the lost wax method, which was a standard during that time for bronze statues, but he incorporated an individual, emotional quality that other sculptors had yet to…
Its head turned to the right with its mouth slightly open. Marcus Aurelius is posed with his right hand raised in the air and head tilted turned slightly to his right toward his raised hand. The artist who created the Equestrian statue of Marcus Aurelius used curves, horizontal, and vertical lines for it. They also used repetition to create the lines underneath the horse’s head and the curls on Marcus Aurelius’ head. General “Mad” Anthony has his head looking forward and hands placed on the reins as though he is pulling the horse’s head slightly right or stopping the horse. The horse is posed with its left front leg raised to step forward or possibly to turn. The artist, George E. Ganiere, used curves for the bodies of the horse and the General, as well as what they wear on them. He also used vertical lines for the…
The word panic comes from the greek word “panikos” which means “pertaining to Pan”. Pan is the greek god of shepherds, flocks, and forests.…
In 1482, the Duke of Milan hired Leonardo to make a statue of a horse. The Duke wanted the horse to be 24 feet tall. Creating such a large statue would not be easy. It was to be the largest statue of a horse in the world. Leonardo spent years building a clay model of the statue. He showed the model in Milan, Italy, but it was not finished. He planned to use this model to create the final bronze statue. Unfortunately,…
Love, desire, and passion are examined from many angles and in many different kind of relationships in the play. Explain how.…
In the play Romeo and Juliet by William Shakespeare, Benvolio is more civilized than Tybalt. To begin, Benvolio is respectful towards his kin. In a conversation with Montague, Benvolio wishes that “[his] noble uncle…so please [himself], step aside” (Shakespeare 1.1.140-153). Benvolio addresses his uncle with the utmost respect and politeness, depicting his civilized nature. Next, Benvolio tries to avoid violence. Upon seeing a fight, Benvolio intervenes to try and “put up [their] swords” (1.1.63). Benvolio’s trying to avoid a conflict demonstrates his civil actions. Unlike Benvolio, Tybalt is uncivilized. First, Tybalt does not respect the wishes of his uncle. Instead of doing as Capulet bids, Tybalt expresses to his “uncle, ’tis a shame” (1.5.82). Rather than politely doing as he is told, Tybalt snaps back rudely to his elder, illustrating his uncivil side. Whereas Benvolio asks his respected uncle to step aside politely, Tybalt disregards Capulet’s wishes and even retorts with a saucy comment, hence displaying his lack of civility in comparison to Benvolio. Moreover, Tybalt welcomes a fight. When given the chance to avoid using violence, Tybalt does not “excuse the injuries/that [Romeo] has done [him]; therefore [turns] and [draws]” (3.1.65-66). Instead of calmly forgiving and forgetting past offences, Tybalt intends to fight with Romeo. Tybalt is being uncivil towards Romeo, as he is trying to start a conflict with him when unnecessary. In contrast to Benvolio, who does his best to avoid fights, Tybalt strives for a conflict, hence proving him the less civil of the two. In conclusion, Benvolio is more respectful and peaceful than Tybalt, proving him to be the more civilized…
The mounted statue of Marcus Aurelius exhibits many similarities to that of Augustus. Both statues express the theme of power- Aurelius is over life-size and is holding out his hand in a gesture akin to that of Augustus. During Aurelius’s reign, Roman portraits gradually became more abstract in quality. However, equestrian portraits were popular before the Christianization of Rome, but are now rare since the then Christians destroyed many pre-Christian artworks thinking that they were pagan idols. Fortunately, the Equestrian Statue of Marcus Aurelius was spared because of its misidentification as a portrait of Constantine. Note that Aurelius is riding without stirrups, which promotes his grandeur as a master controller. Aurelius’s arm is out-stretched…
"Sweet, sweet, sweet nurse, tell me, what says my love?" (RJ 2.5.55) In Zeffirelli's version of Romeo and Juliet, Act 2, Scene 5, Juliet seems bratty and impatient because the nurse fails to deliver the information about Romeo as soon as she walks through the door. Luhrmann made his version more modern, and makes the characters kinder to emphasize their relationship. These movies contain some similarities and differences; they both use some of the same lines, but portray the characters in diffrerent ways and the characters wear different types of costumes.…
“Here’s some advice, stay alive.” Haymitch Abernathy. These well-known words were said to Katniss and Peeta as they head into The Hunger Games for the very first time, and also told upon Romeo as he was banished from the city of Verona. The love between Peeta and Katniss, the violence, the time period, and the characteristics of the people makes this story very comparable to The Tragedy of Romero and Juliet.…
When one thinks about the word love, one would think about marriage, kissing, and happiness. However, love can cause people to get injured or die. This lesson is evident in The Tragedy of Romeo and Juliet by William Shakespeare by having irony and characterization. Franco Zeffirelli’s adaptation of William Shakespeare’s play, Romeo and Juliet (1968) tried to express this lesson through the use of atmosphere and body language. A lesson that can be learned from Shakespeare’s play is that love can get someone killed and Zeffirelli’s attempt at presenting this lesson in his film was a failure so the negative effect was that it made the deaths of many of the character seem to stem from stupidity rather from love.…
‘Appropriations are often a reflection of our time’. This can be seen with Shakespeare’s play ‘Romeo and Juliet’, a play which was written almost 400 years ago. Although modern appropriations have been made; with Franco Zeffirelli’s, Elizabethan version (1968), and Baz Luhrmann’s (1996) more contemporary version, the essence of the play, and why audiences appreciate it remain the same. In order to highlight this, comparisons between the ‘Ballroom’ and ‘Balcony’ scenes of each film can be made. Although the setting, costumes and props are very different, the underlying themes remain true to Shakespeare’s original text.…
William Shakespeare was the creative mind behind some of the world's greatest plays and tragedies. Two of his most famous tragedies were Romeo and Juliet and Julius Caesar. One definition of a tragedy is that it depicts serious incidents in which characters undergo a change from happiness to suffering, often involving the death of others, as well as the main characters. This definition proves true in both Romeo and Juliet and Julius Caesar.…
Rash actions lead to dire consequences when the actions of others are not accounted for. In William Shakespeare’s drama, The Tragedy of Romeo and Juliet, the young lovers Romeo and Juliet are depicted to be causing havoc due to them acting rashly. The theme of acting rashly is revealed through Shakespeare’s incorporation of both tone and syntax.…
Throughout life, humans are put to the test and must remain true to themselves and others. In the play Romeo and Juliet, by William Shakespeare, Juliet encounters many trials and goes through several experiences. As Juliet goes through many struggles, she continues to remain loyal to her husband Romeo.…
Donatello was one of the first Renaissance artists interested in the Classical art and architecture of ancient Greece and Rome and became the first artist of the Renaissance to create a nude statue…