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Comparing Dystopic Worlds in George Orwell's 1984 and Ray Bradbury's Fahrenheit 451.

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Comparing Dystopic Worlds in George Orwell's 1984 and Ray Bradbury's Fahrenheit 451.
Imagine this, a perfect world of complete harmony and justice. There is no wrong, and there is no right. There is only utopia. It might be the perfect place where people want to live, or the place that people dream about. It might even be the picture of the future. However, this Utopian world is revealed to have flaws. It lacks many of the qualities of life that exist today. Thus the Utopian world isn't so Utopian anymore. And the more that is revealed about the world, the more horrible it becomes. Soon, it becomes a nightmare, a world of illusions, of lies. That is the dystopic world that authors such as Bradbury and George Orwell pictures in their books, a world that exists under the image of utopia, and yet to the reader seems like a foreign, inhumane residence dominated by an all-powerful government. George Orwell's 1984, and Ray Bradbury's Fahrenheit 451 depicts two different dystopic worlds. The settings of both books are different and the characters are unique; however, both of these books are also very similar. 1984 and Fahrenheit 451 are similar dystopic literatures by a common theme of censorship in which the government withholds or censors information, by a similar thread of a totalitarian government running the dystopic world, and by a common knowledge of the truth that the protagonist and the antagonist both hold.

Censorship is a remarkable simple concept: the ability of the government to withhold or change information that passes into the public. All governments have some form of censorship, and some governments have less censorship than others. Yet censorship can also become a difficult concept to grasp, for censorship allows the government to influence how people think. The less censorship there is, the more people begin to think, which according to standards today, is a good thing. However, totalitarian governments such as the ones in Fahrenheit 451 and 1984 do not want people to think. They want people to just do, and thus it becomes a perfect



Bibliography: radbury, Ray. Fahrenheit 451. The Ballantine Publishing Group, 1953. Orwell George. 1984. New American Library, NY, 1949.

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