As Theseus, the Duke of Athens, and Hippolyta prepare for their wedding, Egeus, a nobleman of the town, comes before them to seek assistance with his disobedient daughter, Hermia. Egeus wants her to marry Demetrius, but she wants to marry Lysander. According to the law of Athens, she must marry the man her father chooses or die. Theseus acknowledges that Egeus has the law on his side, but offers Hermia the alternate choice of becoming a nun. Lysander and Hermia decide to run away so that they can be married. Before they leave, they see Helena, Hermia’s best friend, and tell her of their plans. Helena is in…
The three movie adaptations of A Midsummer Night’s Dream, from 1935, 1968, and 1999, are all unique, despite showing the same scene, the introduction to the fairy world. The 1968 version, which was directed by Peter Hall, is not remastered, which makes the quality very poor. The 1935 version seems more like a ballet than a movie, and utilizes Felix Mendelssohn’s Overture and Incidental Music to A Midsummer Night’s Dream. However, the best adaptation is the one from 1999, for not only does it have better costumes, sets, and special effects, but it is also for a more modern audience, something the first two could not capture. That is partially due to this version being filmed more recently than the others, but mostly because the director, Michael Hoffman, changed and added to the original play. Also, the actors in this adaptation seemed to do more than speak the lines; they put in feeling and emotion, something that was lacking in the other versions. Because of this, the video clip in 1999 adaptation of A…
Lysander and Hermia, both young and well-off, are unpermitted, according to the Ancient Privilege, to wed each other without the approval of Hermia’s father, Egeus. However, not quite prepared to end their relationship, the lovers very ambitiously and suddenly run into a nearby forest. They have done so without considering the consequences, and as a result, find themselves lost. Lysander suggests this, when he says, “Fair love, you faint wandering in the wood, and in truth, I have forgot our way,” (II. ii. 41-42). Later in the play, the duke of Athens, Theseus, overbears Egeus’ will, and insists Lysander and Hermia wed each other on his marriage day. Hermia, in quickness and happiness, agrees, without considering her father’s reaction. By doing so, she may be sacrificing her relationship with him. In both situations, the young Athenians pay no attention to the consequences of their relationship, which supports the idea that love ignores all…
The play focuses on the exploration of romanticism and the pursuit of love. The story revolves around the upcoming marriage between Duke Theseus and Hippolyta, Queen of the Amazons. The Duke is approached by a man named Egeus who is in complaint of his daughter’s choice of men. He wishes that his daughter, Hermia, will marry Demetrius in which she declines. She is in love with Lysander and proclaims “O hell, to choose love by another’s eyes” (Shakespeare 1659). The Duke gives Hermia an ultimatum to either marry Demetrius or accept the penalty. The penalty is “Either to die the death” or “To live a barren sister all your life” (1657). Hermia and Lysander make plans to run off and get married. Hermia’s friend, Helena, comes into the picture. Helena is in love with Demetrius, but he is not in love with her. Helena tells Demetrius the plan of the elopement in an attempt for him to fall in love with her. While this is happening, a group of craftsmen are putting together a play for the Duke’s wedding. This comes into play because they are practicing in the woods where Hermia and Lysander are waiting to run off to get married. Also in the woods are the Fairy King, Oberon, and Queen, Titania. The fairies have a magic love dust works when sprinkled in one’s eyes. When the person awakes, they fall in love with the first thing they see. The play continues with Lysander and Hermia in the woods with…
Demetrius is more of a cold soul, but that is transfigured in the final bits of the play, and Lysander is the hopeless romantic of the play. He spoils Hermia with little knacks and treats and even sings to her at her window sill in the night “Thou hast by moonlight at her window sung/ With faining voice verses of feigning love[...]” (1,1:31,32). Though it is quite obvious that the two men are tremendously different, there also are some similarities, more so near the end of the play as opposed to the beginning/middle. Both men find a partner in which they marry. In the final act, Lysander and Demetrius lock away their differences, and resolve the conflict between the…
When they are talking to the duke he is cold toward Lysander and makes it clear he wants to marry Hermia. Then during their escapades in the woods, Demetrius is enchanted to love Helena instead. He disregards the time he thought of marrying Hermia and only has eyes for Helena. When Egeus and Theseus’ party find the two couples in a meadow Demetrius states to the duke that he was a fool to think he loved Hermia. Again Egeus being betrayed helps bring the different lovers…
Hermia is supposed to marry Demetrius, but she is in love with Lysander. If she does not marry to her father’s consent, she can become a nun or get killed. This shows how twisted the law was…
Hermia and Lysander speak about the pain of their love and how they wish they had obstacles such as social standings or an age barrier, showing that they see them being together as almost impossible, yet they are still fixed on being with each other. Lysander also suggests that Hermia and himself run away to his Aunt’s house where they can be together and married – the fact that he is prepared to marry Hermia even though it is forbidden makes it clear that he loves her more than he fears death, which also relates to ‘Romeo and…
In A Midsummer Night's Dream the challenges to romantic love are when Hermia goes against her father’s orders to marry Demetrius the man that she doesn’t want to marry.…
Interestingly this aspect of the play is similar to that of the story of ‘Romeo and Juliet,’ which Shakespeare wrote at a similar time. Both plays depict a girl trying to escape from a forced marriage, however the outcome in A Midsummer’s Night’s Dream does not encompass the same tragic ending. However in the beginning of the play the author does not tell the audience that Lysander and Hermia will be so lucky. Shakespeare shows the power of love by the similarity of the two plays; if Egeus had achieved his plans, Lysander and Hermia may have also taken their own lives in despair. Instead they plan to run away together and married where Lysander’s aunt lives; “There, gentle Hermia, may I marry thee.”…
Angela Davis proposes solidarity as a pragmatic approach to addressing hegemony, and uses personal anecdotes to explain Trenholm’s definition of hegemony and to portray the views of Stuart Hall’s ideas of production and circulation in a way that stresses the inherent connections in society. As defined by Trenholm, hegemony is the idea that the dominant viewpoints “reflect and reproduce only those ideas, meanings, and values that uphold the interests of the power elite and that they silence opposing views” (Trenholm 284). Davis approaches hegemony in a similar manner, further claiming that differentiating between societal structures and individuals is the key to undermining hegemony. Due to her understanding of the intersectional topics of personal identity, Davis also claims that solidarity is another manner of…
Hermia wishes to marry her romantic love Lysander but her father Igneus has power over her as by law and paternal love. Shakespeare presents for us the conflict between eternal and romantic love. "The course of true love never went so smooth"-Lysander. This quote proves that love brings hard times and conflicts during its timeless life. The audience develops the theme of love and the conflict that can be caused by inter-relation of love.…
Hermia defiantly denies her father’s attempts at an arranged marriage, in favor of her whirlwind romance with and marriage to Lysander. She does not want to marry Demetrius even though her father has pretty much told her it is that or death. She already know that if she against her father willing to marry Demetrius, she will be punished, she might be killed but she takes the risk and…
An earlier play entitled, “A Midsummer Night’s Dream”, by William Shakespeare, is a comedy outlining the destinies of two bothered couples. Shakespeare tactically demonstrates the love of two Athens individuals, Lysander and Hermia. The conflict is, Hermia’s father is against the marriage of the two and insists upon marriage with a man named Demetrius. However, the already complicated situation becomes more complex when Hermia discovers that Helena, a deep-rooted friend, is in love with Demetrius. My initial interest of the play arose during the introduction of this conflict.…
Hermia: Don’t worry. He will no longer see my face. Lysander and I are running away from here. Before I saw Lysander, Athens seemed like paradise to me. Lysander is so attractive that he has turned heaven into hell!…