Comparing Nora And Torvald

Ibsen's use of symbolism is also evident in the dialogues exchanged between Nora and Torvald. From the very beginning of the play, the type of language and the ways in which Nora and Torvald communicate appear to be significant in characterizing their relationship. This is especially evident in Torvald’s numerous notable references to Nora, such as “my little squirrel,” “my little spendthrift,” “little featherbrain,” “my dearest treasure,” and “[m]y obstinate little woman” (4, 5, 59, 57, 26). Such repetitive usage of the possessive word “my” as well as underestimating diction, such as “little” are significant in conveying how Torvald views his wife. The constant references to Nora as someone who is “little” shows how Torvald views her as a
To Torvald, Nora seems to be a creature for his pleasure and enjoyment, rather than someone with an important value. These references also depict Nora as someone who lacks identity and a sense of being in their marriage. Ibsen therefore effectively develops the theme of patriarchy from the start through such choice of diction in their dialogues, which clearly conveys the one-sided relationship that Torvald and Nora shares. Furthermore, Nora does not appear to be offended, but rather accepting of the way Torvald treats her. For instance, when she is hiding macaroons from Torvald, she makes a remark about how Torvald does not have “any idea how many expenses we skylarks and squirrels have” (4). Nora appears to willingly accept Torvald’s references to her as animals and even seems to identify with the image that Torvald has associated her with. Additionally, the conversations between Nora and Torvald throughout the play exemplify Nora’s submissive behaviour towards Torvald. After Torvald scolds her for having too much sweets, Nora responds like a child by saying “I should not think of going against your wishes”