Comparing Orwell's Nineteen Eighty-Four And Goblin Market
Winston wants to rebel against the party, however his desire is impossible to achieve in a totalitarian setting, which is the world of Nineteen Eighty-Four; societal regulations in Nineteen Eighty-Four help to prevent potential dissenters from needless struggle and pain. Winston understands that the party’s structure is reinforced in several ways that make it incredibly strong, and impossible change in his lifetime. Just like Lizzie, O’Brien warns Winston that, “there is no possibility that any perceptible change will happen within [their] own lifetime,” and by rebelling, “[they] are the dead” (Orwell 203). However, just like in Goblin Market, Winston ignores the possibility of death, in pursuit of his own desires. He rebels and breaks the
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Victor knows his desire is forbidden, this is evident by the fact he hides what he has done and the existence of the creature. Victor himself is incredibly shameful of his actions, he is “unable to endure [any] aspect of the being [he] created,” and he runs away from the newly created creature (Shelley 58). In addition, Victor like Laura, is suggested to not be in control of his desire, he states that, “[he] seem[s] to have lost all soul and sensation but for [that] one pursuit” (Shelley 55). This furthermore emphasizes that social regulations are created to helps individuals to control their desires. The reader understands that Victor’s desire is against social regulations and dangerous, for several reasons. For instance, M. Kempe, a professor at Ingolstadt, dismisses alchemy, the area of Victor’s interest, saying Victor has “burdened [his] memories” with his studies of alchemy (Shelley 47). Furthermore, the creature is created from death; Victor gathers the pieces of corpses from, “charnel-houses”, “dissecting room[s] and the slaughter-houses”(Shelley 55). By working with death, Victor is pushes boundaries of the unknown; this allows the reader to perceive him as ‘playing god’, something which is socially unacceptable. Death is a realm that no mortal can truly understand because mortals are living. Therefore by creating life from death, Victor is playing god, by doing things that only God is allowed to do, thus its not a surprise when Victor’s creature creates
Victor knows his desire is forbidden, this is evident by the fact he hides what he has done and the existence of the creature. Victor himself is incredibly shameful of his actions, he is “unable to endure [any] aspect of the being [he] created,” and he runs away from the newly created creature (Shelley 58). In addition, Victor like Laura, is suggested to not be in control of his desire, he states that, “[he] seem[s] to have lost all soul and sensation but for [that] one pursuit” (Shelley 55). This furthermore emphasizes that social regulations are created to helps individuals to control their desires. The reader understands that Victor’s desire is against social regulations and dangerous, for several reasons. For instance, M. Kempe, a professor at Ingolstadt, dismisses alchemy, the area of Victor’s interest, saying Victor has “burdened [his] memories” with his studies of alchemy (Shelley 47). Furthermore, the creature is created from death; Victor gathers the pieces of corpses from, “charnel-houses”, “dissecting room[s] and the slaughter-houses”(Shelley 55). By working with death, Victor is pushes boundaries of the unknown; this allows the reader to perceive him as ‘playing god’, something which is socially unacceptable. Death is a realm that no mortal can truly understand because mortals are living. Therefore by creating life from death, Victor is playing god, by doing things that only God is allowed to do, thus its not a surprise when Victor’s creature creates