science fiction television shows such as ‘Farscape’ and ‘Star Trek’ reflect and provide commentary on the modern social/political issues of the time. Telotte (2001) also discusses their uses of special effects and how the time they are created defines the creativity of the special effects. Science fiction from the 1980’s had a different depiction of the future than science fiction of the 2010’s. This is largely due to what the filmmaker can now achieve with special effects. George Méliès had to use stop motion techniques to achieve his effects, while now filmmakers can use digital technology to create visual effects. Telotte (2001) therefore describes science fiction as a genre not defined by a subtext but something with a powerful lure that seduces audiences into new reality which mimics our
science fiction television shows such as ‘Farscape’ and ‘Star Trek’ reflect and provide commentary on the modern social/political issues of the time. Telotte (2001) also discusses their uses of special effects and how the time they are created defines the creativity of the special effects. Science fiction from the 1980’s had a different depiction of the future than science fiction of the 2010’s. This is largely due to what the filmmaker can now achieve with special effects. George Méliès had to use stop motion techniques to achieve his effects, while now filmmakers can use digital technology to create visual effects. Telotte (2001) therefore describes science fiction as a genre not defined by a subtext but something with a powerful lure that seduces audiences into new reality which mimics our