Preview

Comparing The Entombmment And Giotto's Lamentation

Good Essays
Open Document
Open Document
596 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Comparing The Entombmment And Giotto's Lamentation
Giotto’s Lamentation and Caravaggio’s The Entombment both share the same blibical subject, Jesus’ death and those whom are deeply devastated by his death. In these two works, a huge sense of sadness and disbelief is shown through fine/ detailed facial expressions and body movements. In Lamentation, the woman who is propping up Jesus’ body is believed to be Mary; the manner in which she’s holding up her son, leaning forwards as if she was trying to wake him in disbelief of his death. Mary’s facial expression is also showing a sense of sorrow by the way her eyes seem to be pleading for Jesus to wake up. Also on the upper part of this work there are 10 angels who also share this same emotion of sorrow and grief. One of the angels is pulling their …show more content…
Also, we see a person behind everyone with her had raised to the sky showing frustration, disbelief, and grief, as if she was pleading to God for some sort of miracle and strength. Another trait in which both works share is the simplicity of the work’s background, this is done so the background doesn't draw attention away from the focal point. In Lamentation the background is all blue with a rocky hill expressing simplicity and naturalism while in The Entombment doesn't actually have a background it is complete darkness and black, this is done to draw attention to the figures through shade and lighting showing chiaroscuro. The simplified background to be able to focus on the focal point of these works of art which is also another trait they have in common. Giotto and Caravaggio both placed the focal point at the bottom left of their paintings by placing Jesus slanted body there and all the figures surrounding Jesus trying to hold him up. Lastly, both works of art are opened works meaning that the viewer literally feels as if they're in the painting as well because of the illusion of space that is reflected from both

You May Also Find These Documents Helpful

  • Good Essays

    ART 108 Assignment 1

    • 902 Words
    • 3 Pages

    signals the violence of Christ's death. Giotto is the first artist since ancient Rome to depict…

    • 902 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    The painting looks like it is in the…

    • 247 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    So- called Lamentations are generally scenes of great soberness and sadness. Byzantine painters and Jacob narrates the same story with different style of painting and in different period. Both painters strove to make utterly convincing an emotionally charged realization of the theme. Both artists presented lamentation scene in more a natural setting and people in the image are fully modeled. They included crying Mary and other religious representation to tell their audience the story is taken from bible.…

    • 931 Words
    • 4 Pages
    Good Essays
  • Good Essays

    While the painting lacks the formal resemblance we recognize from photographs or our own perception, there is an overall…

    • 1032 Words
    • 5 Pages
    Good Essays
  • Satisfactory Essays

    Art 101 Formal Analysis

    • 519 Words
    • 3 Pages

    For example, I am observing the above listed painting through a formal analysis of it, and interpretations of my understandings and concluded with the observations. The artist has portrayed an image of girls in the midst. Second, an artists working on a painting that reflects the painting background, while the image on the mirror on the very back wall depicts what appears to be the King and Queen. Just as the mirror used to attract the viewer’s visibility and many illusionistic effects is the formal qualities used by Diego Velasquez; it also portrays reflections of images outside the view. The artist used three primary focal-points including reflected mirrored images, half-length, and self-portrait. However, the depth and dimensions of the painting has been block; this has been achieved through the use of tones, color, layers and shapes to overlap the…

    • 519 Words
    • 3 Pages
    Satisfactory Essays
  • Good Essays

    David Battcock Analysis

    • 1068 Words
    • 5 Pages

    The contrasting colors have a major effect in this painting. The light blue wall in the back looks like a dazzling blue sky on a sunny day, but directly behind the men two darkened shadows lurk like massive storm clouds. The…

    • 1068 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Giotto revolutionized painting techniques in many ways, though primarily through placing significant importance in the “realness” of art. He observed humans and their form closely and reproduced their gestures, movements, and expressions in his work. To achieve this realism, Giotto utilized a combination of techniques in his paintings, including lines, color, light, shading, and tight brush strokes. He made outstanding use of space, using horizontal, diagonal, and vertical lines, frequently in the arrangement of celestial beams and geography, to draw attention to the dominant focus of his work and to provide a sense of involvement to his viewers. This technique is clearly displayed in his painting of the Lamentation of Christ, found in the…

    • 423 Words
    • 2 Pages
    Good Essays
  • Better Essays

    Two paintings, produced about three hundred years apart, of two artists in their respective studios can make for an interesting comparison which could be assumed to have quite a few similarities. However, this is not always the case and these two paintings serve as a good example of differences between pieces that might as well share a title. Firstly, the time periods of the paintings have a definitive impact on their style. Also, one painting was made by a Dutchman, by the name of Rembrandt van Rijn, while the other was made by an American named John Singer Sargent. Their sizes are contrasting with Rembrandt’s painting being…

    • 1492 Words
    • 6 Pages
    Better Essays
  • Good Essays

    Art History 27

    • 1063 Words
    • 5 Pages

    1. formal and iconographic characteristics are seen in high renaissanace, venetian and mannerist paintings. to begin with, in high renaissance michaelangelos Moses is shown holding the 10 commandments. You can clearly see the anger that is dipicted through the facial expression on moses. Michaelangelo wonderfully portrays the psychological states in moses, through the iconographic characteristics of his puffed lower lip, arched toes and the bulging of his veins. the formal characteristics are seen through michealangeols mastery of lines, which help create the anger that is being felt by moses. The formal characteristic of the lining of his beard and clothing show his inner turmoil. In the venetian painting of the virgin of the rocks by Leonardo Da Vinci, the artist magnificantly uses the chiaroscuro method of light and dark to model the expression and emotional states of the figures being portrayed. The lines, soft and subtle give the painting a more intimate feeling. The figures are all shown interacting with one another, praying, pointing, and blessing. He also presents the figures in a pyramidal group and sharing the same environment. The figures emerge through the use of light and shading from the half-light of the cavernous visionary landscape. For mannerism, formal characteristics are clearly seen in Parmigianino's Madonna with the long neck. Although nothing is shown in proportion the painting still apears soft and smooth, through the lines and colors used. The madonnas long neck, the delicacy of her hands and swaying elongation of her frames are all signs of mannerism. On the left stands the angelic creatures melting with emotions as soft and smooth as their limbs. on the right the artist includes a line of columns without capitals and an enigmatic figure with a scroll whose distance from the foreground is immeasureable and imbiguous.…

    • 1063 Words
    • 5 Pages
    Good Essays
  • Satisfactory Essays

    DBQ 2: Renaissance

    • 460 Words
    • 2 Pages

    The two paintings show that, during the Renaissance, a man’s view of man was changing by painting more realistic and being more colorful.…

    • 460 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    The similarities between these two works of art are profound. They both show the overwhelming devastation of Mary's face looking upon her deceased son. Christ, her son, displays a peaceful expression on his face in both of the works. The body of Christ is laying in a limp fashion across the legs of his mother, who is sitting upright on a bench. The artists also show Mary dressed in heavy clothing which drapes over…

    • 550 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Humanities Baroque

    • 688 Words
    • 3 Pages

    In Baroque artwork, viewers can visualize the emotional impact the painting has. Everything is in action and the painting is like shot in the middle of what’s going on. In Caravaggio’s The Crucifixion of Saint Peter, everything is painted right in the middle of the crucifixion. Saint Peter is not even up yet but in the middle of getting there. The painting is activated and has complex movements. Gravity has a very powerful pull in this picture as well. Viewers can see the emotion in Saint Peter’s face that he is scared but brave. Caravaggio made sure to tell a story in this painting with emotion since you see a poor, innocent, and homeless looking man being crucified. Everything from the guy’s dirty feet and bottom who hoisting up Saint Peter is basically sticking out to the viewer’s face. The three men do…

    • 688 Words
    • 3 Pages
    Good Essays
  • Good Essays

    However, the smear of dark red paint exhibiting her death conflicts with the illusion of liveliness that is present. The color scheme of earthy tones was common in the paintings of the 16th century. By including such shades in his painting of Medusa, Caravaggio dwells on the familiarity by being similar to artists of the same periods. In contrast, the subject matter causes the painting to be uncanny in that the subject of most paintings of the Baroque movement was religious. Therefore, Caravaggio’s decision to paint a Greek mythology gorgon, especially with characteristics of the reanimated dead, is so bizarre and atypical that it departs from our perception of familiarity and enters into the uncanny.…

    • 635 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Michelangelo and Caravaggio were possibly the two most renowned painters during the Renaissance period. Both Renaissance artists painted religious scenes, approaching their artworks in diverse ways according to their personal framework and attitudes. Where Michelangelo’s tortured soul was portrayed directly onto his paintings, Caravaggio’s almost arrogant attitude and need for action and drama resulted in his dark, melodramatic pieces.…

    • 2487 Words
    • 10 Pages
    Better Essays
  • Satisfactory Essays

    India Revision Notes Raj,

    • 854 Words
    • 4 Pages

    Year 12 UNIT 2 (British History) Topic D2: Britain and the Nationalist Challenge in India 1900-47…

    • 854 Words
    • 4 Pages
    Satisfactory Essays

Related Topics