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Comparison Between Walter Gropius And Adolf Meyer's Fagus Factory

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Comparison Between Walter Gropius And Adolf Meyer's Fagus Factory
Walter Gropius and Adolf Meyer’s Fagus Factory in Alfeld an der Leine (1911-1913)
Fagus Factory is the building that designed by Walter Gropius and Adolf Meyer, which are considered as important architecture in modern architecture. The factory is a combination of functional and elegant element. The intention of the construction is to improve the issue of lack of light in the factory. In order to meet shoe workmen’s requirement, the section and the elevation site of Fagus Factory is encompassing of methodism and clear glasses, so that the sunlight can be passed through the glasses and provide opulent sunshine to the workmen. Also, the staircase is located at the side of the building, which allows the factory has even more interior spaces. Right along the elevation and section, the staircase also is protected by glass-wall, which with concision and brightness.
Fagus Factory is a shoes-last factory, which is located in Alfeld, Germany. On the basis of the information from UNSECO, in 1911 the building called “Fagus-Werk GmbH
…show more content…
Gropius and Meyer were the architects who designed Fagus Factory together.

Erich Mendelsohn’s Einstein Tower in Potsdam (1917-1921)
Einstein Tower can be considered as an important architecture in the history because it is a typical expressionist architecture, and it is functional at the same time. For the expressionism, “The curved walls and apertures now stand out even more because of the lighting, giving a sense of how Mendelsohn's most famous building is a volume quite literally carved from space.”[3] Einstein Tower is also a functional building, since it is an astrophysical observatory, which was built in order to proof or disproof Albert Einstein's relativity theory.

Bruno Taut’s Glass pavilion in Cologne (1914)
Glass pavilion’s unique rooftop, which is made of glasses, from large to small pieces, end up as a sharp-angled at the top of the

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