This brings forth the question, “ Has computer-generated imagery in cinema gone too far?” In recent years CGI has become synonymous with the Hollywood blockbuster look. While many traditionalists will frown on the overt use of VFX, the extent of its presence remains unknown to most. The reason for this is that the computer graphics that are most effective are integrated so seamlessly within a production that they are overlooked. In this context, the animator and visual effects artist truly fulfills their purpose: selling the imagined as real. Typically, the most apparent CGI tends to be the least effective in its objective. This could be caused by various factors such as hard deadlines or short budgets. Typically, the artist or computer can not be singled out as a sole culprit. A good example is The Scorpion King, which is notorious for containing some of the worst special effects in the history of film-making. The explanation for this is that the film was released prematurely, under the pressure of the producers. The result encompassed computer graphics that were not fully rendered. In an instance such as this, neither the artist or computer can be to
This brings forth the question, “ Has computer-generated imagery in cinema gone too far?” In recent years CGI has become synonymous with the Hollywood blockbuster look. While many traditionalists will frown on the overt use of VFX, the extent of its presence remains unknown to most. The reason for this is that the computer graphics that are most effective are integrated so seamlessly within a production that they are overlooked. In this context, the animator and visual effects artist truly fulfills their purpose: selling the imagined as real. Typically, the most apparent CGI tends to be the least effective in its objective. This could be caused by various factors such as hard deadlines or short budgets. Typically, the artist or computer can not be singled out as a sole culprit. A good example is The Scorpion King, which is notorious for containing some of the worst special effects in the history of film-making. The explanation for this is that the film was released prematurely, under the pressure of the producers. The result encompassed computer graphics that were not fully rendered. In an instance such as this, neither the artist or computer can be to