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Confucianism and Raise the Red

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Confucianism and Raise the Red
What has happened to Confucianism. For a long time, Confucian was accepted as the idea that a healthy society depended on a solid traditional family. Confucius himself, for example, called for people to put principle above selfish desires. People supported hierarchy. The rulers moral example would inspire the people to live good lives. But one begins to detect a new theme emerging in society especially amongst the Chinese reformers: the theme of individualism oppose to familialism. Today, would the Confucian family be more and more aware of abuse to women and children? The rituals and traditions can be seen as both positive and negative. The ways in which women suffered affirm that some rituals were abusive. There are multiple signs indeed that something has gone badly wrong with the Chinese family traditions that led to family instability. To begin with, one of the major problems that hindered the Chinese family is customs and rituals. On the other hand, some of these family traditions allowed the family to flourish as a group. In the movie Raise the Red Lantern, many types of customs and rituals were shown. For example, according to the master's tradition, lanterns are lit outside the house of which the master chooses to join for the night. Each night the wives wait to be honored with his presence, bowing in resignation when they aren't chosen, often scheming to be noticed next time. The women soon begin to compete for the lanterns. They are jealous of one another and double cross one another. This brings out a darker side of the women capable of anything in order that their needs are met. This example shows a negative aspect. It is a humiliation of the neglected mistresses. The positive aspect may be the power of the wife who gets chosen. Her needs are being met and she gets to pick the meal for the night. There are documents that show actual life in the Confucian family in late traditional times in China before the advent of modern Western ways. In the

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