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Cosmological Motifs In King Henry IV

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Cosmological Motifs In King Henry IV
There is numerous amount of cosmological motifs in the play King Henry IV. Each pattern has its similarities expressed by their meaning. The following characters convey opinions that have an astronomic comparison.
In the first several stanzas of act 1, the king starts to express a feeling of being anxious. He starts complaining tremendously about certain living beings. “Those opposed eyes which, like the meteors of a troubled heaven”, he utters the comparison of the horse’s eyes partaking in the war to meteors in outer space. Meteors are known for being a cause of friction. Given that meteors are blazing forces they are compared explaining how compelling these horse’s eyes were to their enemy. “Shall daub her lips with her own children’s blood”, clarifies that mother nature is being indicated. Because the king continues to describe the pity he has for the injured soldiers, blood continues to cover the war field. Assuming that there was a huge amount of blood spilling, the king …show more content…
Falstaff is known for being not so much of a role model. He continues to talk about how his companion, prince Hal, is so much like him. “For we that take purses go by the moon and seven stars, and not by Phoebus”, displays that Falstaff compares objects of the sky to the time of day. Moreover, he further explains that prince Hal joins him during the night to steal. Implying that the moon represents night, and the seven stars characterize the seven planets of our galaxy. Most importantly not Phoebus signifies his twin sister Diana, the goddess of the moon and hunting. “Gentlemen of the shade, minions of the moon”, refines that Falstaff continues to through shade at the prince. Furthermore, he labels himself and everyone in the tavern are goddess Diana’s minions who work at night. Falstaff claims Hal is a coward because of his excessive baggage and disbelieves that he has a chance in become the next
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