Irene sniffled and sat up a little straighter. She awaited her many readers to come for the book signing. It happened to be on the anniversary of her rescue from the Aushwitz concentration camp. Not many people truly know what had happened to her. Unfortunely it is a nightmare she relives constantly. When she was reunited with her husband and children she cried for days at a time. Cries of fear of losing her family once again. She had found her old writing journal and the tears had ceased. Irene wrote for hours, writing everything down as to not risk her forgetful thoughts. She had gone through a dozen notebooks, at least, and chose one to be published. She wrote of a world without war, and the simple pleasures in life. An outbreak in the writing industry occurred as it was published. Thousands upon thousands of copies were sold all across the world. Irene was labeled as one of the most aspiring authors of the 20th century. That is what brought her to the little book shop in her hometown. Where hundreds of people lined up to talk to her about her work. She realized as she wiped her tears, that these were not tears of sadness or loss. She cried out of joy. Irene felt happy, which she had not truly felt in a very long…
Author Laurie Halse Anderson evokes an eerie and unsettling vibe for both the reader and the girls in this section from Forge. The author employed revealing nuances like word choice and characterization to assist and establish this particular mood in this section. Anderson uses vivid details, such as "legs quivering, head pounding, heart leaping" (para. 9). The syllable of the syllable. The reader can better grasp the creepy atmosphere and the girls' fear by reading this quote, which also illustrates how the girls are responding to their current circumstances.…
The author’s writing style is descriptive, and involves a lot of foreshadowing what happens next.…
Hill uses many techniques in her writing in order to build and sustain tension throughout the novel. Through the careful crafting of language she creates engaging and intriguing characters, atmosphere and settings and had crafted a novel that few people can put down. Using powerful adjectives the writer has created a deathly tone when describing the first time we see Eel Marsh House. The author’s use of language is significant because it has a ghastly effect, which makes us feel anxious. For example the writer uses the powerful verb “bone pale” within the sentence “Here and there were clumps of reed, bleached bone pale, and now and again the faintest of winds caused to rattle dryly.” In the sentence the writer uses “bone pale” which has sinister connotations of emptiness and death. This will make the reader feel anxious when first reading the setting around Eel Marsh House because Hill has created a deathly tone by using this quotation. ‘Pale’ has connotations of death because when you die your body turns pale, hard and stiffened. “Bones” are sinister because they give the impression that something harmful or evil is happening or will happen, bones also remind us of death. The use of pathetic fallacy “faintest of winds” in conjunction with the powerful verb “rattled” makes us feel confused because of the use of imagery. This powerful verb “rattled” has connotations of being empty, misty and abandoned through the use of pathetic fallacy. This creates an image of the woman in black being extremely wicked, venomous and malevolent. This could be important to the story because it adds a feeling of tension, as the reader would empathise to the character being solitary. Hill also uses the emotive verb “rattle dryly” as this gives the reader a sense of suspense. The verb “rattle” gives us a warning of danger, because the word reminds us of animals in particular a rattle snake, these creatures normally…
Foreshadowing can be overlooked when reading through a story the first time. It is not until one goes back and re-reads a story after knowing the ending that they can truly see the signs along the way. “A Good Man is Hard to Find” by Flannery O’Connor has an unexpected ending but it comes as less of a surprise if the reader pays attention to the details in the story. In this particular story, O’Connor describes the way grandmother dresses, the graves, and the automobile that the Misfit drives. Those details may seem innocent during the first read-through but they are not missed when one realizes, at the end, their true meanings.…
In this story, foreshadowing shows that things will not turn out well. “Hark at the wind,” said Mr. White, who having seen a fatal mistake after it was too late, was amiably desirous of preventing his son from seeing it. This shows that Mr. White will make a mistake and something bad will happen. “It had a spell put on…
In “The Possibility of Evil" by Shirley Jackson, Ms. Strangeworth stops her town from becoming evil by writing anonymous letters. The overall theme of the story is everything is not what it seems. Jackson utilizes the story to show how a person may not seem like the person you thought they were. Ms. Strangeworth appears to be a sweet old lady, but is she really? Throughout the story her true colors begin to reveal. Jackson develops this central idea through the use of irony. Through all three types of irony the theme is expressed.…
In literature, mood evokes certain feelings in readers through words and descriptions. In the beginning of the lottery, the author sets the mood for a nice, relaxing day that could even give the reader a sense of happiness. But as the story drags on the mood begins to set off a suspicious or even eerie feeling that has the reader on the edge of their seat. -quote-. Unlike the lottery, the Possibility of Evil starts with a calming and pleasant mood, but very quickly flips to one of surprise and horror. There is no build up to the suspense.…
The imagery gives off a sense of no hope for any kind of happy ending. A melancholy and sinister feel throughout the entire story.…
from then on. He would be able to see, hear, and feel Jesus in his soul.…
Early on, the whole story is given a creepy undertone due to the established tone. Using similes, the author can relate the grave situation at hand to other things to be relatable. The selection from the text, “empty as a jungle glade at hot high…
Diction and imagery accompany the appropriately selected details used in creating an unearthly atmosphere. The suspicious and dangerous attitudes of the Los Angeles community provide insight into the negative effect of the winds. Examples of neighbors roaming around with machetes and parties ending in fights prove to the audience that dangerous and mysterious things occur regarding the arrival of the wind. Alluding to Raymond Chandler, a crime fiction novelist, adds to the un-predictableness when describing meek little wives staring at their husband’s necks while holding a carving knife. Didion ended off Chandler’s quote with “Anything can happen” providing a cliffhanger to what the winds and nature could do next.…
As the narrator, throughout the story Fowler paints a picture of himself as a reporter, an observer, but continually tries to convince the reader that he is "not involved." However, as the narrative progresses, we see that Fowler's attitude toward the events surrounding him become one of ever-increasing engagement. With this increased level of involvement, he begins to feel somewhat personally responsible for the events occurring around him. Likewise, as his involvement increases so does his true nature arise.…
... is a form that is not merely like a novel. It consumes devices that happen to have originated with the novel and mixes them with every other device known to prose. And all the while, quite beyond matters of technique, it enjoys an advantage so obvious, so built-in, one almost forgets what power it has': the simple fact that the reader knows all this actually happened. The disclaimers have been erased. The screen is gone. The writer is one step closer to the absolute involvement of the reader thatHenry James and James Joyce dreamed of but never achieved.[19]…
For example, In the porch I met my father crying” (Heaney, 4) This is the first sign in which the author knows something horrible has occurred. “The patriarchal image of the father-figure in the 1950s is torn down here.” (TheEnglishTutor). Heaney goes on to state even more descriptive circumstances taken place that day, “At ten o'clock the ambulance arrived- With the corpse, stanched and bandaged by the nurses.” (Heaney, 14-15). The author describes that as the exact moment he and his family saw the young boys body for the first time after the accident. The author goes further on with the accidents visuals, “Wearing a poppy bruise on his left temple, -He lay in the four-foot box as in his cot- No gaudy scars, the bumper knocked him clear.” (Heaney, 20-21) Heaney describes his little brothers body being so perfectly intact without scarring, due to the fact of the car bumper immediately killing him with one hit. These images are crucial to understanding just how much emotion is taking part in this story, seeing your baby brothers body as if he were not dead but simply sleeping, must be the hardest part of the authors task in accepting his grief. “The young boy sees his brother for the last time and faces death for the first.” (TheEnglishTutor). Nonetheless he must also come to terms with having to keep family and friends from falling apart, the brothers’ corpse is real now, not only a tragic…