Pride factors strongly into the division between Raskolnikov and society and his resulting alienation. For example, Raskolnikov asks…
To begin, St. Petersburg serves as a symbol of the corrupt state of society and its influence on Raskolnikov’s actions. For instance, in the first pages of Crime and Punishment, Raskolnikov describes the atmosphere of St. Petersburg as “terribly hot [...] with an intolerable stench from the taverns, especially numerous in that part of the city, and the drunkards kept running into even though it was a weekday, completed the loathsome and melancholy coloring of the picture” (Dostoevsky 4). In this case, the imagery of the dirty and disorient city of St. Petersburg is a symbol for the current state of society; imperfect, unequal, and full of corruption. The dysfunctional society of St. Petersburg clearly takes a toll on Raskolnikov, as he quickly finds himself poverty-stricken. In a corrupt society where the wealthy thrive and the poor suffer, he has no choice but to resort to crime in order to make ends meet. Similarly, Raskolnikov’s theory of the extraordinary versus the ordinary serves as a symbol of the imbalance of power in society. For instance, social inequality becomes increasingly apparent as Raskolnikov…
Raskolnikov's name means “divided,” which is appropriate since his fundamental character trait is his alienation from human society. His pride and intellectualism lead him to disdain humanity. Raskolnikov is split between an emotion ego and a logic ego. The conflict between these two sides of his character drives him insane and causes him to sink into apathy until one personality wins out over the other.…
He discusses the psychological methods by which he hopes to catch the murderer. He includes observations about the “youth” and “intelligence” of his suspect that are pointed directly at Raskolnikov. Raskolnikov, though agitated, stays quiet. But after a while, he bursts out wildly, accusing the official of suspecting him and challenging Porfiry either to accuse him outright or to let him be.…
Raskolinikov is able to forgive himself easier once he has the time to reflect and serve his punishment. After committing the crime Raskolinikov eventually accepts that he must suffer the consequences, by law or by his own mental prowess; "If he has a conscience he will suffer for his mistake. That will be punishment - as well as the prison" (Dostoyevsky 230). The human brain dictates that all actions should have either a logical or emotional purpose, Raskolinikov struggles to find a good enough reason and his mind endures the penalty, until he is properly punished and serves out his sentence in Siberia with a quiet mind and a happy ending with Sonya to look forward…
In Crime and Punishment, Dostoevsky illustrates Raskolnikov’s thought process to express his belief that he too is one of the very few who possess the qualities of an extraordinary man who can help aid his community.…
Two more characters from the book that show the contrast of Raskolnikov’s personalities are Sonya Marmeladov and Svidrigailov. Sonya is the kindhearted side. She is a prostitute and source of income in her family. Her father drinks away all the money in the family so she is forced to sell her body to provide for her stepmother and siblings. She is compliant and docile. Even if she only had a few copecks left, she would give it to her father who would eventually waste it on more booze. On the other hand, Svidrigailov is the heartless side of…
Inside this slow but unstoppable process of self-annihilation, the mysterious Svidrigajlov makes its appearance. His promiscuity stands in the relationship he entertains with Raskolnikov: even if he has an interesting and enigmatic past of his own, he is at the same time a shadow of Raskolnikov’s conscience. The protagonist in fact sees in him the transformation of the titanic moral of the “everything is allowed” into a depraved existence, which, for its intrinsic pettiness, only provokes disgust and rejection in his soul. Hence, Svidrigajlov represents Raskolnikov’s double who recognizes in himself his inhuman side. Svidrigajlov embodies the transition from rebellion to indifference, from titanic pride to purposelessness. Each of his actions…
The beginning of the novel is when Rodya commit’s the murder, and the rest are content with Rodya’s experiences with the regret and overbearing need to clear his conscience and exterminate the guilt building up inside of him. He Cannot accomplish this ambition of his until towards the center of the novel. The entire novel as a whole involves corruption, and relays how Rodya’s guilt constantly eats away at him and he just wants to evade it. Being a student that lives in poverty Raskolnikov thought thus in murdering the pawnbroker he would be doing a service to the world and society. Though he murders her convicting his crime, he must suffer the punishment the relentless feeling of guilt he start to feel right after. Raskolnikov wakes up "panting, all in sweat, his hair damp with sweat, and started up in a terror," (59). Despite all of his efforts Rodya can not get away from the guilt, it is stained upon him like the scarlet letter upon Hester Prynne. "Bits and scraps of various thoughts kept swarming in his head; but he could not grasp any one of them, could not rest on any one, hard as he tried..." (Dostoyevsky 86). He cannot take it much longer so he decides to confess and hands himself in to the police. The situation with Mikolka confessing to the murder towards the end of the book isn’t a major…
Raskolnikov chooses an isolated life where he may not be bothered. He secludes himself from his family and friend Razumihin. He lives in a “garret... under the roof of a high, five-storied house”, which is considered more of a “cupboard…
embraces human nature and allows himself to accept and experience his own feelings. optimistic outlook, as the tormented Raskolnikov finally reaches some sort of internal serenity…
Although it’s hard to know what he was like before the novel started, it can be inferred that he wasn’t always insane. Poverty and anger drove a man who used to be a hardworking university student to commit a murder and lose his sanity. From the opening of the book, his paranoia is evident. Raskolnikov seemed to have no other objective besides worrying about the thoughts of others. This paranoia is part of what makes him so impulsive. In many parts of the book, he allows his insanity to think for him. Raskolnikov’s dreams and hallucinations come after the paranoia and impulsiveness. They truly show how alone he is. The real-life connection between sanity and interaction with people is evident in Crime and Punishment. As Raskolnikov begins to talk to people again, his mental state gets better. His mind is at its worst when he is alone. If Raskolnikov had friends to rely on from the beginning, Crime and Punishment might have been a very different…
The psychological novel by Dostoyevsky opens by describing an impoverished Raskolnokov’s predicament. He sets out to pawn his items to Alyona Ivanovna whom he plots to murder. The next day he receives a letter from his mother, telling him of their situation and of his sister’s engagement. Raskolnikov sees this as a sacrifice for him and he also remembers the daughter of the man he met in a tavern and it dawns on him how passive he was realizing that he has no work and merely lives in a decent home. Soon afterwards, he falls asleep and dreams of watching a peasant beat an overburdened horse to death. When he awakes from his slumber, he then makes his first plot to murder Alyona Ivanovna.…
Some of the motives that drive him to commit the murder make the crime even more evil. Dostoyevsky gives several reasons for the crime: on one hand, Raskolnikov would gain money for his mother and sister and rid the world of an evil person; yet the killing was also driven by morbid curiosity, and most dominantly, his superman theory. Any and all of these reasons prove Raskolnikov’s selfishness (Rossow 39). Dostoyevsky shows Raskolnikov’s spiritually corrupt side, including when he leaves the drunk girl with the potential rapist, and also when he asks the devil for help while breaking in to Alyona Ivanovna’s flat (45, 65). Svidrigailov is the character representation of how evil Raskolnikov could become. In almost every discussion between Raskolnikov and Svidrigailov, Svidrigailov claims the two men are similar or connected, “Didn’t I say there was something in common between us?” (275). The two men have numerous parallels in behavior, personality, nightmares, charitable acts, fear of water, and murder (Rossow 42). When Svidrigailov commits suicide, it is a representation of what could happen to Raskolnikov if he were to continue down an evil…
Human moral standard is much lowered when one is put into a situation of desperation and has no better way to escape but committing crimes. It is human as well as all other animals’ nature to fight to provide the best for itself. Raskolnikov in the novel Crimes and Punishment has been driven by various intrinsic and extrinsic factors, such as his complicated mental philosophy, his poor economic state, and the influence from the society surrounding him before deciding to murder the pawnbroker.…