Leah notices that China is changing Joan – she is becoming “Chinese” – a side of Joan that Leah has not seen before.…
She wants to “come to terms” with her correspondence to her culture. However, when she does this, she becomes terrified. Kingston realizes that in the Chinese culture, she has no more value than that of “geese” or “maggots”.…
b) What does her statement “You’re not Chinese. You don’t even look like them”, suggest about her feeling about her Chinese identity?…
For Leah, her first encounter with China is negative. This is due, in part, to her perspective on who she is as she flies into Canton. Her understanding at this point is she is an Australian and has no connection with China. As the airhostess welcomes her home Leah coldly replies, ‘I’ve never been in China before.’ She then, through internal monologue, strongly voices her feelings and clear indignation about the airhostess’ comments. “Couldn’t the woman see? She was not Chinese, not even an ABC-Australian born Chinese. Joan was Chinese, all right, but Dad…had been English. Didn’t it show?’ The use of internal monologue allows the reader to clearly understand Leah’s point of view; she strongly identifies with her father’s ethnicity while rejecting her mother’s. This is further revealed as she states, ‘No she wasn’t going home. She was just ducking into a strange and probably hostile country.’ China, for Leah, was a country that she had little understanding of or connection with, hence the use of the words ‘strange’ and ‘hostile’. As well, at this stage, Leah’s relationship with her mother is strained. Anything that represents who she is, Leah chooses to reject. The ‘half coin was pulling them both into China. Separately. For Joan the coin was the key to a lost family…They were all the family Leah had but she wasn’t involved in that.’…
In The Struggle To Be An All-American Girl, Elizabeth Wong writes about her personal accounts of going to Chinese school to learn the language of her heritage and wanting to become All-American. Wong's purpose for writing this essay was to inform others of how she grew up and now she regrets her discussion. The genre of the essay is a personal essay because narrative and descriptive passages are used as well as first person. This essay's audience is other Chinese-American youth that want to become all-American or other that just want insight of her life. The social context of the essay is that there are others that are required to go to Chinese school and the cultural was the enlightenment regarding that not continuing to learn the language of her heritage. Wong's essay is a simple little passage telling about her life to others in the same situation.…
Also, she never thought of her skin color until shortly after she arrived in the United States. She soon became aware that she was Asian and her skin color is yellow. At last she understood that there was no choice but to adapt to the new society and learn English. Learning English is not as difficult as facing poverty. Her family’s fighting against poverty was successful and they moved to new better place in search of better jobs and education. She called her family a 1.5 U.S. generation, although they are 100-percent American on paper and official documents, because they already keep their own culture and own habits.…
The graphic novel American Born Chinese (2006), by Gene Luen Yang, is a very modern and influential piece of work that can be compared to the short indie film Two Lies (1990), directed and written by Pamela Tom, which had preceded the novel by 16 years. These two different forms of work, both utilizing their ability to teach the audience, are used as powerful venues for the topic of identity crisis among the Asian people in a majority European American world. In the film, we have Mei and her family who are all having some trouble adjusting to their lives in Southern California but more specifically we have Mei and her trouble to understand her mother 's cause and intent for having undergone double eye-lid surgery. In ABC, we have our protagonist, Jin, who is having trouble fitting into his new school in San Francisco since he is one of the very few Asian admitted to the school. Another time line in the novel is the story of the monkey king who does anything to get rid of the fact that he is a monkey in order to fit into society. The third is the story of Danny, a European American who has trouble and often becomes embarrassed with his hyperbolic Chinese cousin, Chin-Kee. This character is first introduced by saying "Harro Amellica!" while Jin 's father, carrying giant Chinese take out container says "I 'll put your luggage into your room, Chin-Kee" (48). All three of these time line show our characters having some sort of shame or embarrassment to the fact that their own image or background is different from those around them.…
As its complex structure suggests, the book tries to organize the the stories of mother and daughter with the intention of reaching the same destination: the daughter's recovery of her cultural and ethnic identity as Chinese by overcoming the generational gap and the cultural differences between herself and her mother. The mother intend to hand over their "good intentions" and "usable past" in China to their daughter in America. Amy Tan, depicts the relationship between Jing-mei, a young Chinese-American girl, and her mother, a Chinese immigrant, her mother. She does not have something special things. However, her normal life has changed a little because of her mother.…
In a strange, unknown landscape such as a new culture, individuals long since used to old customs may face challenges in overcoming these differences and succeeding in society. In a new culture, people become dependent on those around them more fluent in the new society’s ways and lose their connection to the humans around them who seem too challenging to comprehend. The excerpt from the novel Monkey Bridge by Lan Cao exposes readers to this world through the eyes of a girl from Saigon who must help her mother orient herself to American life. In the excerpt, the girl describes the contrasts between her mother’s great shopping abilities in the open markets of Saigon and the complete bafflement caused by American supermarkets. In the excerpt…
Individual who possesses a strong and unique personal or cultural identity will intensify their sense of belonging or not belonging. In the novel, the China Coin, by Allan Baillie, explores how personal and cultural identity of the protagonist, Leah Waters, could be changed from alienation of not belonging to acceptance of belonging by experiencing physical and inner journeys. In the beginning of the novel, Leah senses alienation and distanced toward China as she identify herself as an Australian instead of a Chinese. The monologue from Leah’s mind, ‘Couldn’t the woman see? She was not Chinese, not even an ABC – Australian born Chinese. Joan was Chinese, but Dad, David Waters, had been English. Didn’t it show?’ suggested that Leah identify herself that she does not belong as a Chinese. A similar situation is also described in the film Avatar, directed by James Cameron, when the…
The rest of the meal passed in a blur. I purposely washed the chopsticks and plate with hot tea, making a deal about the cleanliness. June criticized me for this, saying that I was so embarrassing and typically Chinese. I rebuked her, saying that she was born from Chinese roots, that she could never deny them. “It is all in the gene,” I said. I’m not sure if I’m trying to convince her or myself. She has my genes and she looks like me, yet she has become so different that I do not recognize…
When Amy Tan falls in love with the minister’s son at the young age of fourteen, she takes for granted what her mother was trying to show her about life. Young Amy’s trying to impress her boyfriend by appearing as a traditional American girl not wanting to appear in any way Chinese American. Tan, still not experiencing life yet, had not grasped that being different is what makes someone who they are. It wasn’t until many years later that she came to realize that all her mother was trying to express to her was that she should be proud of her Chinese heritage. “But inside you must always be Chinese. You must be proud you are different. Your only shame is to have shame.” (117) She was not appreciating the diversity of different cultures and how both cultures have their own richness and value. Tan was embarrassed the whole time at Christmas dinner when she was trying to impress her young love Robert not realizing that her mother was making the meal for her. “For Christmas Eve that year, she had chosen all my favorite foods.” (117)…
In ‘The China Coin’, the main character Leah and Joan went on a journey to China in purpose to find out the mystery of the broken coin. As the journey progresses, this ultimately gives them a sense of their Chinese identity and belonging and this brings a positive change in both of them. Baillie depicted that the characters gained new insight and understanding of themselves through the journey by using numbers of techniques. Compelling adjectives” evil aunt”, “snake woman” compares Leah’s attitude towards Joan, and effectively to show that Leah’s maturity has been developing. Written in the first person and used of monologue “you are not Chinese; you don’t even look like them.” In this quote, Baillie illustrates Leah’s inner thoughts which reveal her sense of no belonging with China. However as the plot continuous, Leah’s belonging starts to change with mainly influence through the continues experience of social environment. ‘Now shanghai was as familiar as Chatswood’. It is not her wiliness but her experience which has made her open up her mind slowly towards China. From this we can see the individual’s attitudes to belonging over time.…
Not only does Leah learn to accept her mother, she gradually grows to accept her Chinese heritage and extended Chinese family. In traveling to China, Leah is confronted with the question of her true identity for the first time. However, as she becomes accepted by her extended Chinese family and learns more about their history, she comes to a place of accepting herself. She concludes, ‘No, you’re not Chinese, but you’re not not Chinese either. It doesn’t matter any more.’…
Many of the mothers in Amy Tan’s novels are having difficult times balancing the people they really are and the face they choose to show. Many of them feel that they have to hide their different Chinese heritage and ugly pasts in order to find acceptance. Lindo found it hard to keep her Chinese face that she loved in America, and before she even arrived, she had to hide her true self (Tan, Luck Club 258). When the mothers try to conceal who they truly are and try to fit in, it is sometimes for their daughters’ benefit. Ying- Ying who tried so hard to please, impress, and not embarrass her daughter, that she has been quiet for so long that she blends into the…