The sheer anguish, grieve and the indescribable pain written all over the faces of Ugolino, his two sons and two grandsons in this amazingly sculpted artwork captures your imagination and gets you having a whole lot of questions to ask the first time you set your eyes on this masterpiece at the Metropolitan Museum. It’s location in the hall cannot be missed because it is literally positioned in the center. The “Ugolino and His Sons” master depicts Ugolino grieving in melancholy gnawing on his fingers with his sons and grandsons calmly pleading with him that he eats them instead. It shows the imprisonment and starvation of Ugolino who according to Dante’s poem Inferno. I chose to write about this masterpiece by Carpeaux because I was very interested and curious to research about the main idea behind it. The mere sight of the artwork tells a lot even though you may not know anything about it.…
He was a painter whose directness and closeness of his paintings really differentiate his work and put him as one of the greatest painters of Rome Caravaggio's art was a great representation of the Counter-Reformation of art because he also introduce the Mannerism style in his painting. He brought great naturalistic and direct perspective to his painting which provide great representation of the reformation throughout Rome. In addition to his naturalistic and direct approach, Caravaggio's other perspective in his painting was the way he used chiaroscuro which bring out great drama, and also a theatrical point of view in his painting. Caravaggio painted many painting for several patronage in Rome especially for the church.…
When the viewer first lays eyes on this painting, they are brought to the center of the photograph. The sharp contrast of Napoleon’s deep red cloak, a symbol of vigor and courage, stands apart from the dark and cloudy background. The eye’s then continue from the cloak, past his face, and up to his outstretched finger, which is pointing to the heavens. This gesture, made by Napoleon, instills in the viewer a notion of the future…
Saint Lucy was a local saint of Syracuse, who had been denounced as a Christian by her former suitor and had died in 304 from the tortures inflicted by local pagan authorities. Caravaggio may have worked in haste to produce a picture before the feast of Saint Lucy on 13 December. Originally, Saint Lucy's head was severed from her body but later Caravaggio joined it and left just a slit in the front of her neck - perhaps recalling Saint Cecilia, whose still-intact body with a gash in the nape of the neck had been sculpted in 1600 by Maderno.…
“The distance from the real world is as great as in central Italian painting, but rather than moving us toward idealizing abstraction, the Venetian painting transports us to a sylvan utopia of heightened sensibilities.” (ibid)…
The two paintings show that, during the Renaissance, a man’s view of man was changing by painting more realistic and being more colorful.…
Caravaggio was born in Northern Italy in 1571 and died in Rome in 1610. When Caravaggio was a young adult he apprenticed under a famous local artist in Lombard Italy and eventually moved to Milan. In Milan, Caravaggio got into a fight with a police officer and escaped to Rome. In Rome, Caravaggio worked under another famous local artist and continued his work in the arts. During this time, Caravaggio gained notoriety for the realism and immense detail in his paintings. Eventually, Caravaggio was asked to do three paintings of St. Matthew for the Contarelli church. In the paintings Caravaggio painted the religious scene with a darker, more human tone. The church was upset with the depiction of the saint, so they made him partially redo…
He also painted works that detailed his era. For example, “The Calling of St. Matthew,” the painting depicts men sitting around a table, presumably counting the days take. Jesus happens to walk in, but everything about that painting does not fit the era of when Jesus was around, but more so the era that Caravaggio was living in. His portraits are very realistic and intense. Namely, “Conversion of St. Paul” and “Death of a Virgin.”…
Some objects in the painting are a pregnant woman, a burning candle, a skull, and a cross lying on the table under some books. The way the woman’s head is rested on her hand and she is staring into the candle light, shows that she is in deep thought. I believe that the woman is reflecting upon her life. She looks to be pregnant, which represents life. The unity of…
In this essay I intend to discuss three aspects of the work. The first will be the subject matter of the painting the second will be the composition and finally the style and colours in which it was painted.…
In Baroque artwork, viewers can visualize the emotional impact the painting has. Everything is in action and the painting is like shot in the middle of what’s going on. In Caravaggio’s The Crucifixion of Saint Peter, everything is painted right in the middle of the crucifixion. Saint Peter is not even up yet but in the middle of getting there. The painting is activated and has complex movements. Gravity has a very powerful pull in this picture as well. Viewers can see the emotion in Saint Peter’s face that he is scared but brave. Caravaggio made sure to tell a story in this painting with emotion since you see a poor, innocent, and homeless looking man being crucified. Everything from the guy’s dirty feet and bottom who hoisting up Saint Peter is basically sticking out to the viewer’s face. The three men do…
Art is one aspect of the past that has carried on for decades. Art in any form may it be poetry, novels, and playwright, sculpting as well as painting, has been an outlet for generations and continues to be an outlet and a means for expression. This paper will discuss “ The Mona Lisa” one of Da Vinci’s most famous paintings, as well as another great painting, Antonio Veneziano’s “Virgin and Child”(c. 1380). Both paintings focus on the human form and exhibit many variations of styles from lines, shading, color and possible meanings behind the work.…
As I walked around with a copy of this piece in my school bag for a week or so, I often thought about what I could possibly say about this painting/artist. Also during this time, I shared this painting with a couple of people, and asked them what they thought of the piece without telling them what it depicted. One individual stated, “They look sad about something.” Another individual stated, “The people appeared shame for some reason.” Then I informed them what the piece was and they wanted to look at it again, they were quite impressed with the work after they realized what it was about.…
Michelangelo and Caravaggio were possibly the two most renowned painters during the Renaissance period. Both Renaissance artists painted religious scenes, approaching their artworks in diverse ways according to their personal framework and attitudes. Where Michelangelo’s tortured soul was portrayed directly onto his paintings, Caravaggio’s almost arrogant attitude and need for action and drama resulted in his dark, melodramatic pieces.…
I believe this painting shows a loss of identity. This is the reason I chose this as my favorite piece of art, because I can relate to it. There came a time in my life where I was struggling with my own identity. In today's world it is very significant to identify oneself with at least one thing (ones ethnicity, nationality, race, religion, or a particular belief). Many people still grapple with the notion of identity in many countries, regions, and various ways in order to fit or adapt into any environment (social, economic, cultural, political, etc). One’s identity determines ones position or situation in society wherever one lives. However, finding the right type of…