Music as a dramatic technique to support dialogue is used frequently throughout play. The ability that music has to change tone, evoke emotions, and…
Place: The music, art, literature, and cultural practices of Africa have provoked interest and respect throughout the world. The old belief that Africa is somehow childlike in its cultural development has been denounced as people become more familiar with the rich traditions of the continent. The music and literature of the people have found their way into houses and classrooms around the globe. We are beginning to learn through the works of scholars, film makers, and writers that Africans can teach us much more than we can show them.…
Music complements the visual action of the text. The lyrics of songs and the chosen music illuminates multiple interpretations of ‘sonata’ within the play in that the music often functions to relay historical events and the more personal story of Bridie and Sheila. Even when the numbers in their choir decimated they continued for they thought it was up to them to carry on. “We sang our sonata whenever we…
Bibliography: Pallister, J. (1997). Colonial Precolonialism in West African Cinema: Yeelen. Crossings (Binghamton, N.Y.), 1(2), 174-197.…
Similarly, the composer of “Into Africa” challenges an individual’s attitudes and beliefs of moving into the world by juxtaposing Gemma’s materialistic old world…
The Interesting Narrative of the Life of Olaudah Equiano describes the life of a native African who was kidnapped from his homeland in the Eboe Province (which is now the Nigerian town of Isseke) at age eleven and thrown into the horrors of the African slave trade. Unlike most victims of the slave trade, Equiano regained his freedom and experienced multiple facets of life that no one could have expected. Equiano became a man of diverse customs and values. However, due to the absence of written records’ it is often a matter of debate as to what his true origin really was. Throughout his autobiography, Olaudah Equiano defined himself as a native African. He used vivid illustrations of his homeland and experiences on the Middle Passage, and was even willing to defend the public’s view of him as a man of Africa. I personally define Equiano as a European citizen according to his customs, personal desires, and behavior. Equiano’s narrative played a key role in a variety of cultural, historical, and literary issues, therefore, the identification and ultimately the validity of its author take on special importance.…
this article is intended to provide a quick reminder of the background to the play, a discussion…
Mama is very proud of her African heritage and believing it^s importance. During the stage directing of the play Lena has the ^noble bearings of the women of the heroes of the Southwest Africa , but she totally ignores her African past and does not care much about it either^ (Cheney 59). Asagai Beneatha^s acquaintance talks allot about…
On October 2, 2016, I recently went to see my first play that dealt with cultural and racial issues, We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Sudwestafrika, Between the Years 1884-1915 at the San Jose Stage Company, directed by L. Peter Callender. The playwright of this piece is Jackie Sibblies Drury, whose known for tackling heavily ethical and racial topics. In this play, a group of actors, three white actors, and three black actors are gathered together to tell this story of a little-known tribe called the Herero, who were unfortunately killed to death by the German Imperial and consider too many the first genocide in the twentieth century. The groups of actors…
The musicians had played songs that coordinated to the situation that was happening. For example, when there was trouble they sang “Ya Got Trouble”. They had to repeat the words “ya got trouble”. I thought that just reciting the words to the song was challenging. But before the performance had even started, the musicians play a beautiful tune. The music that they were performing was going to be in parts of the play. They played a combination of “Seventy-Six Trombones”, “Goodnight My Someone”, and many others. The music was soothing and it introduced the play extremely well. The…
This essay will endeavour to explore the flaws of Okonkwo that stem from his own sense of security and show us that he is not an embodiment of his society’s values and norms. Okonkwo in part one of the novel is seen as strong and a courageous man. He is part of the Ibo tribe in Umofia, which is a powerful village because of its fighters and warriors, such as Okonkwo. However, Okonkwo is not essentially an embodiment of his society’s values and norms. He is an individual with many flaws that stem from his own sense of insecurity. This can be seen in the main central themes: ‘the conflict between the African traditional cultures and the European Christian…
With every encounter, a memory remains, no matter how small the event the impact is always present. For the last 6 centuries, Europe and America have had a strong influence on Africa. Beginning in 1441 with Portugal’s hand in slavery to the United States and Great Britain part in the Libyan Civil war, the Western world has long been attracted to Africa (Hoag Lecture Notes). The legacies left behind are seen as reasons for Africa’s progression and regression. Some of the interventions have brought advancement to certain sectors whilst in others it has created a multitude of social, economic, and political problems. European and American involvement in Africa has left many legacies, which to this day are responsible for many of the continents woes.…
Mafe, Diana Adesola. "From Ogun to Othello: (re)acquainting Yoruba myth and Shakespeare 's moor.(Critical Essay)." Research in African Literatures 35.3 (Fall 2004): 46(17). Expanded Academic ASAP. Thomson Gale. Florida International University. 14 Dec. 2006…
Before detailing the play and its uses of themes and mechanics, its context of creation must first be examined. Born Janet Sears, at the age of 15, she changed her name Djanet after visiting an African town of the same name (Brown-Guillory). Thus, Sears says that through her name she signals a connection to Africa and her heritage (ibid). Sears, whom Rick Knowles refers to as the “matriarch of African Canadian Theatre,” founded the AfriCanadian Playwrights Festival in 1997, and is editor of one of the first anthologies of Canadian plays. (Knowles.) Her previous…
It is a one-act play that takes place during historical experiences in African-American history, with the main focus being aboard a slave ship during the Middle Passage from Africa to America. Baraka’s play employs this representation of African-American history as a method of creating a communal African-American identity through the conservation of African cultural origins. The use of music throughout the play is essential to this theme of African-American cultural identity and unification. The use of music, character, and combining audience participation in a shared dance were exercised to create a ritualistic drama through which Baraka saw theater, and his play, as a means to enthuse political action.…