Deconstruction/ Krapp's Last Tape
General overview
The auther of this essay is interested in finding the meaning of absurdity, Beckett is master of absurd theater, and Krapp’s last tape is one of the most influencial plays in absured theater which is deconstructed by nature. Not just the work and auther but the approach itself help the auther of this essay to find the true meaning of absurdity which itself leads human, after passing a chaos, to absolute peace.
In the following paragraphs, first there is a biography of Samual Beckett the auther of Krapp’s last tape. Then the discussion goes through deconstruction which is not actually an approach but a reading stategy and short part is devoted to introsucing Lacan’s model of human psyche. Afterward the application of deconstruction and some other points on Krapp’s last tape is placed. At the end there is a conclusion of all what the auther of this essay trying to say.
A Biography of Samual Beckett
“Samuel Barclay Beckett (April 13, 1906 – December 22, 1989) was an Irish avant-garde and absurdist playwright, novelist, poet and theatre director. His writings, both in English and French, provide bleak, and darkly comedic, ruminations on the human condition. He is simultaneously considered as one of the last modernists and one of the first postmodernists. He was a main writer in what the critic, Martin Esslin, termed the “Theatre of the Absurd.” The works associated with this movement share the belief that human existence has neither meaning nor purpose, and ultimately communication breaks down, often in a black comedy manner.
Beckett studied French, Italian and English at Trinity College Dublin from 1923-1927, whereupon graduating he took up a teaching post in Paris. While in Paris, he met the Irish novelist James Joyce, who became an inspiration and mentor to the young Beckett. He published his first work, a critical essay endorsing Joyce’s work entitled “Dante…Bruno. Vico…Joyce” in 1929. Throughout the 1930s he continued to write and publish
The auther of this essay is interested in finding the meaning of absurdity, Beckett is master of absurd theater, and Krapp’s last tape is one of the most influencial plays in absured theater which is deconstructed by nature. Not just the work and auther but the approach itself help the auther of this essay to find the true meaning of absurdity which itself leads human, after passing a chaos, to absolute peace.
In the following paragraphs, first there is a biography of Samual Beckett the auther of Krapp’s last tape. Then the discussion goes through deconstruction which is not actually an approach but a reading stategy and short part is devoted to introsucing Lacan’s model of human psyche. Afterward the application of deconstruction and some other points on Krapp’s last tape is placed. At the end there is a conclusion of all what the auther of this essay trying to say.
A Biography of Samual Beckett
“Samuel Barclay Beckett (April 13, 1906 – December 22, 1989) was an Irish avant-garde and absurdist playwright, novelist, poet and theatre director. His writings, both in English and French, provide bleak, and darkly comedic, ruminations on the human condition. He is simultaneously considered as one of the last modernists and one of the first postmodernists. He was a main writer in what the critic, Martin Esslin, termed the “Theatre of the Absurd.” The works associated with this movement share the belief that human existence has neither meaning nor purpose, and ultimately communication breaks down, often in a black comedy manner.
Beckett studied French, Italian and English at Trinity College Dublin from 1923-1927, whereupon graduating he took up a teaching post in Paris. While in Paris, he met the Irish novelist James Joyce, who became an inspiration and mentor to the young Beckett. He published his first work, a critical essay endorsing Joyce’s work entitled “Dante…Bruno. Vico…Joyce” in 1929. Throughout the 1930s he continued to write and publish
Bibliography: 1. Abrams, M.H. A Glossary Of Litterary Terms, United tastes of America: Thomson Learning, 1999, 7th Edition, p. 55-61. 2. Conner, Steven. “Voice and Mechanical Reproduction: Krapp’s Last Tape, Ohio Impromptu, Rockaby, That Time”. Samuel Beckett :Criticism and interpretation. Ed.Birkett, Jennifer & Kate Ince, Longman: Londen. 1999.119- 133 3.Howard, Anne”.”Part IV: Contemporary Culture Stain upon the Silence Samuel Beckett 's Deconstructive Inventions”. “Drama as Rhetoric/Rhetoric as Drama: An Exploration of Dramatic and Rhetorical Criticism””. Ed. Hart, Steven., and Stanley Vincent Longman. University of Alabama Press, 1997. THEATRE SYMPOSIUM A PUBLICATION OF THE SOUTHEASTERN THEATRE CONFERENCE Drama as Rhetoric/Rhetoric as Drama An Exploration of Dramatic and Rhetorical Criticism 4. Weller, Shane. Beckett, Literature, and the Ethics of Alterity. Houndmills,: Palgrave Macmillan, 2006. 170-180 Website 1. Beckett, Samuel. “Krapp’s Last tape”, 7 November 2011, Marl Sullivan, 2. Friedman, Marissa L. "KRAPP 'S LAST TAPE: Samuel Beckett Biography." KRAPP 'S LAST TAPE: Samuel Beckett Biography. N.p., n.d. Web. 8 June 2012. 3. Felluga, Dino. "Modules on Lacan: On the Structure of the Psyche." Introductory Guide to Critical Theory. Purdue U. 8 June 2012. . 4. Felluga, Dino. "Modules on Lacan: On Psychosexual Development." Introductory Guide to Critical Theory. Purdue U. 8 June 2012. < http://www.cla.purdue.edu/english/theory/psychoa nalysis/lacandevelop.html>. 5. Wikipedia’s Editor. “The Myth of Sisyphus”. Wikipedia Corporation. 22 May 2012. 12 June 2012, < http://en.wikipedia.org/wiki/ The_Myth_of_Sisyphus>