It shows how the teachers interact with students, and how students react with the teachers. In that meager setting at Oakcity High School with Mr. Bartlett, he doesn’t cater to students needs. He does things in a strict basic formatted setting because “...on any job they get outside of school, there’s going to be a certain formats they must follow to be successful on the job. McDonald’s, there’s a certain way of frying French fries. There’s a certain was of customer service. They have to learn that format”.(pg. 661) He feels as though his students are unable to comprehend those in depth discussions. He teaches basic ideals and principals, then tests students on them. He also feels that all of his students are “somewhat on the same level”(pg. 661). His basic teaching format of “read a section, complete the section handout, take section quiz, repeat daily for five days, take chapter test Friday”(pg. 662) is completely unacceptable and demoralizes students. One student, Monique says “I want to go to college, but... if this is boring here I’m going to be bored in college”. This apathy towards students highly affects them…
The author conveys the protagonist’s thoughts, feelings, attitudes and beliefs through a variety of techniques. The audience is aware of Tom’s growing guilt through the technique of first person writing. ‘Like I said, that was a low point.’ (p124) The convincing, idiomatic, subjective voice of the teenage narrator creates a confidential relationship with the readers, as well as keeping them engaged. It also gives us insight into Tom’s inner most thoughts.…
“The History Teacher” has the ironic and sarcastic tone that shows the teacher’s lack of an actual lesson. Each lesson the teacher gives, he wants to “protect his students’ innocence”. The lessons, which are presented as metaphors, contribute to the ironic and sarcastic due to the fact that the serious lessons are compared to trivial things that in no way relate to the actual topic. Even the teacher is affected by the irony and sarcasm as he walks home and sees the “flower beds and white picket fences” as confirmation that everything is perfect in the world. Again, the teacher compares something small to something bigger that he assumes.…
©2000−2005 BookRags, Inc. ALL RIGHTS RESERVED. The following sections of this BookRags Premium Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare &Contrast, What Do I Read Next?, For Further Study, and Sources. ©1998−2002; ©2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design® and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". © 1994−2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". © 1994−2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copywritten by BookRags, Inc. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher.…
©2000-2007 BookRags, Inc. ALL RIGHTS RESERVED. The following sections of this BookRags Premium Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources. ©1998-2002; ©2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design® and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". © 1994-2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". © 1994-2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copywritten by BookRags, Inc. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher.…
With the use of examples from personal as well as her friends’ and family’s experiences, her argument is considered more credible and trustworthy. In paragraph 30, Prose describes her experience being taught how to deeply analyze the meaning of a Shakespeare play, and how she loved it after being able to deeply understand it. This gives the audience a different perspective, one of a student who received the education Prose argues for. This consequently supports her proposal that the reason english class has become such a useless chore to students is as a result of the straightforward and fruitless examinations of literature. Along with the narration of her and her friend’s children’s experiences, found in paragraphs 5 and 23, the audience may relate to the description of a poorly taught english class that uses unoriginal reading choices or cursory lesson plans, which in turn inspires them to invoke change in the education…
©2000-2007 BookRags, Inc. ALL RIGHTS RESERVED. The following sections of this BookRags Premium Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources. ©1998-2002; ©2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design® and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". © 1994-2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". © 1994-2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copywritten by BookRags, Inc. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher.…
In literature, contrasting societal issues, norms, and beliefs are relevant in different time periods. The distinct dissimilarities are demonstrated in the three pieces of literature, Animal Farm, Pride and Prejudice, and “The Wife of Bath’s Tale”, selected for this research paper. The three pieces of literature from each of the three different time periods help present England from the late 13th century to the early 20th century and speculate the relevance of message to today’s society. The three pieces of work also display the authors’ motivations for writing through the major events of the historical time periods. Through the three pieces of literature, Animal Farm; Pride and Prejudice; and “The Wife of Bath’s Tale”, Jane Austen; George Orwell; and Geoffrey Chaucer, portray the society of England in three different time periods.…
©2000-2007 BookRags, Inc. ALL RIGHTS RESERVED. The following sections of this BookRags Premium Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources. ©1998-2002; ©2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design® and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". © 1994-2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". © 1994-2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copywritten by BookRags, Inc. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher.…
The following sections of this BookRags Premium Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare &Contrast, What Do I Read Next?, For Further Study, and Sources. ©1998−2002; ©2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design® and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". © 1994−2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". © 1994−2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copywritten by BookRags, Inc. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher.…
Through Tom’s ridiculous behavior, Twain conveys how media and literature have had a consequence on society becoming gullible. Tom behavior comes from adventure novels and his dependency with…
In his novel, the author takes us on a momentous journey which sees the protagonist, a naive young boy, Leo Colston; lose his childhood innocence as a result of his involvement in a forbidden love affair between the sister of his aristocratic friend and a farmer on the estate they manage. The forthcoming tragedies wholly depend on the social constraints of those days. This setting is therefore of great significance to the enjoyment of the novel. As the story continues, Leo becomes drawn deeper and deeper into their dangerous game of dishonesty and desire, until his role brings him to a shocking and premature revelation awakening him into the secrets of the adult world and the evocation of the boundaries of Edwardian society.…
ANALYSIS: In Book VII the novel gives way to a new writing mode: it becomes in part epistolary. The story is filled with the letters of Lady Bellaston, Sophia, and Tom Jones. It’s a huge change in Fielding’s style. In fact the author usually controls the reader’s response through the presence of the figure of an omniscient narrator who emerges as the true moral focus in the novel. So adding this new writing mode he provides the readers a sort of sense of identification and verisimilitude which are given by the first-person form, used also by other authors such ad Defoe and Richardson .…
In a seemingly ironic scenario of a writer writing an essay about his previous disdain for, then love of writing essays, Baker shares his previously antagonistic view of high school English classes and their required assignments. He describes his third-year English teacher, Mr. Fleagle, as “notorious among City students for dullness and inability to inspire” (para. 3). Baker injects a bit of a comical, but slightly annoyed tone when he describes Mr. Fleagle’s appearance and mannerisms, particularly the teacher’s constant use of the phrase “don’t you see” when trying to engage students (para. 6).…
To begin, in Russell’s play ‘Educating Rita’, Rita desires to be able to choose her future as appose to having the restrictive values and beliefs of working class society harmonically imposed upon her. Throughout the play Rita grows with knowledge and changes as a result of moving into the world of education and middle-class society. The personas values and beliefs also alter as a consequence of her transition. When Rita emphasizes that there is no sense in discussing ‘beautiful literature in an ugly voice’, the juxtaposition forces the audience to distinguish the shift in Rita’ knowledge…