Descriptive Essay-Satire Comedy

He's a young fellow, the comedian, with white socks striped in dark, and dark suspenders over a white T-shirt. White face, red nose. His MO is to take after individuals and emulate their movement without their seeing, to the joy of the sizeable, regularly evolving group of onlookers. We're staying here on the means of the Museum, hot and sweat-soaked, watching the show.

The jokester can tail anybody: a smooth lady wearing pink unsettles, a child with a mountain bicycle, a muscle-shirted man talking Spanish on a mobile phone, an old man strolling his schnauzer, a major dark pigeon weaving along these lines and that looking for sustenance, and after that taking off.

Presently he slides behind secondary school lady friends, floppy-sandaled teases inclining toward each other and throwing back their hair with careless appeal, the jokester their
He needs to set up himself behind his subject unfamiliar, to move flawlessly from one individual to slide undetected behind another. Be that as it may, the silliness of the scene is likewise in the anticipation. Will the stamp get on, and on the off chance that he does, will he see the playing as joke or safe fun? Will the jokester get hurt? The individuals who get him toward the edge of their eye react differently. One is irritated, the other delighted. Now and again, the jokester apologizes, his hands thrashing in short speedy movements like the disintegrating of a supper roll. Alternately he bows to his subject in a dignified motion of regard and deference. Some stop suddenly to excursion him up, and he obliges, Keystone-Cops style, falling all alone heels. A man in khaki shorts and tube socks stretches around and promotes himself, to a crescendo of comedian shock. At that point he moves like lightning to emulate a lady biting a frozen yogurt bar; he emulates eating his horn to her mood. He has every one of us in the palm of his white-gloved