The plot must be complete with “unity of action.” By this Aristotle means that it must be structured as whole having a beginning, middle, and end. The next important part of the definition is character. The character defines the characters of the story and should arouse pity and fear in order to be a tragedy. The third importance part of the definition deals with thought, where something is proved to be or not to be. Diction is how the speeches reveal the character and the theme of the play. Next important part is diction and the stylistic elements of tragedy. Metaphors mainly fall under this category. Aristotle says that good use of metaphors implies and eye for resemblance. The fifth part of the Aristotle’s definition deals with chorus. The chorus she be like an actor of the play and function as a character. Most importantly, it should contribute to the emotional action of the plot. The last part of its definition explains the emotional attraction of the spectacle by the arousal of pity and fear. By the means of pity and fear, relying on the spectacle brings a sense of, not only the terrible, but the monstrous. This brings about the ending or the cleansing of the tragic emotions,
The plot must be complete with “unity of action.” By this Aristotle means that it must be structured as whole having a beginning, middle, and end. The next important part of the definition is character. The character defines the characters of the story and should arouse pity and fear in order to be a tragedy. The third importance part of the definition deals with thought, where something is proved to be or not to be. Diction is how the speeches reveal the character and the theme of the play. Next important part is diction and the stylistic elements of tragedy. Metaphors mainly fall under this category. Aristotle says that good use of metaphors implies and eye for resemblance. The fifth part of the Aristotle’s definition deals with chorus. The chorus she be like an actor of the play and function as a character. Most importantly, it should contribute to the emotional action of the plot. The last part of its definition explains the emotional attraction of the spectacle by the arousal of pity and fear. By the means of pity and fear, relying on the spectacle brings a sense of, not only the terrible, but the monstrous. This brings about the ending or the cleansing of the tragic emotions,