Throughout the 18th Century, the term known today as ‘symphony’ was then known as ‘sonata’, ‘sinfonia’ or what would also be named, an ‘overture’. This would usually feature three contrasting sections. It may be an instrumental ensemble providing an introduction to an Opera or it could also be used as an orchestral interlude, like that evident in the Pastoral Symphony from Handel’s Messiah. Although, the requirements when composing sinfonia were not particularly strict, there was no precise form and certainly no absolute. ‘Sinfonia’ would also quite commonly be used as a device to cover the noise when scenery is being changed within an opera. Despite there being no definite form beforehand, the early 1700s had still produced certain guidelines associated with the structure. It would seem that what had become constant or typical had become the established form or structure. This had practically became set in stone within the Italian overture - the most popular in the early 18th century - as a
Throughout the 18th Century, the term known today as ‘symphony’ was then known as ‘sonata’, ‘sinfonia’ or what would also be named, an ‘overture’. This would usually feature three contrasting sections. It may be an instrumental ensemble providing an introduction to an Opera or it could also be used as an orchestral interlude, like that evident in the Pastoral Symphony from Handel’s Messiah. Although, the requirements when composing sinfonia were not particularly strict, there was no precise form and certainly no absolute. ‘Sinfonia’ would also quite commonly be used as a device to cover the noise when scenery is being changed within an opera. Despite there being no definite form beforehand, the early 1700s had still produced certain guidelines associated with the structure. It would seem that what had become constant or typical had become the established form or structure. This had practically became set in stone within the Italian overture - the most popular in the early 18th century - as a