By comparing the two sculptures of Khafre, image 3-11 ca. 2520-2494 BCE (1), with the statue of Doryphoros (Spear Bearer), image 5-40 ca. 450-440 BCE (2) you get a true sense of the evolution of art, from Pharaonic Egypt to Classical Athenian Greece two millennia later. This was not just a revolution in art but also philosophy, which transported itself into not only the types sculptures created but also the style used by their creators.…
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Chapter 5 Greek Art (1) Name:___________________________ Matching a. main chamber of a temple holding a cult statue b. fifth century Athenian statesman c. half man half horse d. god of wine e. grooved member of Doric Frieze alternating with metopes f. black figure vase painter g. triangular space formed by roof and cornice h. warrior goddess, protectress of Athens i. slight convex curve of a column j. lowest division of the entablature of a temple k. architects of the Parthenon l. entrance gateway m. sculptor of the Discobolos n. female figure used as column o. storage jar with and egg shaped body p. sculptor of Hermes and Dionysus q. ornament from Ionic capital resembling a rolled scroll r. painting method using melted wax 1. ______ triglyph 2. ______ Polykleitos 3.…
Beginning with the early Classical period, Polykleitos was a well-known sculptor who sought perfection through "an all-encompassing mathematical…
Kritios was an Athenian sculptor, whose style and technique during the late archaic period helped revolutionize the archaic period into the Classical period. He has two main statutes that I am going to examine the first of which being the Kritios boy. Also referred to as “the first beautiful nude art” it is very important as it is a precursor to the later classical sculptures. It depicts a young boy in an idea form (so sculpted in the nude if they where in the ideal form) and is possibly a reflection of the Athenian cultural obsession with Pederasty. Yet it is more important in the sense that it smashes the Korous pose. The Kritios boy is so important as Kritios has mastered a complete understanding of how the different parts of the body act together, the statue supports the weight on the left leg meaning that the right one is bent at the knee and relaxed, and forces a chain of events as the pelvis is pushed diagonally upwards on the left side this causes the right buttock to relax and the spine to be placed in an “S” shaped curve causing…
This sculpture is at the Louvre Museum in Paris. It is a sculpture of a woman on the prow of a ship. It looks as though wind from the sea is rippling her dress. This sculpture is also known as the Greek Goddess Nike (Victory) (Bermosa 2008, Para 3). The statue is made of marble and is 10’ 9†in height. The artist however is unknown. According to Bermosa (2008) The rippling of the garments is one of the most compelling aspects of the sculpture to this day.…
The progression of Greek art does not simply begin with the Olympics in 776 BCE, but finds its origins in all of the civilizations that gave rise to the Greeks – the remnants of the besieged Mycenaeans, and all who conquered (and traded) with them. The loss of great civilizations often leads to dark periods, but from the ashes of Greece’s dark age emerged a civilization that revered humanity and went to great lengths to incorporate the idea of philosophy into all aspects of their empire – including art. City states joined forces, democracy was established, and skills lost during times of turmoil (reading, writing, painting, sculpting, architecture) were not only rediscovered, but reinvented. From the eastern inspired geometrics of earliest Greece, to stylize humanism in the Archaic, the mathematical perfection of the Classical periods, and the flowery realism of the Hellenistic - Greek art remains the standard by which all future art will be judged. This article will mainly focus on changes in Greek sculpture as an analogy for the changes in all of Greek art, simply because an attempt to chronicle all of the changes in the historical period would require much more than a short essay, and it’s my belief that sculpture most thoroughly reflected how art reflected the greater changes in the society. Regardless of historical argument about whether or not Greek culture and society were as great or as evil as either extreme proclaims, the fact remains that incredible works of art were spawned by great thinkers. Sure, maybe there was slavery, and maybe women were treated poorly, but that doesn’t negate the artistic value of the truly innovative art forms, starting with the very earliest pieces attributed to the Greeks, those in the period of the first Olympics, which also marks the point when the Greeks themselves considered their various city states united as one people, citizens of “Hellas” – distinct in that they spoke a…
Successful sculptural forms are created through careful attention to common artistic elements and techniques. In order to discover an artist’s intentions while looking at a sculptural piece, it is vital to note the artist’s visual cues. Such visual cues may include form, shape, texture, material, lighting, space, and dynamism. In addition, classical sculpture is commonly comprised of well-balanced idealized forms, with a sense of naturalistic beauty and elegance in mind. Great sculpture also must convey a strong sense of gracefulness and stability. The Lansdowne Bust of Athena of Velletri very successfully exhibits artistic qualities and sculptural…
The Marble made statue known as the Kritios Boy is a champion among the most basic statues ever. At no other time had a stone specialist been stressed over portraying how a man really stands. The Dying Gauls on the holy place of Zeus, pergamene craftsmen, showed the triumph of Attalos I over the Gauls in whimsical veil. An earlier Pergamene statuary gathering unequivocally outlined the demolition of the savages. Roman copies of some of these figures reveal that Hellenistic specialists completely considered and imitated the specific features of the remote Gauls, most strikingly their long, Bushy hair and mustaches and the torques they as frequently as conceivable wore.…
Classical Greek Art is characterized by the emerging need among artists to imitate and perfect the ideal human form through idealized naturalism. The Classical period is marked by the introduction of the contrapposto position first seen in the Kritios Boy (ca 480 BC). The function of sculptures during this period was mostly to glorify gods and athletes usually depicted as male nudes. One of the most renowned sculptures of an athlete from that period is Polykleitos' Doryphoros a bronze original (ca 450 BC) that now only exists in marble copies. Polykleitos made it to serve as a standardization for future sculptures. He intended to perfect the human being using the contrapposto pose as well as measuring the body to be able to fit eight heads stacked on top of each other as the dimensions of the ideal. The flexed limbs and the relaxed limbs oppose each other diagonally, with right arm and left leg relaxed while left arm and right leg are ready for action. The head is turned in opposite direction of the slight twist of the hips and is a much more natural pose for a human than the stiff awkward poses of Ancient Egyptian Art. Classical Greek art also had innovations in bronze.…
By the eighth century BCE, economic and social conditions improved in Greece. At the same time, the Greek polis emerges. In sculpture, the human figural form returns. Module 3 begins with these early sculpted figures, which date to the seventh century BCE. As the Greek polis evolved into a democracy, the sculpted human figure evolved in style toward naturalistic forms. This rapid evolution in style, perhaps a natural result of radical social and political changes, distinguishes Greece from the Egyptian and Ancient Near Eastern civilizations…
beauty.“Greek and roman culture is known for its sculpture of what has become the ideal of male…
Very early on the Greeks made the decision that the human form was a significant subject for artistic endeavor. The standing male nude was vital during the Archaic period. Throughout that period, the sculptures were not meant to represent actual humans, they typically depicted what ideal beauty, piety, honor or sacrifice should look like. Next in the Classical period many changes took place. Poses became more relaxed, along with more technical skill of sculptors being greatly involved. One of the Seven Wonders of the Ancient World, the Statue of Zeus at Olympia, was made in this period. Finally was the Hellenistic period. All art forms amidst this period became considerably more diverse as new cultures migrated to Greece. The sculptures of this time were further emotional and…
Sculpture specifically focused on both human potential and achievements, plus the human experience. Firstly, the Greeks often sculpted humans instead of animals or monsters, which is humanistic enough. When they did sculpt gods or goddesses, these deities were anthropomorphic, having human characteristics. Classical sculpture used nudity to depict the ideal human form; subjects were often young male athletes or soldiers, epitomizing human potential and achievement. Hellenistic sculpture was more realistic and emotional, where the subjects were everyday people; this style focused on the struggles included in the human experience. These two styles unite to represent Greek humanism through art. Architecture was built on the scale of Man, in an effort to complement humans, rather than dwarf them. Additionally, the columns themselves symbolized Man, in the idea that each plays a part in supporting the structure. Even the style of the columns suggested humanism, with a masculine and feminine style; Doric columns were sturdy, characterized by simple, undecorated tops, and therefore the “masculine” style. Ionic columns, in contrast, were thin and elegant, with decorated capitals, and therefore the “feminine” style. Sometimes, caryatids, or statues of girls, were used as columns, a humanistic practice in…
The Greek population was increasing and with that new ideas emerged. These ideas developed into new styles used by Greek artists as Greece moves into the Classical period. The classical period was at the height of Greek strength and artists began to touch on any topic, be it historical, mythological or religious. The Greeks began to feel positive after they defeated Persians who tried to invade and this led to a sense of powerfulness. The Persians had established one of the most powerful and developed cultural civilizations in history. Being a cultural icon, the fact that the Greeks were able to conquer this territory gave them a sense of intellectual and artistic power. This power transferred into art and drove the movement towards creating the ultimate civilization. A great period in the arts began during the classical period as made evident in the expanding style that was used. A piece of sculpture known as “Hermes with Infant Dionysus by Praxiteles(350BC) touches on the sentiment of Greek interest in mythology and can be used as a piece to measure stylistic changes against. This sculpture addresses that Greek worship of gods as prevalent in the period and represents one of many myths that were communicated. The style of this piece was in keeping with the mindset of its people. It portrayed an ideal, a beauty and perfection that would have been important characteristics of a…