Moreover, I agreed with Gaylyn Studlar’s article, “Hard-boiled Film Noir,” that Double Indemnity is in the Film Noir genre. According to Gaylyn Studlar, “Double Indemnity is now regarded as classic Film Noir, an archetypal demonstration of all those traits that came to the foreground in Post-World War II Hollywood crime melodrama.” The post war period had an enormous influence in dramatic value of criminality in American film. Double Indemnity is typically Film Noir because it involves crime, crisis, distortions, corruption, evil, sin, paranoia and manipulation. Studlar claimed that the film has low-key lighting, is circular, and obsessive, with a twist that created more tension in the film’s environment. I agreed with Studlar, because I was able to observe those elements while watching the film. The protagonist and the antagonist were influenced by sex, lust and wrongdoing. The protagonist was Welter Huff who had characteristics of Film Noir. Huff was a middle class man, and
Moreover, I agreed with Gaylyn Studlar’s article, “Hard-boiled Film Noir,” that Double Indemnity is in the Film Noir genre. According to Gaylyn Studlar, “Double Indemnity is now regarded as classic Film Noir, an archetypal demonstration of all those traits that came to the foreground in Post-World War II Hollywood crime melodrama.” The post war period had an enormous influence in dramatic value of criminality in American film. Double Indemnity is typically Film Noir because it involves crime, crisis, distortions, corruption, evil, sin, paranoia and manipulation. Studlar claimed that the film has low-key lighting, is circular, and obsessive, with a twist that created more tension in the film’s environment. I agreed with Studlar, because I was able to observe those elements while watching the film. The protagonist and the antagonist were influenced by sex, lust and wrongdoing. The protagonist was Welter Huff who had characteristics of Film Noir. Huff was a middle class man, and