Dystopias are a futuristic, imagined universe which enforce oppressive societal control and the illusion of a perfect society are maintained through corporate, bureaucratic, technological and moral control, such as in the text 'We' by Yevgeny Zamyatin and '2081' by Chandler Tuttle. Often we see in these societies the ways that humanity can be repressed, losing one's individuality and also the ways a hero rises to challenge the Dystopia's laws, only to fail and become a victim to the dystopia, all being common conventions of dystopic texts from which we can learn about our own societies' flaws.
After the long campaigns of One State, the world and all its citizens are under the control of this totalitarian society. Through D-503's journal we see that all humans suffer from a loss of individuality and emotion most particularly from the conformist nature of the society where regimentation and oppressive control has rid of the population of freedom and imagination, key factors in a human's individuality. The starting statement of "What I think-or, to be more exact what we think," immediately when the novel begins, showcases the conformist nature of One State, tying in with the suppression of humane aspects, extrapolated by the motif, the table of hours which is One State's main instrument in controlling the population.
This subjugation of citizens and further oppression is also seen in '2081,' where the more extraordinary of the population being handicapped to allow fair living. The constant display of the effects of added weights and shock devices linked to those who think too much show to us just how repressed everyone is in the society. Multiple close shots of Harrison Bergeron while he produced his speech about the flaws in their society illuminate to us the oppression and the dark nature of the society while he was dressed in many handicaps. "They had hoped to destroy in me, any trace of the extraordinary." Harrison's parents also demonstrate this