Elements used in Raisin in the Sun
Drama 160 Term Paper: Raisin in the Sun
Lorraine Hansberry’s Raisin in the Sun is a monumental play in the theatrical world. Produced in 1959, it became the first play written by an African-American woman to hit the stage and was later nominated for several Tony Awards. The play touched many controversial themes of the time including racial discrimination and poverty. The design of Raisin in the Sun, including scenic, costume, lighting, and sound elements, were crucial to developing the plot and emphasizing these themes. All of the elements are vital to the message and audience interpretation of the production, and overall, the Playmakers Repertory Company executed them well.
The scenic design of a play is arguably the most important element of a production. It is what sets the stage and puts both the characters and the script into context. In Raisin in the Sun, the set, including scenery and props, helped define the characters, allowing the audience to get a feel for the setting and time period. Most importantly, the scenery developed the line of the play—the space in which the Younger family had to live—which was strategic to developing plot conflict. The Younger family lived in a small, run down apartment that emphasized their social class. To name a few, the wallpaper was discolored, the living room couch was old and musty, and the only visible bedroom to the audience was merely big enough for the bed. Travis, the son, was forced to sleep on the couch, and it was unclear how much space was upstairs where Beneatha, the daughter, and the Grandmother, Lena, slept. The design of the apartment played to the overall conflict within the family; the desperation to escape poverty only intensified within these cramped quarters. Although, the characters managed to deal with their living situation, it caused tension to build within each member of the family, which was a crucial part of plot development. The lower class feel of the house honed in on Walter
Lorraine Hansberry’s Raisin in the Sun is a monumental play in the theatrical world. Produced in 1959, it became the first play written by an African-American woman to hit the stage and was later nominated for several Tony Awards. The play touched many controversial themes of the time including racial discrimination and poverty. The design of Raisin in the Sun, including scenic, costume, lighting, and sound elements, were crucial to developing the plot and emphasizing these themes. All of the elements are vital to the message and audience interpretation of the production, and overall, the Playmakers Repertory Company executed them well.
The scenic design of a play is arguably the most important element of a production. It is what sets the stage and puts both the characters and the script into context. In Raisin in the Sun, the set, including scenery and props, helped define the characters, allowing the audience to get a feel for the setting and time period. Most importantly, the scenery developed the line of the play—the space in which the Younger family had to live—which was strategic to developing plot conflict. The Younger family lived in a small, run down apartment that emphasized their social class. To name a few, the wallpaper was discolored, the living room couch was old and musty, and the only visible bedroom to the audience was merely big enough for the bed. Travis, the son, was forced to sleep on the couch, and it was unclear how much space was upstairs where Beneatha, the daughter, and the Grandmother, Lena, slept. The design of the apartment played to the overall conflict within the family; the desperation to escape poverty only intensified within these cramped quarters. Although, the characters managed to deal with their living situation, it caused tension to build within each member of the family, which was a crucial part of plot development. The lower class feel of the house honed in on Walter