‘Lost the trick’ makes Love seem to be a scientific sate, which, in the way of an experiment, can be cultivated and controlled by man with the correct conditions and expertise. Chapter 17 isolates Joe from Clarissa and the reader through his clear feelings of dissociation ‘my voice rang dull and flat in my skull’ seeming to adhere partially to the form of psychological thriller as the reader questions the Joe’s sanity and the validity of Jed’s existence- the lexis ‘rang’ seems to be a prolepsis of the telephone calls Joe receives from Jed as McEwan portrays the extent to which Jed is omnipresent in Joe’s thoughts and is evidently become more real than Clarissa to Joe ‘I remembered her beauty like a schoolbook
‘Lost the trick’ makes Love seem to be a scientific sate, which, in the way of an experiment, can be cultivated and controlled by man with the correct conditions and expertise. Chapter 17 isolates Joe from Clarissa and the reader through his clear feelings of dissociation ‘my voice rang dull and flat in my skull’ seeming to adhere partially to the form of psychological thriller as the reader questions the Joe’s sanity and the validity of Jed’s existence- the lexis ‘rang’ seems to be a prolepsis of the telephone calls Joe receives from Jed as McEwan portrays the extent to which Jed is omnipresent in Joe’s thoughts and is evidently become more real than Clarissa to Joe ‘I remembered her beauty like a schoolbook