Shakespeare positions us to view the marginalisation and dehumanisation of Othello, from various perspectives, initially through physical features, the notion of racial contempt is conveyed via Rodrigo’s, “Thick Lips”, Iago’s “Old Black Ram”, and Brabantio’s “fall in love with what she fear’d to look on”. This vilification, based on physical appearance reinforces traditional Elizabethan views, and to an extent, views held by groups in society today. Though, Othello’s physical appearance was just one factor. Othello was named “devil” by Iago, from a spiritual perspective, stereotyping those of African descent who were associated with witchcraft, this metaphor reinforces stereotypical racism, causing the reader to question, what has initiated such hatred from Iago to Othello, this allows the reader to a connect on an emotional level with Othello, as it generates empathy. Furthermore the readers perspective of Othello is conflicted due to other members of Venetian society, “your son
Shakespeare positions us to view the marginalisation and dehumanisation of Othello, from various perspectives, initially through physical features, the notion of racial contempt is conveyed via Rodrigo’s, “Thick Lips”, Iago’s “Old Black Ram”, and Brabantio’s “fall in love with what she fear’d to look on”. This vilification, based on physical appearance reinforces traditional Elizabethan views, and to an extent, views held by groups in society today. Though, Othello’s physical appearance was just one factor. Othello was named “devil” by Iago, from a spiritual perspective, stereotyping those of African descent who were associated with witchcraft, this metaphor reinforces stereotypical racism, causing the reader to question, what has initiated such hatred from Iago to Othello, this allows the reader to a connect on an emotional level with Othello, as it generates empathy. Furthermore the readers perspective of Othello is conflicted due to other members of Venetian society, “your son