The early twentieth century saw the …show more content…
On the back of this development that saw architects in Europe questioning this reliance on the past for artistic inspiration, was the resurgence of pan- German nationalism. (Individuals in Modern History : Leni Riefenstahl & Albert Speer, Frappell, 2002, pg. 61-62) It is through this renaissance movement that saw architecture becoming a significant part of Nazi propaganda, despite the initial Nazi concept of “blunt und boden” which characterised the debate over “the city versus the country”. Like the great states in antiquity, Hitler wanted the stone ruins of Nazism to be a reminder a thousand years into the future of the grandeur of National Socialism. (Albert Speer - Personality Study, Kelly, 2012, pg. 15) Speer helped fulfil Hitler’s desires in his early work in the Nazi Party by impressing Hitler with his May Day rally and Nuremberg Rally designs that saw the strong incorporation of monumental neo-Classical features. Speer noted that the iron and steel reinforcement used in modern buildings, ultimately made a building look unattractive when it deteriorated. Speer felt that