Italy which depicts one man's loss of faith and his struggle to maintain
personal dignity in poverty and bureaucratic indifference. Antonio Ricci is a
bill-poster whose bicycle, essential for his job, is stolen by a thief. Joined
by his son Bruno, Antonio vainly searches for his bike, eventually resorting to
the humiliation of theft himself. Throughout this paper, I will attempt to
trace the character through "The Bicycle Thief." The film opens with a montage
of early morning urban activities ending on a crowd of unemployed laborers
clamoring for work. Sitting to the side is Antonio Ricci. Beaten down by
despair, he has lost the energy to fight. His spirits are lifted, however,
when his name is called out for a job. Invigorated, he damns poverty. His joy
however, is fleeting, employment depends on one condition -- that he owns
a bicycle. To provide for his family, Antonio long ago pawned his bicycle
and now...
... middle of paper ...
...ere, in India or abroad. Ray
heterogeneity within local communities. This perception contrasts sharply with
the tendency of many communitarians, religious and secular, who are willing to
break up the nation into communities and then stop dead there: "Thus far and no
further." The great film maker's eagerness to seek the larger unit - - to talk
to the whole world - - went well with his enthusiasm for understanding the
smallest of the small, i.e. the individuality, ultimately, of each