Ethnocentrism in the Movie "Avatar"
ESSAY COVER SHEET
AN1001 Anthropology
Cultural Diversity in Global Perspective
Study Period 52, 2013, Singapore
Anthropologist at home in the field (Photo by J. Weiner 2003)
Subject Coordinator: Dr Anita Lundberg
STUDENT’S LAST NAME: TAN FIRST NAME (Preferred name): BERWIN
ASSESSMENT TASK: Analysis of the film ‘Avatar’
QUESTION: How is ethnocentrism depicted in the film Avatar? Discuss with reference to the notions of primitivism, romanticism and exoticism.
TITLE: Ethnocentrism in Anthropological perspective - Avatar WORD COUNT: 681
TUTORIAL DAY & TIME: Wednesday 1.00pm – 2.50pm
Ethnocentrism in Anthropological perspective - Avatar
Using highly advanced technology to replicate and to creating false bodies which humans use to walk amongst the natives known as the Na’vi living in the planet Pandora hence the name ‘Avatar’. The story focuses on an ex U.S. soldier name Jake Sully who is wheel-chair bound, was called upon as a last resort to replace his late brother whom had trained for 3 years in a project which was invested with so much money that the researchers could not bear to make it go to waste. Thus, sharing the same DNA, Jake was then given the privilege to be part of the project as he was tasked to retrieve back an extremely valuable mineral known as “Unobtainium” (Cameron & Landau, 2009) and at the same time taking advantage of the false bodies to integrate with the Na’vi and to learn their ways and practices.
The movie brings the audience through a journey at the same time identifying ethnocentrism through the aspects of exoticism, primitivism and romanticism in the wondrous world of Pandora. Ethnocentrism refers to a bias where one's own group is the center of everything. One’s own culture is considered superior and all ‘others’ are scaled and rated as below it (Lundberg, 2012). It was both the human race and the Na’vi who deemed each other as less superior, example when the human were using machines to destroy the forest
AN1001 Anthropology
Cultural Diversity in Global Perspective
Study Period 52, 2013, Singapore
Anthropologist at home in the field (Photo by J. Weiner 2003)
Subject Coordinator: Dr Anita Lundberg
STUDENT’S LAST NAME: TAN FIRST NAME (Preferred name): BERWIN
ASSESSMENT TASK: Analysis of the film ‘Avatar’
QUESTION: How is ethnocentrism depicted in the film Avatar? Discuss with reference to the notions of primitivism, romanticism and exoticism.
TITLE: Ethnocentrism in Anthropological perspective - Avatar WORD COUNT: 681
TUTORIAL DAY & TIME: Wednesday 1.00pm – 2.50pm
Ethnocentrism in Anthropological perspective - Avatar
Using highly advanced technology to replicate and to creating false bodies which humans use to walk amongst the natives known as the Na’vi living in the planet Pandora hence the name ‘Avatar’. The story focuses on an ex U.S. soldier name Jake Sully who is wheel-chair bound, was called upon as a last resort to replace his late brother whom had trained for 3 years in a project which was invested with so much money that the researchers could not bear to make it go to waste. Thus, sharing the same DNA, Jake was then given the privilege to be part of the project as he was tasked to retrieve back an extremely valuable mineral known as “Unobtainium” (Cameron & Landau, 2009) and at the same time taking advantage of the false bodies to integrate with the Na’vi and to learn their ways and practices.
The movie brings the audience through a journey at the same time identifying ethnocentrism through the aspects of exoticism, primitivism and romanticism in the wondrous world of Pandora. Ethnocentrism refers to a bias where one's own group is the center of everything. One’s own culture is considered superior and all ‘others’ are scaled and rated as below it (Lundberg, 2012). It was both the human race and the Na’vi who deemed each other as less superior, example when the human were using machines to destroy the forest
References: Cameron, J, & Landau, J (Producers), & Cameron, J (Director). (2009). Avatar [Motion picture]. United States of America: 20th Century Fox. Diamond, J (1994, November). Race without color. Discover magazine, P 75 - 76. Lundberg, A. (2012). AN1001 Anthropology: Cultural Diversity in Global Perspective, Lecture 2 [PowerPoint document], Retrieved from https://learnjcu.jcu.edu.au/webapps/portal/frameset.jsp?tab_tab_group_id=_312_1&url%2Fwebapps%2Fblackboard%2Fexecute%2Flauncher%3Ftype%3DCourse%26id%3D_26017_1%26url%3D Torgovnick, M. (1991). Defining the Primitive/ Reimagining Modernity. Gone Primitive: Savage Intellects, Modern Lives. (p.8). Chicago, USA: The University of Chicago Press. 20th Century Fox (2009). Pandorapedia: The Official Guide to Pandora. Retrieved July 10, 2013, from http://www.pandorapedia.com/