In the tragedy, “Julius Caesar,” William Shakespeare uses detail and appeal to present how Decius was able to make a stronger argument than Calphurnia to persuade Caesar to go to the Senate. Calphurnia already has an emotional appeal with Caesar since he is her husband and uses pathos to try to persuade Caesar to stay home and not go to the Senate meeting as it would turn out in a negative situation. She expresses her fear with a dream of his statue “[running] pure blood and many lusty Romans [] smiling” as the conspirators take joy in his death (2.2.78-79). Caesar eventually agrees with Calphurnia because she understands that Caesar doesn't care about his fear, so she uses her own fear for persuasion. On the contrary,
In the tragedy, “Julius Caesar,” William Shakespeare uses detail and appeal to present how Decius was able to make a stronger argument than Calphurnia to persuade Caesar to go to the Senate. Calphurnia already has an emotional appeal with Caesar since he is her husband and uses pathos to try to persuade Caesar to stay home and not go to the Senate meeting as it would turn out in a negative situation. She expresses her fear with a dream of his statue “[running] pure blood and many lusty Romans [] smiling” as the conspirators take joy in his death (2.2.78-79). Caesar eventually agrees with Calphurnia because she understands that Caesar doesn't care about his fear, so she uses her own fear for persuasion. On the contrary,