The altarpiece illustrates the Virgin Mary’s body ascending into heaven following her death. The twelve apostles are…
The monument depicted two young people, a young man and a girl, they are both standing in a profile view, and are looking off to the sides. The young man is shown as an athlete with an aryballos (oil flask) suspended from his wrist.. Also, his holding a pomegranate- a fruit associated with both fecundity and death in Greek myths. 2 The little girl seem to be the younger sister of the athlete, and she’s holding a flower. The young men and the girl are shown in a very strong and immense powerful form that give us a feeling that they are gone from us and head into another world.…
Mary told Catherine to ask her spiritual director, Father Aladel about the image Catherine is seeing at that moment to be put on a medal. The priest did not believe her at first, but after two years he decided to give the information to the bishop of Paris. The bishop approved the priest request, and Adrien Vachette designed and produced the medals. One day, Alphonse Ratisbonne, a hater of Catholicism, was dared to wear the medal and say a Memorae. Out of nowhere, he saw a vision of Mary and converted to Christianity. Today, the Chapel of Our Lady of the Miraculous Medal, the chapel where Mary appeared to Saint Catherine, is a shrine commemorated to the Miraculous Medal.…
This object, being placed in the back of a long central hallway, is found in a room containing large sculptures of men and women. There were also many portraits of only the heads of men and women. This placement hints to the wide belief that this head was originally thought to be prepared as a separate piece for insertion in a stature. There was once a veil covering the top and back of the head, but now it is missing. Marble at the summit and back of the head was left roughly worked, since a veil in either marble or stucco, a fine plaster used for moldings and other architectural decorations, would have hidden it. For the development of the ideal form, this sculpture had to accomplish its purpose having had to restrict itself almost exclusively to form giving the viewer a feeling of tranquility and authority.2 Consequently,…
At the Polk Museum exhibit I was struck by a Moche ceramic artifact titled “Stirrup Jar with Fanged Deity Effigy, Early Intermediate Period, 400-600 CE”. The base of the jar was molded into a sphere (with a flat bottom surface) which acts as the “body”, sporting painted arms and items held within each hand. The deity also appears to be wearing some kind of cloak, most notably indicated by the bow that is tied at the base of its neck. The head of the creature is molded to resemble rather monkey-like features, with bared fangs and large ears.…
Marble Statue of a Wounded Warrior is a Roman statue, crafted in the second century A.D., as a copy of a bronze Greek statue cast between 460 and 450 B.C. Though sculpted with obvious technical aptitude, Wounded Warrior is riddled with anatomical imprecision and is inhibited by a reluctance to depict the unsightliness of injury in combat. The first time I laid my eyes on this exquisite artifact, I was astonished by its fierce presence. The orientation of the gallery encourages the viewer to approach Marble Statue of a Wounded Warrior from the rear. Startlingly colossal and dignified, the statue seems likely to reveal a paradigmatic Greek warrior upon being seen from the front. A raised right arm…
To the right of the altar, is a statue of Jesus with the Sacred Heart. This statue is both iconic, in that it is an image of Jesus, and anionic with the Sacred Heart with the crown of thorns. The Sacred Heart is a representation of Jesus’ love for humanity. Along the wall is a painting of Saint Joseph, holding a Jesus as a child. There is also a statue of Saint Joseph as the patron saint of the Catholic Church. Below this painting is an altar where the wine and holy Eucharist are stored when not being used during mass. On the left side of the altar is an iconic painting of the Blessed Virgin Mary. She is the mother of Jesus and along with the painting of Saint Joseph holding the Child Jesus is a representation of the Holy Family.…
16. View figure 3.4 on page 69 in the text. What features does the statue borrow from the Greek “Doryphorus” statue?…
After the recent events around the world, such as the numerous terrorist attacks and threatening natural disasters, individuals are left to cling to their religious beliefs for comfort and encouragement to press on. Some of these events have encouraged division between cultures, since many of the terrorist attacks are done in the name of their god. After the 2001 attack on the twin towers in New York, and the Pentagon, many people were leery of individuals who valued their Muslim beliefs. In fact, many Muslim worshippers were criticized and accused of having terrorist ties, when, in fact, the people who were actually responsible for the attack were extremists and radicals who took their religious beliefs and mixed them with their own demented thoughts. The truth of the matter is the act carried out that day does not effectively represent the beliefs of the common Muslim person. The rebuilding efforts are in full force today, with many people who have moved on and welcomed the start of their new life. It seems fitting that, in light of our…
I visited the Los Angeles County Museum of Art and although there were countless art pieces that I enjoyed viewing. The one that really stood out to me and caught my attention was an interesting piece that was the Figurine of the Goddess Wadjet. She was created sometime between 664-525 BCE during the twenty-sixth dynasty. The Goddess Wadjet was known to be the protectress and what is also considered a tutelary deity of Egypt. The Wadjet figurine is a small statue that could easily be carried standing at a mere 13 inches tall, the figure stands with one foot slightly ahead than the other perhaps representing such importance and power. She displays a posture of dominance. With her lioness head and sun disk headdress which represents the sun god, Ra and in front of her disk lies a cobra. Which sometimes she is referred to as the cobra goddess. In my opinion this piece was more of devotional work. The reason why I say that is because the symbolism behind the Goddess Wadjet is that she was a goddess of protection. The way that I feel this piece affects me being in the twentieth century is that I have always been extremely impressed by the gods and goddesses that were a large portion of Egypt’s beliefs and I associate them with the saints that I was raised to believe in as a child. For example St. Michael is a saint of protection. It is known to protect others from harm and evil. This sounds very familiar to what Goddess Wadjet stands for. The goddess demonstrates a lioness head and displays a position of protection and on guard.…
In this statue you see a male figure kneeling, in what is believed to be an offering position. In his hand he is shown holding a diving symbol, which is being offered to the gods. This statue is 18 9/16 x 6 7/8 inches where Senemut is kneeling and 6 ¾ x 2 15/16 x 11 9/16 inches at the base of the statue. This piece is made out of granite which makes it dark grayish in color.…
symbolized the gods at the top, the soldiers underneath and the slain at the bottom (Benton & DiYanni , p.11) Although the sculpture may be true to an event, the representation of the human figure has no facial identity and it portrays almost everyone looking alike, therefore representing humanism as the art form. In comparison, to the Victory Stele of Narim-Sin this stone carved slab is much like the the Palette of the Egyptian pharaoh Narmer slate due to again an war event that may have happened symbolizing an event of…
The sculpture of David was done for Saint Peters Cathedral. It gave new meaning to life for the people of Florence. David was not only thought of as a Messiah by the Old Testament Prophets, but also by the people of Florence. He brought hope as a person and a statue.…
The Statue of Liberty is by now a universally recognized symbol of American political mythology. She stands at the entrance of New York harbor, wearing a spiked crown representing the light of liberty shining on the seven seas and the seven continents. The statue was a gift to the United States from the people of France in 1884. It is made of riveted copper sheets, only 3/32 of an inch thick, ingeniously attached to a framework designed by Louis Eiffel. Its construction is such that it will not be stressed by high winds or temperature changes (The world Book Encyclopedia, pp. 874-875). The symbolism of the statue is reinforced by Emma Lazarus’poem “The New Colossus”, which is inscribed on a plaque at the base of the statue.…
The Torso of a God is a sculpture located at the Legion of Honor museum in San Francisco. The sculpture is of a pharaoh holding a staff in front of its chest with his left hand. In his right hand he is holding something that could possibly be a bell or a key, by his side. The piece looks as though it never had legs past the knees due to the stability that exists and the fact that it appears to be flat on the area it sits on. The head has broken off so that only the headpiece and beard can be seen and it is broken at an angle that the right shoulder is missing as well. The left arm is also missing except for the hand and shoulder. The back of the piece is flat as though the piece was originally located against a wall. This piece is about three feet tall and about two feet wide. The piece is smooth all over and even though certain areas are carved out, the piece still has a smooth glossy look. The statue is wearing some sort of skirt that covers the area from the hips all the way down to the bottom of the piece. It also looks like the God is wearing a bracelet on his right wrist as well as a necklace underneath the beard and headpiece. The skirt and headpiece are shown by many vertical lines next to one another with a border around them to show where they stop. Other than the left leg that is slightly stepping…