John Steinbeck's Of Mice and Men takes place during the Dustbowl in California at a time of poverty. George and Lennie are two men who have just arrived at a ranch in Soledad for their new job. Lennie does not make a good first impression on the boss’s son. One theme the story suggests is that loneliness can cause negatively affects people.…
The aim of this essay is to demonstrate how eighteenth-century texts are engaged with political radicalism of that era. For this purpose, I will focus on two writers who have the same background but different styles: Swift (political pamphleteer, poet and novelist) and John Gay (English poet and dramatist). First, I would like to introduce Gulliver’s Travels written by Jonathan Swift. Moreover, I would like to provide and analyse some passages from the first part of Gulliver’s Travel: ‘A Voyage to Lilliput’ in order to reflect political radicalism through satire, descriptions of characters, humour and mockeries. Secondly, I would like to introduce and expose John Gay’s The Beggar’s Opera on the whole in order to demonstrate that political radicalism differs from Gulliver`s Travel satirizing Robert Walpole’s figure. However, before making reference to the previous two points I will explain briefly the meaning of ‘political radicalism’ and comment on the background of the eighteenth-century period in England in order to have a good understanding of the writings of these two authors.…
During the mid 〖19〗^th century, children under the age of 15 comprised more than 20% of the workforce in Britain’s textile industry, and rights insuring proper child benefits were unseen until the early 〖20〗^th century. Furthermore, due to the intensifying urbanization, labourers often resided in vastly overpopulated residential areas in which disease and despicable living conditions were part of a truly dubious existence . My analysis will primarily cover the era’s societal tendencies, and how these precipitated a prodigious and ever-increscent socioeconomic chasm between the established social classes. In this attempt, I covet to address the repercussions and importance of the prospering Laissez-faire mentality that accomplished both tremendous advancement and great calamity for those born into…
During the Industrialization era, the “wonderfully rich stretch of country, [with] the finest farms” remained the same despite the ongoing change and rise of the industries in the cities. While the city was affected in terms of immigrants and industries, life in the west remained valued and pure. In the narrative, Neighbour Rosicky, Cather describes the limitations of city life to reveal her preference on the free, unrestricting, and beautiful country life.…
Gin Lane addresses a very real problem in mid eighteenth century England, the abuse of gin by the working classes…
George Orwell’s criticisms of socialism in his book, The Road to Wigan Pier, present the compelling argument that socialism is almost an impossible concept to acknowledge, at least in the context of England. When first reading this book, we find that Orwell is, at one point, living with a miner in the working class and witnessing the poor conditions in which the coal miners endured. Although a middle class man, Orwell observes the many “influences press[ing] [working men] down into passive role[s],” causing him to eventually build on his criticisms of socialism (Orwell p. 49). Although he did not quite fully understand the idea of socialism, he claimed himself to be one and uses his self-acclamation as one of his criticisms of how others do not even understand the gratitude of the class in which they are claiming. Through his observations in Wigan and his own self reflections, Orwell’s criticisms come to shape his propositions for what should be done next, in regards to the working people of Britain.…
In Chapter Five of Book One, Dickens the wine that spills into the streets as a metaphor for the blood spilled in the revolution. Outside of a wine-shop, a wine cask is broken in the street. Many people rush around the puddle on the ground trying to scoop it up and drink as much as they can. Dickens describes this by saying "All the people within reach had suspended their business…. Moisture wine-rotted fragments with eager relish" on pages 34 - 35. This goes to show how desperate the people are. A man writes the word "BLOOD" on a wall next to where the cask broke open. This foreshadows the violence of the unruly mobs later in the novel. This scene points out how impoverished the people of Paris are and how rowdy a crowd can become when they are unified under a united cause. The breaking of the wine cask also outlines one of the themes of the book, which is darkness, and gives a dark, gloomy atmosphere to the story and the motif ‘blood’.…
Industrialization had a general positive effect to life, providing more jobs and changing transportation communication and commerce for france in the 19th century. When looking at it on a smaller scale, to keep up with all these changes many people had to suffer for them to work, someone had to do the “dirty” work. In Emile Zola's book “Germinal” he brings us to the everyday lives of these hard working people , the coal miners in Montsou. They are the lower working class of people that endure many social costs, risking and struggleing their own lives to keep capitalism moving. With fate and hereditary being the main factor in pre determining who works the pits and who collects revenue from the pits, Zola opens us to the “struggle between capital and labor” (Pearson, pg. xx) .The reader experiences first hand , the coal miners lives through starvation, oppression, and darkness. Suffering each day to survive we follow Zola's hero, Etienne Lantier through his journey face to face with cruelty and despair, never giving up on his dream for a better world.…
The Victorian men and women conveyed in Bram Stoker's Dracula are pure and virtuous members of the upper and middle class. However, hiding behind this composed and civilized conception of England lies a dark and turbulent underbelly. This underbelly is the lumpenproletariat, whom Karl Marx defined as "the lowest and most degraded section of the proletariat; the down and outs' who make no contribution to the workers cause". Victorian culture discriminated against these vagrants, who were seen not only as shiftless and immoral, but dangerous as well. Sex was taboo and purity was held sacred to the Victorian middle and upper class, but prostitution and sexually transmitted diseases ran rampant among the lumpenproletariat. The rich strive to be pious and good, but consider those of lower social standing to be less than human. The reaction of the characters in Dracula to the evil of the vampires can be likened to the Victorian conception of the lower classes. They were seen as a hedonistic but powerful force, with the collective capacity to end the affluent citizen's way of life. In this sense, the novel can be viewed as a struggle to maintain upper-class Victorian traditions against the traditions of the lower class. This paper will examine the similarities between the vampires and the perception of the lower classes in regards to superstition, sexuality, inequality and the "preying" of the lumpenproletariat on the respectable middle-class. It will also examine the signs evident in the novel of the Victorian mindset.…
The French Revolution was, however, one of the greatest events in human history. It is an inexhaustible source of lessons for the labour movement even today. Yet here the first note of caution must be sounded. The French Revolution was a bourgeois revolution, and it would be entirely mistaken to attempt to draw exact parallels between the processes involved and the movement of the modern proletariat. To attempt to do so would end up in all kinds of anachronistic and unscientific conclusions.…
One of the characteristics of any communist regime is that of monopoly over all means of information. Namely, censorship. Therefore, art is totally under the control of the party-state, and as the ideology and the opinions of it are considered the absolute truth, everything that is published is thoroughly verified before being brought out. All ‘offensive’ details are disposed of, and others, in accordance with the ideology, are added. For instance, in the novel ‘Desculţ’ by Zaharia Stancu, the readers are offered a glimpse on how landlords oblige peasants to cover their mouth while working, in order not to eat grapes. These scenes were meant to create a pejorative image of the boyars and landowners, who would always exploit the workers, and thus blaming the ‘class enemies’ for treating the working class as such.…
Oliver Goldsmith’s “The Deserted Village” and Thomas Gray’s “Elegy Written in a Country Churchyard” were published within a gap of two years in the final decade of eighteenth century, i.e. 1740 and 1742 respectively. Both the poems were written in the Pastoral form, by which they portrayed as well as challenged the socio-political and economic developments in the eighteenth century England. Where Goldsmith writes about his concerns about the phenomenon of “depopulation” in the English villages, Gray questions the increasing disparity between the rich and the poor. Interestingly, what both the author’s portrayed were the outcomes of the thriving Capitalism in England and the growing imperialism.…
taste of " bourgeois " and " industrial" revolution about 14thcentury Tuscany and Flanders or early 16th-century Germany.…
Studying Victorian poetry is a matter of constant interest for different types of people for the drastic changes and controversies within a society trying to find a compromise. This compromise of a middle way between being conservative or give in to change into modern life was forming a huge debate within individuals, both internally and externally. Thus prominent poetical figures will be discussed within lectures staring from the Victorian poets and ending with the modern era.…
When Chesterton wrote his introductions to the Everyman Edition of Dickens's works, it seemed quite natural to him to credit Dickens with his own highly individual brand of medievalism, and more recently a Marxist writer, Mr. T. A. Jackson, has made spirited efforts to turn Dickens into a blood-thirsty revolutionary. The Marxist claims him as ‘almost’ a Marxist, the Catholic claims him as ‘almost’ a Catholic, and both claim him as a champion of the proletariat (or ‘the poor’, as Chesterton would have put it). On the other hand, Nadezhda Krupskaya, in her little book on Lenin, relates that towards the end of his life Lenin went to see a dramatized version of The Cricket on the Hearth, and found Dickens's ‘middle-class sentimentality’ so intolerable that he walked out in the middle of a scene.…