In Tartuffe (1664), as in his other plays, Moliere employs classic comic devices of plot and character. Here, a foolish, stubborn father blocking the course of young love: an impudent servant commenting on her superiors’ actions; a happy ending involving a marriage facilitated by implausible means. He often uses such devices, however, to comment on his own immediate social scene, imagining how universal patterns play themselves out in a specific historical context.…
4. In Tartuffe, Moliere uses dialogue to express irony in the play. When Orgon tells his brother-in-law, “You do not know the man of whom you speak,” it is ironic because although Cleante has never met Tartuffe in person, he does know that he is deceiving everyone. It is also ironic because Orgon is saying this even though he does not know Tartuffe’s true intentions. It is also ironic when Orgon says “Under his[Tartuffe] tutelage my soul’s been freed from earthly loves, and every human tie: My mother, children, brother, and wife could die, and I’d not feel a single moment’s pain,”( 276-279) because Orgon thinks that Tartuffe has taught him to free himself of human ties including family, but in actuality, he is placing Tartuffe so ahead of his family that he no longer cares about his family.…
In the story Tartuffe by Moliere, the audience can view many foil characters. It seems as if every character had a foil, meaning opposite character. The two foils that most stood out were Tartuffe and Cleante. These characters show completely different personalities and everything about them is actually the opposite. One is a hypocrite about religion and the other one is very pious. The more you learn about the characters, the more you realize how different they are.…
During the Enlightenment Period authors found their roles in life were to teach and entertain their audience. In Jean-Baptist Poquelin Moliere’s Tartuffe and Alexander Pope’s An Essay on Man, both artist achieve the Enlightenment’s goal, to teach and entertain. Both writers use satire, optimism, and emphasis on reason to inform and keep the attention of their audience. There are some regards that Moliere and Pope sacrificed art, creativity, or entertainment just for educations. Readers of both works will realize that there are no other works like the two and the two works are entertaining and teach audiences valuable lessons. Therefore, both Moliere and Pope effectively fulfill the…
For example, Candide claims to be the best man in the world but then murders three men, two of them priests. “... I am the best man in the world, and here are three men I’ve killed already, and two of the three were priests,” (123). In Tartuffe, the grandmother of the family, Madame Pernelle, wanted the family name to be upheld by supporting Tartuffe, but did not see the hidden evil of Tartuffe which would curse the family name. In both stories several instances of good and evil juxtapositions, first seeing the good intentions of the characters, followed by the exaggerated evil that lies underneath the event. Good and evil juxtapositions, as well as excess and moderation, are themes commonly revisited throughout both Candide and…
In Tartuffe, Elmire character is resourceful and intelligent woman much like Dorine. Elmire is clearly shown to be mentally superior to her husband and becomes frustrated with him, of his gullibility concerning with Tartuffe, saying bluntly that" Orgons blindness take her breath away" (Moliere). When Orgon refuses to acknowledge that Tartuffe could possibly commit treacherous intentions, Elmire takes the initiative and convince her "hard headed" husband to hide while she manipulates Tartuffe into admitting his wicked intentions (Moliere). The fact that Elmire is forced to manipulate her husband decision rather than make her own, however, is a clear illustration of the subordinate status of women in eighteen century. Elmire character is much like Dorin: strong and…
A foil character contrasts the personalities of another character, which particularly enlightens certain characteristics of the individual. This element portrays these characteristics in an obvious manner, as it benefits the reader or audience. By showing the characteristics of one, it directly heightens the character traits of the other, creating a foil illustration of an individual. Nowhere is this element of literature more prudent than in William Shakespeare’s Romeo and Juliet, as he effectively engages the use of foil characters. In the play, two lovers from opposing, and hateful families fall in love, but the hatred between households lead to their downfall. Characters in the immoral city of Verona are set to represent key themes and elements of tragedy, and these features are illuminated by the strong use of foil characters. In William Shakespeare’s Romeo and Juliet, Romeo’s qualities are emphasized and distinguished through the foil representations of Mercutio, Tybalt, and both households.…
Capulet in the Classic Shakespearean play of Romeo and Juliet displays a mixture of qualities rather than conveying a sense of consistency of action.…
In many of Shakespeare's plays, there is a major character, and a lesser character whose character traits directly contrast those of the major character. This literary device is called a foil. One example of this exists in the play Romeo and Juliet, in which Mercutrio foils Romeo's character with his disdain for love and belief in man making his own destiny. Another example of foil exists in William Shakespeare's play Macbeth. The character of Lady Macduff foils Lady Macbeth in her lack ambition, her genuine love of family life and her devotion to her husband.…
EG: Beatrice is unfit for her role as both a woman in this era and for a 'lady' of her class for she speaks to Benedick in such a distasteful manner displaying her opposition to marriage (contextually unconventional). She also speaks to him in prose which are often asociated more with lowly characters of a lesser…
Tartuffe is a prime example of how trusting someone too much can go wrong. Orgon was initially blinded by the type of person Tartuffe was. In his eyes he could do no wrong; however, others were able to see past Tartuffe's fraudulent character. This story coincides with the famous quote, “Fool me once, shame on you. Fool me twice, shame on me.” When Orgon’s family tries to set Tartuffe up, the plan backfires rapidly. Damis, Orgon’s son, is even kicked out of the house. This scene really sets the stage for the level of trust Orgon has for Tartuffe. One could even question how close their friendship really was. Despite hearing what his family had to say, Orgon took the side of a friend, not his family. This subsequently brings into question the way Tartuffe saw Orgon’s family. He lies and convinces a father that he is in love with his daughter, allthewhile trying to make advances at his wife; then, lies about it to his face and is deemed trustworthy. The family then devises another plan. this time with Orgon hiding under the table. Although Orgon agrees, he believes his own wife is lying to him. To his surprise, he hears Tartuffe making advances at his wife, Elmire, as she is declines. Orgon emerges and kicks Tartuffe out of his home. The plot twist ensues when Tartuffe tried to blackmail the family and take their home. He is eventually arrested and Mariane and Valère can go back to planning a marriage.…
Describe her character and explain how she would not have represented a stereotypical woman in Shakespearian times.…
Character is someone that everyone admires and sets good examples and to me there are no…
During the end of the sixteenth century to the mid eighteenth century, the Baroque Era prospered in Europe and its provinces. This section studies the Baroque expressions and the political setting against which they created. The writing of this period incorporated various subjects and structures, some recognizable yet numerous new and inventive. As the government developed progressively absolutist the theater entered into a golden age in France. Three playwrights written by Pierre Corneille, Jean Racine, and the comedic satirist Jean-Baptiste Poquelin also known by his stage name Moliere transformed French dramatic literature. In England, Stuart…
A great example of a character who presents an abnormal state of mind is Cherry. This Lewis-addicted romantic and compulsive liar brings lightness to the play which lifts the atmosphere among the cast. Her obsession with Lewis and childlike behaviour forces the reader to categorise her as abnormal, this is also used as an opportunity to lightly explore some aspects of the human condition of those living with a mental illness and their relationship with the sane characters surrounding them.…