Joyce’s short story “Araby” shows us the moment of awakening from fantasy by a boy’s one-side love story. we sometimes experience when we continue to work on ourselves, understand that if something is causing regret, anger, unhappiness or and other “negative” emotion, we are, by definition, experiencing an illusion. We will experience the illusions we still think are real. We will do so because we have made the unreal to real, and the best way to understand that what we see as valuable is actually valueless is to experience its valuelessness. Many times, when people awaken from their particular illusion, they feel so empty, angry, or feel like such a loser, but after this moment, people will step forward again into everyday life to begin new chapters in their personal histories. The short story “Araby” is filled with the fact that both ‘Symbolism’ and ‘Realism’ share significant weights. It opens and closes with strong symbols to awaken realism. The fantasy and reality are faced at beginning of the story by symbolizing the priest’s death. When the boy narrates about the priest that reads, "’He had been a very charitable priest; in his will he had left all his money to institutions and the furnitures of his house to his sister’" (302). It makes the boy thinks him as a sneer, for it implies that the priest, by having a fortune, might not have been faithful to his position, and by handing his furnitures over to his sister, might not have yet been free from secular ties of family relations. When the priest writes the will, he might believe that he will be charitable and respected by people, but his fantasy is broken by leaving his furnitures to his sister. As an old priest, even if he had been inherited a big fortune, he might have donated the fortune to the society if he had been charitable. It is somehow not delightful to see a wealthy minister, who is supposed to be poor and honorable, especially in the times of poverty. The Joyce’s
Joyce’s short story “Araby” shows us the moment of awakening from fantasy by a boy’s one-side love story. we sometimes experience when we continue to work on ourselves, understand that if something is causing regret, anger, unhappiness or and other “negative” emotion, we are, by definition, experiencing an illusion. We will experience the illusions we still think are real. We will do so because we have made the unreal to real, and the best way to understand that what we see as valuable is actually valueless is to experience its valuelessness. Many times, when people awaken from their particular illusion, they feel so empty, angry, or feel like such a loser, but after this moment, people will step forward again into everyday life to begin new chapters in their personal histories. The short story “Araby” is filled with the fact that both ‘Symbolism’ and ‘Realism’ share significant weights. It opens and closes with strong symbols to awaken realism. The fantasy and reality are faced at beginning of the story by symbolizing the priest’s death. When the boy narrates about the priest that reads, "’He had been a very charitable priest; in his will he had left all his money to institutions and the furnitures of his house to his sister’" (302). It makes the boy thinks him as a sneer, for it implies that the priest, by having a fortune, might not have been faithful to his position, and by handing his furnitures over to his sister, might not have yet been free from secular ties of family relations. When the priest writes the will, he might believe that he will be charitable and respected by people, but his fantasy is broken by leaving his furnitures to his sister. As an old priest, even if he had been inherited a big fortune, he might have donated the fortune to the society if he had been charitable. It is somehow not delightful to see a wealthy minister, who is supposed to be poor and honorable, especially in the times of poverty. The Joyce’s