There are many techniques used to create meaning in the text ‘Memorial’ written by Shaun Tan and Gray Crew. A detailed examination of any double page from Memorial can show how well the author and illustrator uses these techniques to show meaning.…
The piece of Art, Smiling Girl, a Courtesan Holding an Obscene Image, painted by Gerrit van Honthorst in 1625 can be seen at the Saint Louis Art Museum. I was initially drawn to this image from across the gallery mostly due to the subject’s bright red dress with gold sleeves, it was one of the brightest colored images in the gallery. It is about three feet tall and two feet wide, it is an oil on canvas painting. As I approached the image, I was still intrigued as the image she is holding is of a naked man facing away, the subject in the painting seems to get enjoyment from this. To me this piece of art makes me curious, I want to know who this woman was and why she is holding that image. The artist seems to be communicating the importance of…
This artwork represents the interrelationship between life and death. The cabinet is organised with vibrant colours of extravagantly alive objects with beauty and fragility on top of the objects that are camouflage colours, which symbolise war and unrest. The objects within the cabinet are similar and yet, contrast one another. This artwork shows the juxtaposition of nature and the threats that arose as conflict did. Hall has used great amounts of symbolism to create effect and evoke emotion. The purpose of the cabinet is to represent the morgue, a sense of captivity and helplessness. The cabinet holds many flowers, vibrant and beautiful, also holds a camouflage poppy flower. The poppy is a symbol of war. After a battle of WW1 red poppy’s sprouted in the battlefield. It is said they were red from the soldiers’ blood, representing death and remembrance. This artwork refers to the use of the earth, the natural world and the world mankind has created. It is a very political artwork, with representations of civil unrest, and aftermath of…
Milton Glaser is one of the most acclaimed graphic artist in United Stated history. He was born in New York City on June 26, 1929, to Eugene and Eleanor Glaser. He went to school at Cooper Union School of an Art and Academy of Fine Art in bologna, Italy. Glaser started out becoming a classically trained artist. In August 1957, he married Shirley Girton. His work is recognized worldwide through exhibits and permeant pieces in museums such as The Museum of Modern Art. He has received many awards including the Nation Design Award For LifeTime Achievement and the National Medal of Arts.…
Is this one galaxy or two? This question came to light in 1950 when astronomer Art Hoag chanced upon this unusual extragalactic object. On the outside is a ring dominated by bright blue stars, while near the center lies a ball of much redder stars that are likely much older. Between the two is a gap that appears almost completely dark. How Hoag's Object formed remains unknown, although similar objects have now been identified and collectively labeled as a form of ring galaxy. Genesis hypotheses include a galaxy collision billions of years ago and the gravitational effect of a central bar that has since vanished. The above photo taken by the Hubble Space Telescope in July 2001 revealed unprecedented details of Hoag's Object. More recent observations…
One of the most influential artists of the Modern Period of art was James Whistler. Whistler was an accomplished printer and painter and a brief background of the painter allows us to understand Whistler, and why more than any artist of his time, he would be attracted to Japanese woodblock prints called Ukiyo-e. It is also essential to understand the essence of Ukiyo-e, Japanese aesthetics and its migration to the Western world. Additionally, a chronological selection of Whistler’s works must be analyzed showing how he integrated the lessons he learned from his exposure to Ukiyo-e.…
The sign in the visual is what really sends the message. It is a sign with a black background and white font which contrasts and puts emphasis on it. It reads in all capital letters “Planned Parenthood Kills Babies.” These have people thinking when planning for babies is okay to have, but when planning unexpectedly pregnant they try to erase it by getting an abortion. Furthermore, in the word “parenthood,” the letter ‘o’ is switched out for a skull. This emphasizes the statement as skulls are usually used to signify death. This is very effective in reinforcing the statement made by the sign as the skulls are used in the word “parenthood” which is said to be the reason for the deaths. Both techniques are effective in bringing attention to the sign in the visual. The…
John Davis (16 September, 1936 – 17 October, 1999) was an Australian sculptor, renowned and celebrated as the pioneer of Environmental art, and as an Australian player in the modern art movement: Arte Povera. Arte Povera was an Italian artistic movement introduced in the 1960’s, a time of civil unrest, in which artists took to political radicalism, attacking the morale and value of the government and major industries, challenging whether art, as an expression of emotion and thought, could still fit and exist in our modern world.…
1. formal and iconographic characteristics are seen in high renaissanace, venetian and mannerist paintings. to begin with, in high renaissance michaelangelos Moses is shown holding the 10 commandments. You can clearly see the anger that is dipicted through the facial expression on moses. Michaelangelo wonderfully portrays the psychological states in moses, through the iconographic characteristics of his puffed lower lip, arched toes and the bulging of his veins. the formal characteristics are seen through michealangeols mastery of lines, which help create the anger that is being felt by moses. The formal characteristic of the lining of his beard and clothing show his inner turmoil. In the venetian painting of the virgin of the rocks by Leonardo Da Vinci, the artist magnificantly uses the chiaroscuro method of light and dark to model the expression and emotional states of the figures being portrayed. The lines, soft and subtle give the painting a more intimate feeling. The figures are all shown interacting with one another, praying, pointing, and blessing. He also presents the figures in a pyramidal group and sharing the same environment. The figures emerge through the use of light and shading from the half-light of the cavernous visionary landscape. For mannerism, formal characteristics are clearly seen in Parmigianino's Madonna with the long neck. Although nothing is shown in proportion the painting still apears soft and smooth, through the lines and colors used. The madonnas long neck, the delicacy of her hands and swaying elongation of her frames are all signs of mannerism. On the left stands the angelic creatures melting with emotions as soft and smooth as their limbs. on the right the artist includes a line of columns without capitals and an enigmatic figure with a scroll whose distance from the foreground is immeasureable and imbiguous.…
Mrs. Hawks English CP 1 10 April 2012 Imagery by Edwin Arlington Robinson Edwin Arlington Robinson was born in Head Tide, Maine on December 22, 1869. He moved to a town named Gardiner where he grew up; the town later provided the model for a series of poems that he wrote throughout his career as a poet (Peschel). Robinson attended Harvard from 1891 to 1893 even though his parents were against going to a school of higher value for the education. President Theodore Roosevelt helped Robinson get a job at the New York Custom House as a clerk in 1905. There, he realized his true passion in life was writing (Scott). Robinson became the first major American poet of the twentieth century, “unique in that he devoted his life to poetry and willingly paid the price in poverty and obscurity” (Peschel). He was a great poet and could use metaphors to enable the reader to be able to picture his characters and scenes in their minds. Many of Robinson’s works follow the same patterns. He describes his characters personality through adjectives of the person or of the setting. Edwin Arlington Robinson’s poems “Miniver Cheevy”, “Charles Carville’s Eyes”, and “Richard Cory” use imagery to create men who are not satisfied with themselves. Imagery is “the formation of mental images, figures, or likenesses of things, or of such images collectively.” or “pictorial images and mental images” (Quinn). Edwin Arlington Robinson usually doesn’t use imagery from the natural world, but if or when he does, the images are functional and are made from metaphors and symbolic…
The distinctively visual is a prominent characteristic in which the composer shapes a unique visual perspective for the responder to interpret. Using a variety of techniques and languages, the composer is distinctively able to create vibrant and lively visualisations within their work. The poetry of Douglas Stewart, in particular ‘Lady feeding the cats’ and ‘Nesting time’ and the image of ‘’Firefighters at twin towers attack’’ photographed by Todd Maisel are particularly effective. Douglas’ poems uniquely portray ordinary people and outsiders at touching and meaningful moments, experiences and connection with nature that creates an image to the reader the relationship of man and nature and how nature can challenge man with its actions. The photograph deals with a specific moment in time that captures and conveys the powerful life changing impact of the 9/11 disaster and shows devastating and appalling situation to the viewer. These texts not only bring to life others and their experiences but visually seek a connection with the viewer that enriches their own experiences through creating an image of the lively visualisations around us.…
The outcries of the helpless inspiring the brave to do good, to change something. It symbolizes a desperate need to transform, for the voices of the silent to be opened to fight the atrocities of the world. It also symbolizes the younger generation and how they’re affected by our (your?) decisions.…
"Keep this Horror from Your Home," an American propaganda poster produced during World War II, uses many visual and textual elements to encourage Americans to buy war bonds by portraying the Japanese as rapists. The author of the piece is unknown, but it is obvious that the creator of the poster carefully chooses the color, patterns, scale, text, and representation of the piece to send a very strong social and political message. There is little doubt that the underlying message was directed towards all Americans during World War II, and not towards a single community or group of people. The viewer does not need an art background or even the slightest political awareness to understand the meaning of the poster. Rather, the poster is simple and straightforward. The central focus of the poster is on the Japanese man, whose facial features are clearly exaggerated to instill fear and disgust in the eyes of the viewer. In contrast, the frightened and vulnerable expression of the American woman, who is helpless in the grasp of the Japanese soldier, fuels the viewer's hatred for the Japanese even more. Its message is palpable to the extent of the quickest glance, yet there is more evidence hidden beyond the surface of the poster. Its full visual potential can be realized only after analyzing the various visual and textual elements in exacting detail.…
The “Self-Portrait with a bandaged ear” by Vincent Van Gogh and “The Two Fridas” by Mexican painter Kahlo Frida are depicting the artists’ deep hurt and emotional breakdown at losing their special person in life. However, the portrait “The Two Fridas” is representing the artist’s conflicting psychological mind more into details and straightforward than Vincent Van Gogh’s self-portrait “The Bandaged Ear.”…
Art is a term that describes a diverse range of human activities and the products of those activities, but here refers to the visual arts, which cover the creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media.…