Fifty Shades Of Grey Character Analysis

NARRATING IDEOLOGY The results of analysis of transitivity choice in Fifty Shades of Grey show that Anastasia Steele is represented as character who is physically less active, less affecting, and easily affected by her sexual partner, Christian Grey. In contrasting manner, she is portrayed as a highly conscious, rational, and impassive entity who is less emotional and aware of what happens to her. These results illustrate and simultaneously reflect the story in the novel, which portrays Ana as a paradoxical character. She embodies ambivalence between the state of being physically subordinated and mentally powerful. The fact that she is not an emotional person conceives impression that she deliberately subjugates her position.
Contradictions between thought and expression identify that personal choice decisively takes part in constructing individual characterization. Ana represents a rational individual who chooses to let herself being subordinated. She denies her consciousness that she is being oppressed; rather she makes rational calculation to derive power from her oppression. Feminist politics suggests that the idea of constraining rationality and being in a state that makes a woman deny her mind are disastrous entanglement (Friedan, 1963 in Genz and Brabon, 2009).
However, the ways she rejects feminist universal meaning of emancipation and rearranges individual attitudes clearly designate her standing point. Ana is an archetype of women in postfeminist contemporary femininity, which is complex, multivalent, and typically paradoxical. In this way, what Ana represents as feminine in her individual politics are not trajectory of certain paradigm, but rather the reflection of individual engagement with multiple discourses in embracing nowadays