Formal Analysis, "Pariah" by Dee Rees

“My spirit takes journey, my spirit takes flight, could not have risen otherwise & I am not running... I am choosing.” Alike is an intelligent and poetically talented 17 year old girl. On the surface, Dee Rees’s Pariah (2011), is the coming of age story of African-American lesbian, Alike. Growing up in a traditional household that is sexually repressed and a society that is hateful towards her for being homosexual she finds solace in poetry and academics. Through her plight, the film intelligently layers the dark themes associated with the struggles of a gay teenager growing up in the inner city- gender, sexuality, family relations, hate, religion, ignorance, etc. But the film is very hopeful in that it contrasts the dark themes with pleasant moments of optimism. I am analyzing one of the final scenes in the Dee Rees’s Pariah (2011). The scene [@ 01:15:11] where Alike is reconciling with Arthur, her father, on the rooftop of Laura’s building. The rooftop scene encompasses the beauty of the morals of the narrative really well and at the same time contrasts the dark themes of the film in a manner that compliments the overall aesthetic of the production.

The scene’s Mise en Scene sets the tone for the conclusion of the narrative. The scene takes place on the rooftop of Laura's apartment building overlooking the sun setting over Brooklyn. Throughout the film we see Alike deep in thought several times; on the bus, in school, at the club- in all these circumstances the film utilizes dark, incandescent lighting and shadows to extenuate the tone of the emotions and events Alike is reflecting on. In this scene however the lighting comes from the bright, vibrant yellow-orange sunset. The film uses this in order to help visualize an appreciation of Alike’s silver lining; almost as if to say that Alike see’s the art and the beauty that came of her pain and suffering- this is expressed in the poem she reads against the montage of her leaving for California. Alike’s outfit