DISCLAIMER: This is NOT the only way to do this essay, don’t take any of this as gospel. We…
Located at Duke Hall on main side of campus, is a painting called “Lifetime Piled Up” by Elizabeth Cunningham. When first noting Elizabeth work, I couldn’t help but stare at the color scheme of the drawing. When first glancing at her work, I had this feeling of darkness that surrounded the drawing. As I move up from the bottom to the top of the drawing one would feel a since of light. After analyzing the artwork by it’s color scheme, I came to a conclusion (opinionated of course) that the theme was “When there is darkness there is light”. Each time a shade of dark was made there is always a strain of light that always follows it. Now I get that the drawing is just black and white but if you look towards the bottom of the picture you can really…
Long considered one of the innovators of photorealism, Audrey Flack emerged on the scene in the late 1960s with paintings that embraced magazine reproductions of movie stars along with Matza cracker boxes and other mundane objects, that referred ironically to Pop Art. As one of the first of these artists to enter the collections of The Museum of Modern Art, Flack later came to excel in vanitas paintings that combined painted renderings of black and white photographs along with detailed arrangements of elegant objects including fruits, cakes, chocolates, strings of pearls, lipsticks, tubes of paint, and glass wine goblets. In works such as Wheel of Fortune (1977-78), she would represent decks of playing cards and other ephemera related to gambling, adding a mirror and human skull, for good measure. Her recent exhibition of Cibachrome prints, curated by Garth Greenan for Gary Snyder Project Space, is titled “Audrey Flack Paints A Picture” and is accompanied by five actual paintings. This show reveals the painstaking process employed in making these fresh and original paintings from the late 1970s through the early 1980s during a highly significant and intensely productive period of her career.…
Lawrence used bright, warm colors to draw your eyes attention and guide you thru the painting. His use of the colors red and orange guides your eye from the top to the bottom of the portrait. The artist used repetition in forms with the clothing and background and also used many random and inconsistent colors within the painting. Lawrence used repetition of shape, color and regular pattern to create to create a rhythm in the painting. The entire painting is mostly flat and lack texture except for the irons which are two dimensional. The artist used geometric shapes throughout the painting. There is asymmetrical balance to the painting created by background colors and the use of the three women in the middle of the painting. The emphasis of the painting is the three women ironing…
Magdalena Carmen Frida Kahlo Calderón, or Frida Kahlo, was a painter born in Mexico in 1907 and died in 1954. Her father was German and her mother was Mexican Indian. From her childhood, she was diagnosed with polio, a disease that infects the spine, and the disease left her right leg distorted. At 18, returning from her art school, the bus she was riding in hit a tram and an iron bar pierced her abdomen/pelvis area. Her legs and vertebrae suffered serious damage. The accident was a turning point in her life. In her hospital bed, she installed a mirror above her bed. She painted many works, most of which were self-portraits. In 1928, Frida met Diego Rivera, whom she married a year later. She could not have children with him because of the accident.…
THANK YOU all for being here this brisk March afternoon. I’d like to thank the GRAM for the invitation to speak in conjunction with such a wonderful exhibition, and especially Jean Boot for all of her diligent coordination on my behalf. (There are 3 parts to my presentation. First, a virtual tutorial on the process of screen-printing; secondly, a discussion of the formal and conceptual potential inherent to printmaking, and the way in which Warhol expertly exploited that potential. Finally, I will conclude with an actual demonstration of screen-printing in the Museum’s basement studio.) In coming weeks, you’ll have an opportunity to hear much more about the cultural-historical context for Andy Warhol’s work from two exceptional area scholars, beginning next Friday evening with a lecture by my colleague at GV, Dr. Kirsten Strom, and on _______ Susan Eberle of Kendall College of Art & Design. As Jean indicated in her introduction, I teach drawing and printmaking at GVSU. In other words, I’m approaching Warhol’s work very much as a studio artist. As a printmaker in particular, I’m predisposed to note the large degree (great extent?) to which the innate characteristics of the medium – in this case screen-printing - enable and inform the meaning of Warhol’s work. At the outset of each printmaking course I teach at Grand Valley, I provide students a brief overview of the social history of the print; I divulge its rich heritage in the service of dispensing and preserving our (collected cultural discourse, from…) verbal and pictorial languages, knowledge and history, cultural discourse, from ancient scripture to textile design to political critique. In addition I cite the formal qualities specific to the print – multiplicity, mutability, and its recombinant capabilities. I open with this background as a means of framing the work students will produce in the course. I’d like to provide a similar overview here, as a means of framing the work of Warhol, which is so richly…
Warhol enhanced his artwork through the use of acrylics, which allowed him to layer colors without blending them, in order to create distinguishable facial features.…
Born on August 6, 1928, in Pittsburgh, Pennsylvania, Andy Warhol was a successful magazine and ad illustrator who became a leading artist of the 1960s Pop art movements. He ventured into a wide variety of art forms, including performance art, filmmaking, video installations and writing, and controversially blurred the lines between fine art and mainstream aesthetics. Warhol died on February 22, 1987, in New York City.…
His neutral and obsessive attitude towards popular culture transformed his work into a quintessential reflection of the industrial era. His adaptation of a multilayered process, and obsession with reproduction became the underlying feature that would set him apart from most pop artists. Warhol had a detached crisp style of art making that was centred on commercial imagery found in media outlets such as advertisements, magazine clippings, comics and newspapers. The use of silk screen allowed him to create copious amounts of near identical prints in a short amount of time, however he was not actually interested in the amount he could produce, rather he was more inclined to work with a mechanical process in which silk screen offered, by doing this he was able to replicate and critique the very way popular culture functioned, believing that a mechanistic process would erode the value and meaning of the image, in other words the more exposed you are to an image the more detached you will be towards it, reinforcing the statement that pop artists were generally more critical towards the society they…
Warhol was both an American artist and filmmaker who gained success as a commercial artist. He was one of the artists among many who focused art on ordinary and recognizable subjects that expressed the popular culture of the day during that time (Source 3). He was the first to explore the new art technique of silk screen canvas printing, where an enlarged photographic image was transferred to a silk screen which allowed him to produce a repetitive series of mass-media images with slight contrast (Source 5). Through untraditional techniques, Warhol enforced new ways to create art and helped open up new subjects to explore on. Warhol was a major impact during the Pop Art movement who paved the way for Pop Art to be more renowned to society at the time. However he was widely criticized and unaccepted, especially by traditional artists, during his time. But he never let that change him or how he wished to create art. He freely expressed himself and his homosexuality. As he collaborated with younger artists he exchanged his ideas and his works influenced other pop artists to be more open with their lives and sexual orientation just like he was (Source 5). As one of the most influential pop artists, Warhol captured an authentic American outlook based on packaged products and people (Source…
The use of the subtle green contrasting to the black outlining surrounding the eye area really make her a vocal point of this portrait. The use of fair colours give this portrait a more feminine outlook. The accurate placement of the facial features enable us to acknowledge this painting as being Marilyn Monroe. Her impressive use of oil gives this painting a vibrant and more…
For my History Day topic, I chose Andy Warhol. Andy Warhol seemed to be a good topic because I have had an interest for pop art for a long time. Andy Warhol is one of the biggest, most popular icons from the pop art movement. This movement started the 1950s in the United States and Great Britain. Warhol led the pop art movement and was always on the cutting edge of art, music, and popular culture. During the course of his career he produced paintings, films, commercials, print ads and many other works.…
The clash between King Charles I and the parliament has remained one the rich histories of the development of English world. The purpose of this study is to explore the ways and extend to which English Civil War was a form of the religious conflict. A gradual build-up of tension from the leadership of King James I through the dictatorial ruling under the excuse of religious norm is part of the proving meant to show how religion was the central motive for the English Civil War. Failed integration of political and religious dogmas is also another proof explored in this paper to reveal the religious influence towards emergency of conflicts in 1642. Finally, another area of exploration in this paper is the religious-based influence that led to…
One of the major contrasts between the two works is the history behind the paintings. Andy Warhol was said to be fascinated with the actress Marilyn Monroe’s supposed suicide in August of 1962. Warhol proved the Proverb, “Good men must die, but death cannot kill their names” to be true, making his Marilyn Monroe series one of his most famous works. Warhol bought a publicity still of Marilyn’s 1953 movie Niagara, cropped it, enlarged the face, and reproduced it on eight different canvases. Each painting was given a different color scheme. These paintings were the first solo exhibition for Warhol. The most famous of the series, Lemon Marilyn, was bought and kept in a private collection until 2007.…
Until it is viewed as pertinent to ones’ personal development and is conducted in a meaningful way, this requirement to continue in the profession may lose the general objective for providing continuous training to develop individual competencies.…