Goya became devoted with depicting the physical and psychological suffering, and moral tortures inflicted by the Spanish court and church. He disguised his repulsion with satire, however, such as in disturbing “black paintings” he did on the walls of his villa, Quinta del Sordo (house of the deaf). The fourteen large murals in black, brown, and gray of 1820-22 present appalling monsters engaged in sinister acts.…
Francisco de la Goya is considered to be one of the most influential painters from Spain. He works from the 18th and 19th centuries influenced the art of the 20th century, “marking the beginning of the Contemporary painting period” ("Francisco De Goya Biography - Famous Spanish Painter | Don Quijote.", Online). Goya’s passion for painting began at a young age, and continued to grow as his knowledge grew. Over the years, his style began to change due to experiences, and this can be seen in his most famous works.…
Spain has produced some of the world-class painters. Francisco de Goya and Pablo Picasso exist among the ranks of Spain’s most internationally acclaimed artist. These two influential artists use their artwork as a platform to protest against social injustices. Goya and Picasso, works can be understood to address Social Protest Art, but artist handles the subject in their own unique way. Goya and Picasso were both prolific artists of their times, offering works of great visual travesty of the glories of warfare and bloody victory.…
Francisco de Goya can rightly be registered as one of the three geniuses in Spanish painting i.e. the third master along-side with El Greco and Velasquez. Francisco de Goya produced most of his masterpieces between the 1760s and 1828 and with his works of art he is already the forerunner of the trends and tendencies so typical of the 20th century and it is far from being surprising that he is considered to be the predecessor of modern trends in painting like expressionism and surrealism.…
Goya started discovering art at a young age. He was born to José Benito de Goya y Franque, a gilder, and Gracia de Lucientes y Salvador. Francisco spent his childhood in Fuendetodos, Spain then later moved to Zaragoza. He often moved, mastering art along the way. In 1773 Goya married Josefa Bayeu. Over a period of five years he had painted about 42 designs. His popularity began to lead him into an entire world of art. During the middle of his career, Goya often painted for royalty. He had reached his peak of popularity with the noble ones. However between late 1792 and early1793, a serious illness, whose exact nature is not known, left Goya deaf, and he became withdrawn. During his recuperation, he undertook a series of experimental paintings. He turned to more manageable and more personal projects, perhaps inspired by works from abroad that he had seen while in Cadiz. His small pictures of 1793-4 introduce a new era in his art, and it was now that his style began to emerge. Many of his scenes depict bullfighting, intense, haunting themes, reflective of the artist 's fear of insanity, and his outlook on humanity. Although these themes can be seen in many of his paintings, I believe “Yard with Lunatics” depicts his style the best.…
In 1923, Manifesto of the Union of Mexican Workers, Technicians, Painters and Sculptors is published in El Machete, stating a centralized motive behind and trajectory for the ‘Mexican Mural Renaissance’ of the 1920s. Signed by Diego Rivera and several of his contemporaries, the manifesto exhibits how the creators rally behind the indigenous peasants and working class, rejecting the bourgeois and heavily-saturated European influence within Mexico. Essentially, these creators argued for collectivist and political artistry, in opposition to individualist and solely decorative pieces. When taking Rivera’s participation in the aforementioned manifesto and his influence in the social realism movement, his Portrait of Marevna c. 1915 is vulnerable to the assumption of being an outlier to Rivera’s more well-known style and to the reduction of being merely evidence of experimentation. Though Portrait of Marevna cannot be linked at first glance to the politically charged, indigenismo-influenced work he created during the Mexican Mural Movement of the 1920s, inklings of this era are present within the portrait’s construction. This paper explores how Portrait of Marevna…
Located on pages 1062-1063 of the 4th Edition (Volume II) of our textbook -Art History- are five paragraphs of commentary on Pablo Picasso’s “Guernica,” perhaps his most well known painting. In those five paragraphs, Stokstad and Cothern offer a fairly accurate and concise description of the historical events leading to the creation of the masterwork and a description of some of the imagery depicted in the painting itself. Unfortunately, Stokstad and Cothern do not offer any insight as to the legacy of the painting. Nor do they offer any examples of how the images contained in the painting have been utilized for contemporary purposes.…
While immersed in the artist communities in Spain and Paris, Rivera’s artistic development was influenced by the Spanish masters including El Greco, Francisco Goya and Diego Velasquez. Upon his return…
Born in the capital city of Mexico on September 18, 1890 Jose Tomas De Cuellar was one of colonial Latin America's polarizing figures and from one Mexico's wealthy families. He attended college at the military college of Chapultepec. Later he entered the Academy of San Carlos after taking part in the defense of the castle before the United States invasion on September 13, 1847. He went on to become secretary of the Mexican legislation in Washington D.C. and was secretary of foreign affairs. He gained note ability in 1848 for his essay "Duty and Sacrifices" in both Mexico and Madrid. But, he is most notably known for his skills as an observer and being a master illustrator in writing in his genre and because of the telling of humorous stories to make fun of the society he was living in.1 The Magic Lantern is but a small part of his repertoire , but is an excellent glimpse back into a culture that is long gone but still influencing its people today.…
Goya was most important Spanish artist of the late eighteenth and early nineteenth centuries. His full name was Francisco José de Goya, Born in Fuendetodos, he later moved with his parents to Saragossa and, at the age of fourteen, began studying with the painter José Luzán Martínez who live from 1710 to 1785. Goya came to artistic maturity during this age of enlightenment.…
The beginning of a new era for painting started with a man who broke all the rules of his time. The start of modern art started with Francisco Goya on march 30, 1746 when the painter without any “ism” was born. Goya was born in Fuendetodos, Spain and at the age of fourteen, he started to paint. He spent most of his teenage years in Saragossa. Goya would paint imitations of painting from his favorite artists to improve his painting skills. He traveled to Rome and Italy to better his painting skills. In Rome, he studied classic works. He entered an art contest but did not win. Goya in 1789 started to work at the royal court painting portraits of nobles. He quickly gained popularity at court with his paintings. He became deaf after he became ill…
Still-life painting was appearing to become more popular in Italy, northern Europe and Spain in the 16th Century. Over time, it became more common in these places, and artists began to change what they painted, and instead focused on painting plants, animals and man-made objects. The objects that were put into the still-life paintings were that of new discoveries, when the Spanish and the Dutch began to explore overseas territory. The ‘foreign specimens’ created huge excitement with the people of the home countries, and the popularity of the paintings soared as a result. Still-life paintings of this time period also specialised in Iconography, which is conveying meaningful moral messages by various objects, which had thought-provoking implications to them, often about life and the events that life throws at oneself. Simple paintings of food and flowers could have complex appeal and various meanings for viewers. Two paintings in this essay are Spanish, and the other is Dutch, making this characteristic high relevant in analysing and discussing their natures.…
The Third of May 1808 is a painting by a Spanish artist and literature Francisco Goya. The painting depicts executions of the Spanish resistance by the French soldiers during the Peninsular War. This painting was done at the time when Francisco Goya was affected by his illness and the lost of his dearest wife Josefa Bayeu Goya (Hartigan 51) However, the Peninsular war that destroyed his homeland has truly impacted him on how he view the world he once knew (Hartigan 51). To truly understand Goya painting, the viewers had to look at what is going on behind the war, and at Francisco Goya himself. In this artifact, Goya uses dramatic gruesome situations to…
The Third of May 1808 by Francisco Goya is a powerful painting, being painted in 1814, Goya made this in response to the French Occupation of Spain. During this time Madrid’s people resulted in the vicious fighting that slaughtered both sides that lasted for six years. This painting shows the mass execution that Goya probably saw firsthand. In this painting Goya shows the audience the powerful force of history. He shows a Spanish rebel with his arms raised almost as if he…
When viewers gaze upon Diego Velázquez’s Las Meninas (painted in 1656), they can experience the avant-garde aura of its time as the Baroque painting displays both candidness and movement. In the way that Velázquez painted his work of art, Las Meninas can be classified as Baroque Naturalism (Stratton-Pruitt 5), suggesting influence from Caravaggio who painted with realism and strong chiaroscuro (“light-dark” spotlighting tones). The shift from Mannerism to Baroque developed a thematic motto for artists at the latter movement. According to Dutch poet and painter Gerbrand Adriaensz Bredero (1585-1618): “They are the best painters who come closest to life, and not those who consider it a spirited thing to select poses that are unnatural, and to twist and bend the limbs and bones, which they often foreshorten and contort unreasonably and beyond the limits of propriety” (qtd in Martin 40). For Las Meninas, the work of art…