Preview

Portrait Of Marevna Analysis

Good Essays
Open Document
Open Document
1405 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Portrait Of Marevna Analysis
In 1923, Manifesto of the Union of Mexican Workers, Technicians, Painters and Sculptors is published in El Machete, stating a centralized motive behind and trajectory for the ‘Mexican Mural Renaissance’ of the 1920s. Signed by Diego Rivera and several of his contemporaries, the manifesto exhibits how the creators rally behind the indigenous peasants and working class, rejecting the bourgeois and heavily-saturated European influence within Mexico. Essentially, these creators argued for collectivist and political artistry, in opposition to individualist and solely decorative pieces. When taking Rivera’s participation in the aforementioned manifesto and his influence in the social realism movement, his Portrait of Marevna c. 1915 is vulnerable to the assumption of being an outlier to Rivera’s more well-known style and to the reduction of being merely evidence of experimentation. Though Portrait of Marevna cannot be linked at first glance to the politically charged, indigenismo-influenced work he created during the Mexican Mural Movement of the 1920s, inklings of this era are present within the portrait’s construction. This paper explores how Portrait of Marevna …show more content…
For example, portraiture is inherently an individualist medium, differing greatly from collectivist murals. Moreover, cubism is a European invention and the subject matter is devoid of the political flare that brightens Rivera’s social-realist murals. Though these claims ring true, the progress and alignment with the politics of Rivera’s later years evident in Portrait of Marevna are parallels of sublety. Portrait of Marevna does not fully subscribe to the criteria laid out by the El Machete manifesto, however, it provides the groundwork for it to blossom into something as prosperous and promising as the calla lilies in Rivera’s Flower

You May Also Find These Documents Helpful

  • Good Essays

    Mirkin’s article, “Aurora Reyes: ataque a la maestra rural,” was about one of the most iconic women in Mexican history. She was a very inspiring woman, she still found time to create her murals and fight for what she believed in all while being a single mother of two and having a job. Reyes was someone who fought for things that were dear to her such as education, children, and equality for women. I found it interesting but not surprising that her murals reflected her beliefs and illustrated the essence of their importance. Unlike the other artists who depicted the revolution, Reyes’ murals showed the unfortunate but somewhat inevitable side of the revolution.…

    • 283 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Rivera’s painting are often controversial and spark debate in all kinds of circles, whether it be for his political affiliations or the subject matter of the paintings themselves. In a way, Pan American Unity avoids some of this controversy with his themes of unification and harmony. One might think that the North and South, in this case the United States and Mexico, stand diametrically opposed to one another, but Rivera sought to unite them in common themes. He showed how the labors of the Mexican farmers and ingenious people were not that dis-similar from the backbreaking work of the Detroit autoworkers. Most, if not all, scenes depicted show Mexicans and Americans side…

    • 687 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Jose Chávez Morado

    • 1680 Words
    • 7 Pages

    José Chávez Morado, born in 1909, was one of the greatest 20th century Mexican muralists, focused on political and social factors of the Mexican revolution and embraced his heritage much like Dr. Atl had wanted for all Mexican artists. He was the last of one of the greatest 20th century muralists, who greatly influenced Mexican styled art. This paper will discuss his life journey, accomplishments, and two of his great works/murals. The purpose of this is to gain insight on one of the 20th centuries greatest artists, and examine his work from multiple perspectives to give us understanding and view his work in a different light. Jose, was a painter, printmaker, muralist, promoter and cultural advisor, he also made a valuable contribution in…

    • 1680 Words
    • 7 Pages
    Good Essays
  • Good Essays

    Los De Abajo Analysis

    • 509 Words
    • 3 Pages

    The piece by Castillo is a personal reflection that offers a peculiar and particular point of view from one person, and that represents how people permeates their surrounding reality, in this case the Mexican Revolution. These kinds of sources are extremely valuable in order to listen to the average voices. Especially in the case of underprivileged groups, such as indigenous populations and women, sometimes this is the only opportunity to grasp intimate daily moments, practices, and customs.…

    • 509 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    In the Cosmic Race written by Jose Vasconcelo, Vasconcelo writes about the definition of Latin American people and their divine mission in America, while also briefly comparing them to other races such as the Europeans. Vasconcelo states that there are 4 racial trunks, the Blacks, the Indians, the Mongols, and the Whites, while expanding detail with the Whites who he described as organizing themselves in Europe, and becoming invaders of the rest of the world. Vasconcelo gives an example as the Spaniards conquered Latin American, however he believes that their role was just to reintegrate the red world, which he describes as a bridge which has brought the world to a state at which all human types and cultures can fuse together. According to Vasconcelo the faithful Latin-people are those called upon to this divine mission after they have gained freedom. It is safe to say Vasconcelo easily inspired and influenced several aspects of Diego Rivera’s artwork. While Mexico was under similar circumstances after the Mexican Revolution as Latin America, Deigo Rivera used some of Jose Vasconcelo’s ideas to impart social and political messages. In Diego Rivera’s “El Hombre en Cruco de Caminos” located in Palacio de Bellas Artes in Mexico City, one can see a man who appears to be in control of the Universe with a variety of people in the backgrounds. At one point Vasconcelo states that every ascending race needs to constitute its own philosophy to get to its own success, rather than just learn and copy from the others. This idea is expressed in Rivera’s Mural by the man in the middle who is controlling what seems to be the entire universe. It seems that both of these men understood the ideathat it was time to control themselves. Although Diego was focused on the “spiritual” liberation of Mexico from its Colonial obsession, the idea of creating and controlling your own ideology and destiny is shared by Rivera’s painting and Vasconcelo’s,…

    • 338 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Rivera was given the theme the Rockefeller’s wanted the mural to be, Man at the Crossroads Looking with Hope and High Vision to the Choosing of a New and Better…

    • 596 Words
    • 3 Pages
    Good Essays
  • Good Essays

    By the year of 1930, Diego Rivera had an international favor for his passionate and lush murals. He was inspired by Communistic ideas and he had an intense…

    • 505 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    One of Rivera’s most famous paintings “The Flower Carrier” represented the struggles of a working men living in a capitalist society. 5 Rivera was concerned about the struggles of the peasants in Mexico. Because of this, he intended this piece to move the audience to question the social effects that capitalism has on the working class. In the picture, we see an exhausted peasant on the ground because of the large weight of the flowers. Rivera illustrates the farmer as small and frail. In the photo, we also see the women helping the overburdened worker with the…

    • 648 Words
    • 3 Pages
    Satisfactory Essays
  • Good Essays

    Magic Lantern

    • 628 Words
    • 3 Pages

    Born in the capital city of Mexico on September 18, 1890 Jose Tomas De Cuellar was one of colonial Latin America's polarizing figures and from one Mexico's wealthy families. He attended college at the military college of Chapultepec. Later he entered the Academy of San Carlos after taking part in the defense of the castle before the United States invasion on September 13, 1847. He went on to become secretary of the Mexican legislation in Washington D.C. and was secretary of foreign affairs. He gained note ability in 1848 for his essay "Duty and Sacrifices" in both Mexico and Madrid. But, he is most notably known for his skills as an observer and being a master illustrator in writing in his genre and because of the telling of humorous stories to make fun of the society he was living in.1 The Magic Lantern is but a small part of his repertoire , but is an excellent glimpse back into a culture that is long gone but still influencing its people today.…

    • 628 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Teotihuacan mural

    • 634 Words
    • 3 Pages

    In this response paper I seek to analyze the ethical, legal, and museological issues that surround the Teotihuacan Mural Gallery from the de Young Museum. The gallery is inside the Art of Americas section of the museum on the ground floor. A simple room, the Teotihuacan Mural Gallery is a dim lit space dim lit space that has large mural fragments along the walls, a bench in the center of the room, and a display stand featuring small fragment pieces. A placard on the wall pays respect and expresses gratitude to Harald Wagner, a Pre-Colombian art collector who gifted the collection to the de Young Museum and mentions the great efforts put into displaying these Mexican national treasurers.…

    • 634 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Essay On Mexican Muralism

    • 740 Words
    • 3 Pages

    Mexican muralism began in the 1920s. It was led by los tres grandes " the big three" José Clemente Orozco, David Alfaro Siqueiros and Diego Rivera. These three painters had a tremendous influence on Mexican art from the 1920s through the 1940s. The Mexican mural movement was a "vehicle to represent the government's ideology and its vision of history." The plan was for murals to be painted on public buildings to help spread the campaign messages for the government.…

    • 740 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Santiago Sierra

    • 1662 Words
    • 7 Pages

    His work, involving social or political structures, is intended to question established power relations, in the realm of art as well as society at large. In his works he directly questions viewers regarding the limits imposed by contemporary capitalist globalized society through themes of significant political and social connotations such as worker…

    • 1662 Words
    • 7 Pages
    Powerful Essays
  • Better Essays

    Chicano art started in Mexican American communities within sustain of the civil rights society, suitable a national art progress with global span which includes CARA exhibition, Los fours and the other exhibitions. The appearance, institutional carry out the ritual though innovation, mythic construct; political and civilizing engagement. During the 1960’s there was a lot going on the world, not only did Chicano had to stand up for them. They wanted to find ways to express Chicanos, in searching of ways one popular movement came which is the art.…

    • 884 Words
    • 4 Pages
    Better Essays
  • Good Essays

    Throughout the years, there have been many figures that transformed and impacted the world of art that we now know today. Artists such as Rivera, Orozco, and Siqueiros started the movement of Mexican Muralism. Their success as the “Three Great Ones” inspired a movement whose ripple effect would last till the end of the 20th century. The legacy, which they left behind, would transcend onto the Movement of Chicano Art and especially the remnants that can be seen in the Oakland Museum of Art. The Oakland Museum of California reached out to its surrounding communities and more so to the minorities. The Chicano Art Movement brought out artist, photographers, and activist who fought for the rights of laborers during the Labor Movement, which shaped,…

    • 843 Words
    • 4 Pages
    Good Essays
  • Better Essays

    Saturn Devouring His Son

    • 1140 Words
    • 5 Pages

    Marx, E. K. (n.d.). "Black Paintings" in the Quinta del Sordo (1820-1823). Retrieved August 2011, from Web Gallery of Art: http://www.wga.hu/frames-e.html?/html/g/goya/9/index.html…

    • 1140 Words
    • 5 Pages
    Better Essays