Frankenstein: Appearance and Acceptance
<center><b>Reliance on Appearance and Dependency upon Acceptance in Mary Shelley's Frankenstein and Today's Modern World.</b></center>
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<br>One of the main themes in Mary Shelley's Frankenstein is the importance of appearance and acceptance in modern society. In today's society, and also in the society of Frankenstein, people judge one often solely on their looks. Social prejudice is often based on looks, whether it be the color of someone's skin, the clothes that a person wears, the facial features that one has and even the way one stands. People make snap judgments based on these and other considerations and they affect the way that they present themselves to one, and also the way that the treat the judged person. In Frankenstein the society of that time is much like our own today. It is an appearance based society, and this is brought to the forefront by the extreme ugliness of Victor Frankenstein's monster to a common human being.
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<br>On of the most blatant parallels in Frankenstein and today's modern world is that of racism. These parallels are shown from the very first moments of Frankenstein's creature life. One of the first things Victor says about his newly alive creation is that "His yellow skin scarcely covered the work of muscles and arteries beneath;" (Shelley 42) and he viewed his creation with "breathless horror and disgust..." (Shelley 42). Here one finds that like the vast majority of people then and today, Victor notices the color of his creatures skin first and judges it to be horrible. Also in this novel, the example of racism is again brought to our attention with the history of the cottagers. Safie's father, a Turkish merchant living in Paris, was sentenced to death for a crime he did not commit. The reason for this injustice is clear, the reason for it is "...that his [the Turkish merchant] religion and wealth rather than the crime alleged against him had been the cause of his condemnation." (Shelley 107). Obviously, if this foreign
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<br>One of the main themes in Mary Shelley's Frankenstein is the importance of appearance and acceptance in modern society. In today's society, and also in the society of Frankenstein, people judge one often solely on their looks. Social prejudice is often based on looks, whether it be the color of someone's skin, the clothes that a person wears, the facial features that one has and even the way one stands. People make snap judgments based on these and other considerations and they affect the way that they present themselves to one, and also the way that the treat the judged person. In Frankenstein the society of that time is much like our own today. It is an appearance based society, and this is brought to the forefront by the extreme ugliness of Victor Frankenstein's monster to a common human being.
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<br>On of the most blatant parallels in Frankenstein and today's modern world is that of racism. These parallels are shown from the very first moments of Frankenstein's creature life. One of the first things Victor says about his newly alive creation is that "His yellow skin scarcely covered the work of muscles and arteries beneath;" (Shelley 42) and he viewed his creation with "breathless horror and disgust..." (Shelley 42). Here one finds that like the vast majority of people then and today, Victor notices the color of his creatures skin first and judges it to be horrible. Also in this novel, the example of racism is again brought to our attention with the history of the cottagers. Safie's father, a Turkish merchant living in Paris, was sentenced to death for a crime he did not commit. The reason for this injustice is clear, the reason for it is "...that his [the Turkish merchant] religion and wealth rather than the crime alleged against him had been the cause of his condemnation." (Shelley 107). Obviously, if this foreign
Cited: /b> <br><li>Mary Shelley, Frankenstein, New York, New York, Bantam Books, 1991 <br><li>Harper Lee, To Kill a Mockingbird, Boston, Mass., Chelsea House Publishers, 1998 <br><li>Harold Bloom, National Geographic, Sept. 1994, Washington, D.C., National Geographic Society, 1994 <br><li>David Lynch, The Elephant Man, Los Angles, California, Paramount Home Video, 1980