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Dr. Victor Frankenstein, he is the most famous “mad scientist” of all times. Even though in the novel Frankenstein, he is hardly mad or evil. Victor is a complex character in the novel that can’t be defined as either hero or villain, because in the novel, he shows qualities that make him good and bad. The motives of Dr. Frankenstein are a mix of containing greater knowledge and pursuing the greater good, and personal ambition. He shows the good in him by working endlessly and putting a lot of effort in his experiments. However, when the creature comes to life, that is overshadowed. Dr. Victor Frankenstein, a man with great dedication and good intentions, but with a mixture of different motivations and…
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Who is the real monster in Mary Shelley’s Frankenstein? It seems obvious to many that the real monster would be the creature forged by Victor Frankenstein. Victor Frankenstein is a scientist with the extreme goal to reanimate the deceased. He is passionate in his work. So passionate that he distances himself from the ones he loves. Fully enveloped in his quest, Victor successfully brings a creature into being. In the process of creating the creature, Victor Frankenstein himself becomes the monster.…
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Frankenstein creating the monster starts off bad and it only goes even further downhill from there. What the monster does throughout the story is very unethical and not very moral, but its actions can be explained by learning about what Victor did to create the mess. When he created the monster and then left it, he put everyone who was close to him in danger and never owned up to the fact that it was his fault. He let innocent people die because of this and when he could have explained that he created the monster, he decided to stay silent. The bad ethics are even further displayed through secondary characters who judge the monster based on social norms and its looks. In a book of unethical and unmoral events, Shelley decided to place in an ethical and moral character: Robert Walton. He is the epitome of a great man based on his actions. This book was filled with unethical decisions that could have been prevented if the monster was never…
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It is here where the creature tells of his true nature. He is a being only wanting sympathy and compassion not unlike the wanting of most men. When he first meets people in a village he is immediately hated. He does not yet understand why and wishes only for the friendship and understanding. His next attempt is with a family living in a small cottage near the woodlands of which the monster resides. Learning from his previous encounter with the village people he waits months to attempt speaking to the cottagers. When he does he is only accepted by the blind father, but this joy is short lived by the creature for the son of the man immediately upon his return to the cottage throws the being out in an attempt to “save” their father from the retched beast. It is here after that the beast learns that the only being he can gain sympathy from would be one of his own species, however, only his creator can make him a companion. Frankenstein firstly agrees to the task only to realize what this would mean to the world and destroys his work before it is finished. This is the final blow the monster and he becomes ever more so blood…
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Frankenstein's Monster is a tangible representation of evil being created. Humans are solely responsible for the evidence of evil, primarily based off how they treat each other. Originally, the Monster embodies a childlike naivety which causes him to be completely unaware of his status as "an abhorred monster" (Shelley 92). Completely isolated from society, the Monster still develops a sense of self awareness which leads to the revelation of his loneliness. Desperate to cure his emotional pain, the Monster observes a family from afar and envies their happiness and connectedness. Eventually, he "hoped to meet the beings who, pardoning my outward form, would love me for the excellent qualities which I was capable of unfolding" (Shelley 196), and receive companionship and love from his ideal future friends. At this point, the Monster is clearly not evil, rather just an innocent being seeking the same validation that most humans strive to find.…
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The fact that the old man is blind embodies the creature’s interpretation of himself as undesirable, prefixed from his father’s abandonment and other’s reactions. “I had sagacity enough to discover that the unnatural hideousness of my person was the chief object of horror with those who had formerly beheld me. My voice, although harsh, had nothing terrible in it…” (112) The creature begins to capture the man with his kind words. Sadly, when the family walks in their reaction is indescribable for the creature is once again disappointed and misjudged based on appearance. Although this time, with all the effort he had, the creature is truly heartbroken from this human experience, “My heart sank within me as with bitter sickness…” The creature’s path of love was in shambles as he now searched for destruction instead of acceptance. “My protectors had departed, and had broken the only link that held me to the world.”(119) His fall and loss of innocence is reflected through a book mentioned by Mary Shelly, “Paradise lost”. The fallen angel, Satan, even had companions. Depicting that even the fall of Satan’s can be seen as one not close to as lonely as the creatures fall. Always relating back to his father, the creature now deeply seeks revenge and is filled with anger. He travels back to the cottage with witch like rituals and hellish fire, the cottage is soon engulfed in…
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In Frankenstein, the role of the monster and human are subtly revered with Victor considered more monstrous than the creature he created. This is because first, Victor is portrayed monstrous than the creature because he abandons his creature instead of educating and friendly introducing him to the world, which is itself a monstrous act of irresponsibility. Secondly, Victor ought to know that the creature will likely harm others, but due to his selfishness he places his family and friends at great risk. Some might say that Victor is not monstrous and disagree with the fact that he only wants creature to be killed, because he agreed to the creature that he will make the female form of the creature to fulfill the creature’s need and for his family’s…
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Victor Frankenstein, the main character of Mary Shelley’s Frankenstein has allowed his desire for power to determine his actions. Frankenstein became obsessed with the ability to create life, believing that if he can possess the knowledge to successfully do so, he will be challenging the ideals of faith and science. Frankenstein’s desire to have power over others has caused him to create a monster and bring danger into the world. Although Frankenstein’s definition of true power stems from the understanding of science and life, his journey to possess this knowledge inevitably led to his ultimate demise. Victor Frankenstein’s desire for power is fueled by his lack of concern for legal issues, his troubled past that led to the creation of the monster, and the inability to overcome his hubris.…
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By this definition, in Mary Shelley’s Frankenstein both Victor and his creation can be perceived as monsters. Both characters breach socially established boundaries with the creature blurring the lines between life and death as well as humanity and bestiality through his combined circumstances of birth and outward appearance. Frankenstein’s creation is not of human origin, but rather exists as an amalgamation of corpses created through scientific experimentation, “a product of nature – his ingredients are 100 per cent natural – and yet by the process and the very fact of his creation, he is unnatural”. Admittedly, Frankenstein’s creation fits the definition of the archetypal monster as “a large, ugly, and frightening imaginary creature” however, this is only true in regards to his aesthetical appearance for he is shown throughout the novel to exhibit the essence of humanity through his morality, intelligence and emotional capacity. In fact…
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Humans as a species are prone to make mistakes, not all of which are forgivable. Doctor Victor Frankenstein, the mad mind behind the grotesque creature known as Adam, or “The Creature”, a being brought back from the undead, without a soul and purpose in this world. When Dr. Frankenstein dwells into for lack of a better word black science, he becomes obsessed with the thought of cheating death and taking back one's life. Through secret experimentation on deceased animals he perfects the formula, with the permission of his mentor he illegally digs up corpses to find suitable body parts for his undead creation. As Frankenstein gives life to Adam, he realizes the that he has created a monster without a soul, so he dips out like a…
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The lens through which readers encounter monsters is often a skewed one. This lens could be that of the author, who seeks to embody a monster as a horrific, non-human entity that will cause havoc in an area. Similarly, this lens could be that of a character in a piece, one who witnesses the monster’s wrath and destruction firsthand and hopes to avoid the cruel savage being. Monster narratives rarely unfold from the perceptive of the monster, and, as such, audiences must rely on other sources as to the monster’s course of action. Such voices can carry a bias with them. As in the case of the author, the omniscient perspective provides descriptions of the monster without directly interacting the monster. This perspective could easily fail to report…
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Who was the real monster in the book Frankenstein? In Mary Shelley’s Frankenstein, we see the main character, Victor, create a being out of body parts and bring it to life. Over the course of a couple years, this experiment dramatically changes the course of Victor’s life. His creature was not as he intended it to be, so he hated it. Shelley uses Romantic and Enlightenment thought in her horror novel to explain and demonstrate the different emotions of her character. In Frankenstein, Victor is unable to successfully “mother” his creation the way he had envisioned it because he never learned to truly care for others.…
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Victor Frankenstein's repudiate for the monster and the civilians reject are the outside elements that concludes in the monster becoming _______ Furthermore, while Frankenstein and his monster were conversing he reveals, “You, my creator, abhor me. Your fellow creatures spurn and hate me” (55). Frankenstein’s monster shunning and persecution resulted in him changing his personality and retaliating because, he could no longer hold his emotions within. Furthermore, his great feelings of vengeance for the society left the monster to kill and destroy. In addition, the overwhelming environmental influences of hate compels the monster to “be no more [so I] shall no longer feel the agonies which now consume me (127). Being neglected by his creator…
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The monster is lonely, largely misunderstood and sympathetic character. The monster is abandoned by his creator Victor the only father figure the monster had. The monster is shocked by the horrified reaction he got from people regarding his appearance that he turns against his creator. The monsters experience is that people associates his deformed appearance with evilness. "As I fixed my eyes on the child, I saw . . . divine benignity to one expressive of disgust and affright."…
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Who is the real Victor Frankenstein? Many people view the creature that he created to be his alter ego. Victor’s main objective is be a “god like” being, who can disobey the laws of nature and revive the dead. However, that did not happen. Based on Freud’s theory of the ego, id, and superego, Frankenstein creates a creature that reflects his inner self. After seeing the characterization of Victor and the creature, the reader will better understand how Freud’s theories are brought into play.…
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