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The ways the movie She’s The Man is similar to the play Twelfth Night are both talk about gender roles and how it effects society. As shown, when Viola in She’s The Man…
The movie She’s the Man is based on the Shakespeare Twelfth Night because in the movie it goes to show how the idea of gender stereotypes is still influenced in today's society and what the mainstream perceptions are about gender roles to show how the idea of gender equality transcends to the twelfth century. In the movie and twelfth Night the theme of disguise is very important because Olivia in the movie was very passionate about soccer to the fact that she was willing to disguises herself as her brother, so she can be able to compete with the boys soccer team. Unfortunately, her school disbands the girls soccer team. However, in Twelfth Night Viola decided to disguise herself as a man named Cesario, so she would not be in a vulnerable position in…
1. The reason as to why Viola becomes a “man” is due to the fact that during that period of time, money was an issue for woman as they did not receive as well jobs. She becomes a man so that she can make a living in a beautiful place such as the kingdom of Illyria.…
There is no escape from the horrors that were all around me. Dead bodies floated silently around while the living ones were face to face with death itself fighting until the very end. Others just lost hope and gave up. “How foolish to believe we are more powerful than the sea or the sky” (pg.341). Everything seemed so hopeless but there was something in me that didn’t give up, I wanted to see my dear Halinka so badly and cradle her in my arms, reassuring her that everything will be alright. But the truth is that I myself also need reassuring, but one thing I knew for sure was that I knew that the knight would be a savior.…
• The audience knows the truth about Old Hamlet`s death, however, all of the characters in the play, apart from Hamlet, believe that Old Hamlet`s death was a tragic accident.…
In Shakespeare's uniquely constructed comedy, Twelfth Night, there are several paradoxes within the characters. Misinterpretations as well as false presentation of reality are both common occurrences within the characters. Nearly the entire cast of characters use or fall victim to some form of deceit. Both Andrew and Viola present themselves as people they are not, and Orsino and Malvolio are fooled themselves about who they are and where they want and can be. Also, on a historical note, both Olivia and Feste the clown step (by default or self-attainment) out of the socially imposed stereotypes of their biologically born person. The reasons for Shakespeare's contradictions of characters are unknown; however, it can be hypothesized, knowing the man and his style that he was poking fun at elements of the society, in which he resided, as well as the ridiculousness of higher class citizens and the ritual absurdity of the lives they lived.…
The lines don’t flow together like other parts of the play. There is no iambic pentameter is these sentences they are either too long, or too short. I think that Shakespeare purposely made these lines uncut and off rhythm for a reason. This reason is that Feste is a fool and is always being witty never making a direct point. Viola is fooling right back and not being entirely serious as well. From a literary stand point having the fool talk in such a manner makes them both out of the box or “party”. It makes sense that Feste talks in such a manner in the play, but I like how Viola’s lines are almost the reiterating the argument that Feste and Viola are very similar characters with their…
Ophelia loves Hamlet although we believe he doesn’t feel the same way towards her by the way he treats her at certain times in the play, but he truly in the end does show he loved Ophelia. This incident manipulates audience sympathies, develops character and develops the conflict of the play.…
The sociological notion that the hierarchy of society is habitually patriarchal, an idea formally named “masculine hegemony”1, is influenced by literature beginning as early as the Medieval times and remains unchallenged until the appearance of the works of William Shakespeare in the heat of the English Renaissance. Masculine hegemony as a concept arises from the prison writings of Marxist scholar Antonio Gramsci meanwhile he was imprisoned within a fascist jail in the 1920s.2 Creating a sexist doctrine that rules over early societies it filters itself into the pages of some of the most renowned historical pieces of literature. The Iliad by Homer, the Oresteia Trilogy by Aeschylus, the Old Testament, and Decameron by Boccaccio can all be studied from a feminist viewpoint in criticism of their show of masculine hegemony. Eternally famous playwright and innovator of our English language William Shakespeare is the first author to break the chains of this dangerous cultural concept with his powerful, diverse female characters.…
In the Renaissance-era romantic comedy, "Twelfth Night", William Shakespeare presents to us an entertaining play riddled with humorous plots and, in some instances, comical and witty exchanges between the characters in the play. In a novel peppered with subtle notions of deceit and illusion, it is fascinating how some of the most revealing truths about the characters actually lie beneath the innocent banters. Under the influence of illusion and deception, the figures in the play are often lost in their own reverie, failing to realise the bare naked truths behind the events that have played out. An insightful judge of characters, Feste is both impudent and witty at the same time, neither mincing his words nor masking his emotions. It is perhaps due to his pragmatic nature that he is able to be so perceptive and astute in his judgment of the characters. His remark of Orsino's mind as one which is very opal only serves to prove the above-mentioned claim. Over the following paragraphs, I will endeavor to uncover the truth behind Feste's statement.…
William Shakespeare was an English poet, playwright, and actor, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. Shakespeare’s plays and poetry have been translated into every language and have been performed all over the world. Shakespeare’s plays have remained at the center of the theatrical repertoire through periods of changing dramatic tastes and they have adapted themselves to different culture and theatrical traditions. William Shakespeare was born in 1564.…
Quince finds this place convenient for rehearsal, but the Audience/Reader knows that it truly isn’t. It would be better if they would practice in a theatre or somewhat similar. On top of that there are major problems between Lysander and Demetrius who want to show their love for Helena. And Oberon who is trying to get the changeling boy from Titania, all happening in the enchanted forest.…
In Shakespeare’s Hamlet, dramatic irony is used to garner sympathy and antipathy from the audience, which further develops the characters, conflict, and theme of the story. This is seen when the ghost of Hamlet Sr. tells Hamlet Jr. that “the serpent that did sting [his] father’s life/Now wears his [father’s] crown.” (I.v.39-40). This creates dramatic irony because the audience knows that Claudius killed Hamlet Sr. while the majority of the characters still believe that Hamlet Sr. was bitten by a snake. This fosters sympathy for Hamlet Jr. as he loses his father to the malicious deeds of others. Additionally, this creates circumstances in which Hamlet Jr. is setup to become the hero of the story. Since Hamlet Jr. truly loves his father, he is…
The women presented in Shakespeare’s play Macbeth have challenged the cultural values and assumptions of the role, rights and power of women during the Elizabethan period. The typical role of Elizabethan women of looking after the household and handling the kids is contradicted; the rights of Elizabethan women are defied; and the power of Elizabethan women in the household and the society is taken to new extents. The role, rights and power of Elizabethan women is confronted upon with the use of the female characters in the play Macbeth as well as the various language techniques used throughout the play.…
He also states “Boy, thou hast said to me a thousand times Thou never shouldst love woman like to me.” Even when Orsino was unaware of Viola true identity she would still tell him that she loves him more than she could love any woman. There are also many implications to Olivia loving Viola regardless of her gender. Viola/Cesario states that Olivia is hiding who she really is, Olivia says that she thinks the same thing about her. Viola states “Then think you right: I am not what I am” to which Olivia replies “I would you were as I would have you be!” Olivia implies that she knows that Viola is not a man and that if she could make Viola a man she would. Olivia also takes a much more aggressive approach to getting a man. In act 3, scene 1, she begs Viola/Cesario to stay and really does fight for his loves as opposed to the man fighting for her. She also admits to planting the ring on Cesario so that he would return. Antonio can also be implied to have feelings for Sebastian, Viola’s twin. Antonio says “That most ingrateful boy there by your side, From the rude sea's enraged and foamy mouth Did I redeem; a wreck past hope he was: His life I gave him and did thereto add My love, without retention or…