Orsino can be seen at the beginning of the play pining in a melancholic mood for his inamorata, the gorgeous and virtuous Countess Olivia. She spurned every single one of his advances without much thought or hesitation, and it is these rejections that lead Orsino to lament the fact that "there is no woman's sides can bide the beating of so strong a passion, and no woman's heart so big to hold so much as they lack retention". His grumpiness does not stop there as he continued to wax lyrical over the differing perceptions both genders have of love. He egoistically declared, "Make no compare between that love a woman can bear me, and that I owe Olivia". As was the case in the opening scene, Orsino's metaphorical relation of love to food is noteworthy. He deems his love as an appetite; he is "as hungry as the sea and can digest as much". Paradoxically, he had espoused the exact opposite view earlier in the play, stating that men
Orsino can be seen at the beginning of the play pining in a melancholic mood for his inamorata, the gorgeous and virtuous Countess Olivia. She spurned every single one of his advances without much thought or hesitation, and it is these rejections that lead Orsino to lament the fact that "there is no woman's sides can bide the beating of so strong a passion, and no woman's heart so big to hold so much as they lack retention". His grumpiness does not stop there as he continued to wax lyrical over the differing perceptions both genders have of love. He egoistically declared, "Make no compare between that love a woman can bear me, and that I owe Olivia". As was the case in the opening scene, Orsino's metaphorical relation of love to food is noteworthy. He deems his love as an appetite; he is "as hungry as the sea and can digest as much". Paradoxically, he had espoused the exact opposite view earlier in the play, stating that men