In the play, women don’t care if a man loves them back or if their love really exists at all. Helena throws herself at Demetrius, a man who is blatantly disinterested in her. She attempts to guilt Hermia, complementing her on her perfection, begging her to realize Demetrius’ love as a gift (I. i, 181-1) Helena sees that the men’s “wrongs do set a scandal” on women because they can’t “fight for love, as men may do” (II. i, 6). This, once again, shows how Shakespeare continues to make women helpless in commanding their own futures. Throughout the play, one can see that men have more effect when they are the ones to speak boldly and woo, whereas girls are “wooed and were not made to woo" (II.i.6). Although her words may espouse a view of women in a role that is destined to be dependent on the actions of men, her actions are not a reflection of this. As one can see, outside of the constraints of society, where she simply passively attacks Hermia, she grows bolder, consistently attempting to win Demetrius
In the play, women don’t care if a man loves them back or if their love really exists at all. Helena throws herself at Demetrius, a man who is blatantly disinterested in her. She attempts to guilt Hermia, complementing her on her perfection, begging her to realize Demetrius’ love as a gift (I. i, 181-1) Helena sees that the men’s “wrongs do set a scandal” on women because they can’t “fight for love, as men may do” (II. i, 6). This, once again, shows how Shakespeare continues to make women helpless in commanding their own futures. Throughout the play, one can see that men have more effect when they are the ones to speak boldly and woo, whereas girls are “wooed and were not made to woo" (II.i.6). Although her words may espouse a view of women in a role that is destined to be dependent on the actions of men, her actions are not a reflection of this. As one can see, outside of the constraints of society, where she simply passively attacks Hermia, she grows bolder, consistently attempting to win Demetrius