He was a greatly influenced by Caravaggio. In 1610, van Honthorst, moved to Italy to study Caravaggio’s realism and dramatic use of artificial light (Gerrit van Honthorst). Caravaggio is one of the most widely imitated artists in the history of Western art. Many of Caravaggio’s followers, including van Honthorst, were particularly interested in Caravaggio’s paintings of the underbelly of Rome’s street-life (Benay). His followers were most likely struck by Caravaggio’s ability to grant subjects dignity that was not necessarily consistant with the lowly actions shown in the painting (Benay). The image, Smiling Girl, a Courtesan Holding an Obscene Image, clearly shows van Honthorst’s use of Caravaggio’s technique of making subjects that were engaging in unseemly behavior still look dignified. Gerrit van Honthorst returned to the Netherlands in 1620, after studying the methods of Caravaggio. Van Honthorst stayed in Utrecht until 1627. Although van Honthorst continued to paint using Caravaggio's techniques in his works, by 1624 a number of his painting began to depart from the usual stylistic formula of his fellow Caravaggisti; artificial illumination was used less frequently in his major compositions (Errata: Gerrit van Honthorst: A Discussion of His Position in Dutch Art, 1962). Van Honthorst’s most significant contribution to Dutch art was his leadership, of the Utrecht followers of Caravaggio. It…
The painter, Jan Van Eyck was “first Netherlandish painter to achieve international fame” and he uses oil painting (Gardner 221). First of all, his family was into art also including his family members. According to the ArtHistory.net, “he was taught art by his older brother Hubert van Eyck; later, the two brothers would collaborate on The Ghent Altarpiece (1425-1432) which Jan would be obliged to complete alone after his brother’s death” (arthistory.net). His brother started teaching him about art. Jan Van Eyck was born on 1390 and died on 1441. He lived during the French Revolution which destroyed the church as he died. Also, he “entered the service of the powerful and influential Valois prince, Duke Philip the Good of Burgundy” during his…
painted by Jan Van Eyck known as a God Panel known as the Ghent Altarpiece, made around…
The Deposition of Christ painted by the artist Rogier van der Weyden is the most influential Netherlandish painting of Christ’s crucifixion. Based on the work’s style, and because van der Weyden reached renown around this time, is estimated that the painting was created in the year 1435 (1). The painting was an altarpiece, intended for the Chapel of the Confraternity of the Archers of Leuven, who commissioned it. The scene shown would have lasted a moment, but there is nothing momentary about its depiction, which is quite attached to the historical event. Rogier emphasized the energy of the painting creating a life-like piece that clearly recreates the moment of pain for Christ and his friends.…
He also seemed to have learned a great deal from what he viewed. Although he was primarily attracted to the conservative painters Gentile da Fabriano and Fra Angelico, Rogier was also acquainted with more progressive trends (http://gallery.euroweb.hu/bio/weyden/rogier/biograph.html). In the St. John Altarpiece and the Seven Sacraments Triptych, executed between 1451 and 1455, shortly after Rogier's return north, his characteristic style is altered by his recollection of the more robust Italian styles; and, in both, the panels are unified from a single point of view. Despite this, however, Rogier's paintings remained essentially iconic: he pushed the figures into the foreground and isolated them from their surroundings. The last 15 years of his life brought Rogier the success due an internationally famous painter and exemplary citizen (http://wwar.com/masters/w/weyden-vander.html). He received numerous commissions, which he carried out with the assistance of a large workshop that included his own son Pieter and his successor as city painter, Vranck van der Stockt. He left behind him not only a large workshop with extremely well trained assistants, but also a continuing demand for his work. The studio was taken over by Pieter, now also a painter (http://www.abcgallery.com/W/weyden/weydenbio.html). Even before his death, however, Rogier's influence extended far beyond his immediate associates. The influence of his expressive but less intricate style passed that of both Campin and van Eyck. Every Flemish painter of the next generation - Petrus Christus, Dierik Bouts, Hugo van der Goes, and Hans Memling - depended on Rogier's examples (http://7.1911encyclopedia.org/W/WE/WEYBRIDGE.htm). Rogier's art was also a way of transporting the Flemish style throughout Europe, and during the second half of the 15th century his influence dominated painting in France, Germany, and Spain, to which many of his recorded paintings were…
With the rise of the Protestant Reformation in the early 16th century, many artists found themselves either supporting Protestant or Catholic religious belief. It was during this period that visual imagery was being challenged greatly by influential figures like Martin Luther who believed that art in religion should be obsolete. Including this came along the challenges of the Catholic Church and its structure’s stray from focusing on the salvation of its followers. It was this Reformation that caught the attention of artists who agreed with this belief. For instance, artists like Albrecht Durer, found themselves supporting and sympathizing with this new reformation, by including references in their artwork. Two artists who began to explore printmaking in this time were Albrecht Durer and Lucas van Leyden. With the invention of the printing press, artist found positives in distribution; printmaking being cheap and efficient. With this they were able to create two prints of the same subject matter with different details enlightening the viewer of artistic differences at this time. Both artists share very similar qualities in their work: visual composition, because of societal differences.…
The Dutch emphasis on landscape had influenced many artists during the Renaissance period — Bruegel among them. This style of painting and Bruegel’s integration of social values in his paintings helped create many masterpieces.…
Petrus Christus, Virgin and Child in Domestic Interior, c. 1410 - 1475, currently resides in the Nelson Atkins Museum of Art, one of Christus more famous works that exhibit his Flemish painting style which reputedly introduced geometric perspective into the Netherlands. Centuries later Joachim Anthonisz Wtewael who represented a more extreme version of Northern Mannerism in the late 16th Century painted, The Martyrdom of Saint Sebastian, c.1600 also on exhibit in the Nelson Atkins. In 1444 Christus became a citizen of Bruges, where he worked until his death. He is believed to have been trained in Jan van Eyck’s studio.…
Writer’s block is a term often use to describe a creative block when they are unsure and lost on how to go about with their writing; it’s not just the inability to continue with their work, but it can also be the inability to produce something creative. Moreover, this term is not isolated to writers only, this creative block can apply to all those who practice the art — artists, composers, choreographers. In this essay, I shall explain a few relatively common causes of writer’s block and the techniques to overcome this creativity block. I will be referring to several sources and to my experience on how I deal with writer’s block.…
He’s specialized in small devotional paintings for a ready market in Antwerp and other Flemish cities. He created many works of art, most of which are religious paintings. Some of his works include St. John the Baptist and Christ as the Man of Sorrow. Christ with the Crown of Thorns, and Madonna and Child. His rich and complex iconographical elements create a heightened sense of contemporary beliefs and spiritual ideals, morally the works express a fearful outlook, combined with a respect for restraint and stoicism.…
Over the years, house hold up keeping has changed greatly from maids to moms and dads picking up after their children and them selfs and not woring about someone being in your house and having to pay them. In the book Girl with a Perl Earring written by Tracey Chevalier, It is a book staged in 1664 about a young women named greit in a small town called Delft in New Holland. She has to accomplish some difficult tasks and has to work through her aking and tired body to make money for family after her father was blinded at work. At the beggining Griet is just a simple maid cleaning and cooking, but her job becomes harder as she goes having to help Vermeir and hide it from the mother and having another affair in the outside world. Griet is…
During the time of colonization in the 16th and 17th century, European countries flocked to the Americas for different reasons and with them they brought their culture and Baroque art style. With all those different cultures and races coming together there was a lot mixing and blending that occurred. A “blend of Indigenous style with counter reformation” happened. Europeans were impressed with the Indigenous…
"Dutch art” retrieved The Seventeenth Century." The Columbia Electronic Encyclopedia.© 1994, 2000-2006, on Infoplease. © 2000–2007 Pearson Education, publishing as Infoplease. http://www.infoplease.com/ce6/ent/A0857840.html.…
PearlHester’s illegitimate daughter. Pearl is a young girl with a moody, mischievous spirit and the ability to perceive things others do not. She quickly discerns the truth about her mother and Dimmesdale, though neither will confirm her suspicions. The townspeople say that she barely seems human and spread rumors that her unknown father is actually the Devil. Pearl has grown up with her mother outside of the town, and she often terrorizes the town’s children, who view her as a curiosity. She is wise beyond her years, frequently engaging in ironic play having to do with her mother’s scarlet letter.…
To begin, the setting in this book effects the story quite a bit. For example, if they didn't have the divide of Socs and greasers, then the story would be different. In the book, they have two groups on two sides of town, The greasers on the East side, and the Socs on the West side. The groups don't get along at all! But, if they did, wouldn't the story be way different?…