“Boys will be boys,” a commonplace phrase that constitutes a diffusion of responsibility away from the male perpetrators of aggressive attitudes and behaviors, supports a dangerous rhetoric that a young male transitioning into adulthood will perform acts of aggression, display a detached and uncaring disposition, and develop attitudes of intense homophobia and sexism as part of a biological norm of that stage of adolescence, a stage of life comprising a larger and larger part of young man’s life, ages 16-29. Kimmel challenges this rhetoric, arguing that there is an underlying culture of entitlement (as the gaining of equality by other groups such as women and minorities are perceived as a threat to privileges that the white man “deserves,” a zero-sum game of status) that is supported by a culture of silence (of refusing to bear witness to other men’s transgressions, which is perceived as support) and a culture of protection (in which communities shield “their” guys from the harsh implications and accountability) which allows these behaviors and attitudes to persist. Kimmel argues that…
Guyland can be defined as the world in which young men live (Kimmel 2008, pg. 4). It’s a stage these young men go through from the time they hit adolescence to the time they enter manhood (from about 15 to 26). It’s a world where guys just act as guys, untouched by the adult life of parents, jobs, kids, girlfriends, etc. Kimmel (2008) describes it as a “Peter-Pan mindset”, where these kids live in a realm of fun and freedom and never want to grow up. Guyland is the world young men grow up in, and is a passage they navigate through from adolescence to adulthood. It can also be described as what men do for fun. In this world, they do nothing but drink, have sex,…
Michael Kimmel talks a lot about how guys between the ages of 16 and 26 are living in the world called Guyland (Kimmel, 5). Things such as sports, sex, porn, and video games consume guys in Guyland. Kimmel also brings up that girls/women are in a way questionable or illegal in Guyland, however women/girls are still present in Guyland. Two ways females participate in Guyland are by supporting Guyland by conforming to what men want and by complying with guys by trying to be one of them. Women can also resist Guyland by embracing qualities they already posses and not conforming to the wants of males.…
The American culture embraces masculinity through many aspects of their everyday lives. The way they conduct work in the work place, the principles of teaching young adolescents in school, and the largest factor, the mass medias pervasive involvement. Masculinity is defined by physical capability, financial independence, authoritarian values, and male dominance. These qualities are not completely supported by all men, but a large amount of society do embody these masculine ideals and notions. These notions do not embody the homosexual male community; they have an entirely different perception on what notions capture the essence of masculinity in the U.S society. In the institution of family, a masculine man is the bread winner, the engineer of a home, a strong provider, and a father. In the current U.S society, some of these standards have drastically changed. Many men are no longer the financial provider, but are “househusbands”, a new terminology being used to describe a husband who is a stay at home father while the wife works.…
Financial success and sexual prowess determines man masculinity. Society views men that has a lot of money, can provide for his family successfully, and has a lot of sex partners as masculine. If a man lacks these particular factors, he would think his masculinity is being threatened. The ideal man is represented through television, where African American men are portrayed to be tough, strong and a “player” and athletes such as Wilt Chamberlain who is looked at as masculine all because he has money and more importantly, he slept with almost 20,000 different women. Therefore, the young men and women who watches television and…
The film, “The Mask You Live” clearly brings out the challenges that boys go through in America as they strive to grow in to the kind of men that the society has stereotyped them to be. Boys are constantly being told to be tough, and so they need to show limited amounts of emotions to various events and put on a ‘mask’ to show that they are not hurting even when they truly are. The movie is quite effective at showing the problems that society has brought upon itself through making young men pick up a wrong idea of what it means to be men. What can clearly be seen in the movie is the fact that a lot of men have ended up to engage in various activities that are detrimental, not only to them but also to other people as…
As information was gathered on values portrayed in popular media, there was a decision made to refine the search from the vast search to small sub-topics where research can be compiled for a defined report. Breaking down the main search into smaller searches such as marriages/couples, women/men, raising kids, violence, and Christianity. Beginning the smaller search with two to three articles per sub-topic, the most valuable of information was set aside for review so that a primary topic could be picked for the research paper. The most relational topic that stood out was how men are portrayed on television shows, movies, media and advertising. It has been known that men in the present day are portrayed in a wide view that may or may not be politically correct. This type of portrayal is not what our youth should grow up on. In many cases, men are portrayed in negative ways, some in positive ways, and few in a realistic way that affects a man’s self-esteem and is a big reflection on our youth today.…
Pittman, Frank. Man Enough: Fathers, Sons, and the Search for Masculinity. New York: Putnam 's Sons, 1993.…
Portraying traditional masculinity as an ideal for men to aspire to be is a toxic paradigm that punishes those who demonstrate deviating behaviours. Donald Draper, TV’s example of the ideal masculine man, demonstrates these very toxicities. Draper is an idealized façade created by Dick Whitman, a man attracted to the power of hegemonic masculinity. Although portrayed as an ideal man, Whitman’s violent tendencies, temperamental anxiousness, and yearning desire for the benefits of hegemonic masculinity all demonstrate serious character flaws. Furthermore, by perpetuating these notions of traditionalized masculinity as being the ideal, we force individuals who possess effeminate qualities to “man up”. This unintentionally legitimizes the notion…
It’s a boy’s game, it’s what they do, it’s what they’ve always done and always will do…
In our modern day society, nothing has changed since our parent’s time. Men are still regarded principally as strong, dominant figures who know exactly what they plan to do, and how they will carry out those plans. In short, to be a man means being powerful and the epitome of blunt force in human terms. Therefore, those who show weakness are looked down on or shamed, similarly to women who are seen as inferior in strength. In contrast, men are expected to put up a strong front and take out their emotions in a gratuitously violent way that romanticizes their strength. Consequently, what men present in a representation of themselves can often be someone very different from who they wish to be; society expects men to uphold dominance and…
According to Amanda Marcotte, a politics writer for Salon “Masculinity, usually associated with competition, logic, rational thinking, boldness, action and strength — is only a problem when it’s operating in excess.” When discussing masculinity it’s imperative to mention the difference between “toxic masculinity” and “masculinity”. There are indeed forms of masculinity that are not toxic. Marcotte explains, “toxic masculinity is a specific model of manhood, geared towards dominance and control. It’s a manhood that views women and LGBT people as inferior, sees sex as an act not of affection but domination, and which valorizes violence as the way to prove one’s self to the world.” (Marcotte 2016). This ideology is unethical because it continues a pattern of segregation as well as a culture of violence and aggressive that invalidates male…
The television series Queer as Folk constructs masculinity in a seemingly progressive way; due to the overtly sexual nature of the show, and to the homosexuality of the majority of the characters. In some ways, seen specifically through the actions and characteristics of Brian, Queer as Folk attempts to widen the category of “normative masculinity” to include gay men, but at the same time the series also flaunts and celebrates a non-normative masculinity.…
Michael Kimmel is an sociologist who specializes in gender studies and also is the spokesman to the National Organization for Men Against Sexism. Every generation has its’ own major social problem and for my generation it has been gender inequality. In his TEDtalk “Why gender equality is good for everyone - men included” Michael Kimmel argues for men to fight for gender rights to achieve true gender equality to an audience of educated middle aged adults. Kimmel uses personal stories, statistics, repetition, and humor. Kimmel wants his audience to engage young boys and men in the fight for gender equality by making them aware of gender issues and how to solve them. Kimmel’s strong use of rhetorical strategies and easy going delivery of his speech…
Boys and young men learn early on that being a real man means you have to put on this tough guy persona. This persona’s manifestation are hyper-masculinity or machismo, independence, isolation, territorialism, inability to show emotions, inability to initiate emotional ties with other men, inability to recognize their need for community and sharing (Heath, 2003). In contrast with the construct of masculinity in classical Greek literatures where male-male relationships are part of the norms, and oftentimes very complex, our definition of masculinity is quite bit on the conservative side. This paper will attempt seek an explanation for this gap in construction of masculinity through exploration of gender roles…